Environmental Justice in South Africa provides a systematic overview of the first ten years of postapartheid environmental politics. Written by leading activists and academics in the field, this edited collection offers the first critical perspective of environmental justice theory and practice in South Africa. Accessible and wide-ranging in its coverage, the book offers a benchmark analysis of the environmental justice movement today as well as an assessment of where it may be headed in the future.

Beginning with a history of the environmental justice movement in the country, the book explores a range of conceptual and practical questions: How does environmental justice relate to issues of marginalization and poverty in South Africa? What are the links between environmental justice and other schools of environmental thought? Is the legal system an appropriate tool for addressing environmental equity? How do race, class, and gender intersect in the South African environmental context?

The second half of the book is a more concrete exploration of environmental (in)justice in the country. These chapters are interspersed with real-life stories of struggles by workers and communities for environmental change. The book is an invaluable resource for South African and international audiences interested in the growing, and increasingly global, environmental justice movement.

In My Voice Is My Weapon, David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues.