Why the Greeks? How did it happen that these people—out of all Mediterranean societies—developed democratic systems of government? The outstanding German historian of the ancient world, Christian Meier, reconstructs the process of political thinking in Greek culture that led to democracy. He demonstrates that the civic identity of the Athenians was a direct precondition for the practical reality of this form of government.

Meier shows how the structure of Greek communal life gave individuals a civic role and discusses a crucial reform that institutionalized the idea of equality before the law. In Greek drama—specifically Aeschylus' Oresteia—he finds reflections of the ascendancy of civil law and of a politicizing of life in the city-state. He examines the role of the leader as well as citizen participation in Athenian democracy and describes an ancient equivalent of the idea of social progress. He also contrasts the fifth-century Greek political world with today's world, drawing revealing comparisons.

The Greek Discovery of Politics is important reading for ancient historians, classicists, political scientists, and anyone interested in the history of political thought or in the culture of ancient Greece.

If a river runs through it, somewhere there is bound to be a bridge. Little in the landscape remains untouched by human hands, and every touch, from the simplest ditch to the most intricate monument, reveals a political decision or design. This is how Martin Warnke, one of Germany's leading art historians, looks at landscape in this book, which leads to a new way of seeing nature as we have appropriated, represented, and transformed it over time. Covering nearly a thousand years and most of western Europe, The Political Landscape provides a compelling summary history of modern humanity's ill-fated attempt to master nature.

Warnke finds evidence of the politicized landscape everywhere, on nature's own ground and in art, artifacts, and architecture, in features defined by the demands of conquest and defense, property rights and picturesque improvement, trade, tradition, communication, and commemoration. Whether considering the role of landscape in battle depictions, or investigating monumental figures from the Colossus of Rhodes to Mount Rushmore, or asking why gold backgrounds in paintings gave way to mountains topped with castles, Warnke reconfigures our idea of landscape, its significance, and its representations. The book sharpens our perceptions of nature in art and as art--a nature charged with symbol and meaning as a result of interventions by turns enlightened, insensitive, or, as now, dangerously corrosive.