front cover of From The Meadow
From The Meadow
Selected And New Poems
Peter Everwine
University of Pittsburgh Press, 2004
"His poems are timeless, lyrical songs that transcend the dark forces of our society and call for a deeper understanding of our values. Becoming familiar again with old poems by a gifted master is like reliving the days when poetry truly came from the heart to ravish and define who we are." --Bloomsbury Review "These exquisite poems are so well paced that nothing ever seems forced or misplaced." --Library Journal "[Everwine] presents us with poetry in which each moment is recorded, laid bare, and sanctified, which is to say the poems posses a quality one finds only in the greatest poetry." --Ploughshares
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front cover of Moon on the Meadow
Moon on the Meadow
Collected Poems
Pia Taavila-Borsheim
Gallaudet University Press, 2008

As a child of deaf adults (CODA), Pia Taavila first learned to communicate when her deaf father fingerspelled the names of toys in her crib and her mother showed her the signs for objects in picture books. From this primary visual orientation, in combination with her own innate sense of imagery, Taavila crafted the lush verse featured in Moon on the Meadow: Collected Poems.

Taavila uses the graphic power of her poetry to evoke emotions about all aspects of existence — love, loss of love, family, death, and desire — feelings elicited through a lens attuned to the simple beauty of the natural. Most of the poems in Moon on the Meadow have been published at least once in established journals, testimony to the broad appeal of her passionate outlook on life. Yet, Taavila believes that her experiences as a CODA are essential to her ability to write at all. She never strays far from her home, her family, and the comforts they bring her through her art:

    At a wedding, a flautist’s
    languid notes lilt on the air.
    My mother, who cannot hear,
    leans forward, attentive
    to the dip and sway of his body.
    She signs to me:

    It sounds like butterflies

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front cover of Playing God in the Meadow
Playing God in the Meadow
How I Learned to Admire My Weeds
Martha Leb Molnar
University of Massachusetts Press, 2022

After decades of fantasizing and saving, of working multiple jobs and embracing frugality in the midst of Manhattan, Martha Leb Molnar and her husband had found their parcel of land. Determined to turn an overgrown and unproductive Vermont apple orchard into a thriving and beautiful landscape, they decided to restore this patch of land to a pristine meadow and build a safe haven for their family and nearby wildlife.

Once they cleared the gnarled and dying trees away, Molnar was forced to wage war on the invasive species that had sprung up around the property. Propelled by the heated debates surrounding non-native species and her own complicated family history and migration, she was driven to research the Vermont landscape, turning to scientific literature, experts in botany and environmental science, and locals who have long tended the land in search of answers. At turns funny, thoughtful, and conversational, Playing God in the Meadow follows this big city transplant as she learns to make peace with rural life and an evolving landscape that she cannot entirely control.

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