front cover of Comb Ridge and Its People
Comb Ridge and Its People
The Ethnohistory of a Rock
Robert McPherson
Utah State University Press, 2009

West of the Four Corners and east of the Colorado River, in southeastern Utah, a unique one-hundred-mile-long, two-hundred-foot-high, serrated cliff cuts the sky. Whether viewed as barrier wall or sheltering sanctuary, Comb Ridge has helped define life and culture in this region for thousands of years. Today, the area it crosses is still relatively remote, though an important part of a scenic complex of popular tourist destinations that includes Natural Bridges National Monument and Grand Gulch just to the west, Glen Canyon National Recreation Area and Lake Powell a bit farther west, Canyonlands National Park to the north, Hovenweep National Monument to the east, and the San Juan River and Monument Valley to the south. Prehistorically Comb Ridge split an intensively used Ancient Puebloan homeland. It later had similar cultural—both spiritual and practical—significance to Utes, Paiutes, and Navajos and played a crucial role in the history of European American settlement. To tell the story of this rock that is unlike any other rock in the world and the diverse people whose lives it has affected, Robert S. McPherson, author of multiple books on Navajos and on the Four Corners region, draws on the findings of a major, federally funded project to research the cultural history of Comb Ridge. He carries the story forward to contention over present and future uses of Comb Ridge and the spectacular country surrounding it.

The book is the winner of the 2009 Utah Book Award for Nonfiction.

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logo for Intellect Books
Popular Music Ethnographies
Practice, Place and Identity
Edited by Sarah Raine, Shane Blackman, Robert McPherson, and Iain A. Taylor
Intellect Books, 2025
An ethnographic approach to global pop music studies.

This edited collection offers evocative ways into an international selection of popular music, from the Ecuadorian indie scene to Chinese rock. In exploring the experiences of musicians, fans, industry professionals, and academics, the rich complexity of popular music is brought to life through ethnography as an immersive approach to both undertaking and communicating research.

Experimenting with ethnography through the joys and tribulations of musical production, fandom, and scholarship, the contributors critically consider what it means to be a popular music ethnographer and what it means to take an ethnographic approach to studying popular music.

In addition to the critical essays, shorter vignettes are provided by musicians, venue owners, music writers, live music photographers, and fans. Altogether, the book explores the practices, places, and identities behind the music.
 
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front cover of River Flowing From The Sunrise
River Flowing From The Sunrise
An Environmental History of the Lower San Juan
James M. Aton and Robert S. McPherson
Utah State University Press, 2000
The authors recount twelve millennia of history along the lower San Juan River, much of it the story of mostly unsuccessful human attempts to make a living from the river's arid and fickle environment. From the Anasazi to government dam builders, from Navajo to Mormon herders and farmers, from scientific explorers to busted miners, the San Juan has attracted more attention and fueled more hopes than such a remote, unpromising, and muddy stream would seem to merit.
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