Jerome’s Abbreviated Psalter was one of the most important collections of psalm verses in the Middle Ages. Commonly found in primers and books of hours, it was the primary medium for lay people to imitate the monastic divine office, even as it offered concessions to harsh personal circumstances. This edition presents the Middle English versions in parallel, followed by the Latin version in the Lincoln Thornton manuscript. An introductory review considers the psalter in general and the origins of abbreviated psalters in particular. Jerome’s Abbreviated Psalter is the most widespread text in the abbreviated psalter tradition and it illustrates an important aspect of lay devotional life from the eighth to the sixteenth century. The English versions contribute both to the history of English prose and to the history of biblical translation in English.

The first complete translation into a modern language of a major authority on the medieval Christian liturgy.

Honorius Augustodunensis’s Jewel of the Soul (the Gemma animae) gleams as one of the most attractive liturgical commentaries from the twelfth century. A lively and effective teacher, Honorius strives to unveil the meaning behind the sacred texts, objects, music, and ritual of the Roman Mass and Divine Office for young initiates. Building on the allegorical approach pioneered in the Carolingian era by Amalar of Metz, he shows readers how their souls are beautified by the liturgy as gold is by a jewel. His flowing and comprehensive commentary gained widespread influence in Western Christendom and was an important source for later liturgical treatises. For the modern scholar this work remains key to understanding the medieval allegorical approach to worship and provides valuable documentation about how these offices were celebrated in the twelfth century. These volumes offer the first complete translation into a modern language of this foundational Latin text on Christian liturgy.

The first complete translation into a modern language of a major authority on the medieval Christian liturgy.

Honorius Augustodunensis’s Jewel of the Soul (the Gemma animae) gleams as one of the most attractive liturgical commentaries from the twelfth century. A lively and effective teacher, Honorius strives to unveil the meaning behind the sacred texts, objects, music, and ritual of the Roman Mass and Divine Office for young initiates. Building on the allegorical approach pioneered in the Carolingian era by Amalar of Metz, he shows readers how their souls are beautified by the liturgy as gold is by a jewel. His flowing and comprehensive commentary gained widespread influence in Western Christendom and was an important source for later liturgical treatises. For the modern scholar this work remains key to understanding the medieval allegorical approach to worship and provides valuable documentation about how these offices were celebrated in the twelfth century. These volumes offer the first complete translation into a modern language of this foundational Latin text on Christian liturgy.

<div>This book offers a groundbreaking perspective on Judeo-Christian coexistence in medieval Spain, in particular on the Camino de Santiago (Way of St. James), one of the most important pilgrimage routes in Europe. The author uncovers new evidence of Judeo-Christian cooperation in Castilian monasteries on the Camino. It reveals that a collaborative climate endured in these monasteries as demonstrated by the transmission of <I>cuaderna vía</I> poetry from Christians to Jews.</div>

This book studies how the Jewish community of Mantua established, normalized, and maintained interrelations with the Christian community for over 130 years, from 1520 to 1650, by means of theatre performance for the Gonzaga Dukes. Performance is shown to have been a mutually beneficial "currency" that both the Dukes and Jews could use to calibrate their relations with one another. Seen in this light, the author demonstrates that performance was not the consequence of cultural exchange between Jews and Christians, but was one of the means by which the complicated nature of cultural communication and exchange took place. Jewish Theatre Making in Mantua details the performances created by the Jewish community of Mantua and argues that these theatrical events were a crucial component in the ability of Jews to live peacefully within Mantua, which became one of the few refuges left to Jews in the Italian peninsula and Catholic Europe.

Jews and Christians in Medieval Castile examines the changes in Jewish-Christian relations in the Iberian kingdom of Castile during the pivotal period of the reconquest and the hundred years that followed the end of its most active phase (eleventh to mid-fourteenth century). The study's focus on the Christian heartland north of the Duero River, known as Old Castile, allows for a detailed investigation of the Jews' changing relations with the area's main power players - the monarchy, the church, and the towns. In a departure from previous assessments, Soifer Irish shows that the institutional and legal norms of toleration for the Jewish minority were forged not along the military frontier with Islam, but in the north of Castile. She argues that the Jews' relationship with the Castilian monarchy was by far the most significant factor that influenced their situation in the kingdom, but also demonstrates that this relationship was inherently problematic. Although during the early centuries of Christian expansion the Jewish communities benefited from a strong royal power, after about 1250 helping maintain it proved to be costly to the Jewish communities in economic and human terms. Soifer Irish demonstrates that while some Castilian clergymen were vehemently anti-Jewish, the Castilian Church as a whole never developed a coordinated strategy on the Jews, or even showed much interest in the issue. The opposite is true about the townsmen, whose relations with their Jewish neighbors vacillated between cooperation and conflict. In the late thirteenth century, the Crown's heavy-handed tactics in enforcing the collection of outstanding debts to Jewish moneylenders led to the breakdown in the negotiations between the Jewish and Christian communities, creating a fertile ground for the formation of an anti-Jewish discourse in Castilian towns. Soifer Irish also examines the Jews' attitudes toward the various powers in the Christian society and shows that they were active players in the kingdom's politics. Jews and Christians in Medieval Castile breaks new ground in helping us understand more fully the tensions, and commonalities, between groups of different faiths in the late medieval period.

This volume was a cooperative effort of European, American and Canadian scholars which was published to commemorate the occasion of the seventh centennial of the bith of John Duns Scotus.

This collection brings together newly commissioned and cutting-edge essays on oral text and tradition ranging from the ancient and medieval world to the present day by a leading group of European and North American oral theorists. Using a range of materials including the Bible, Greek epic, Beowulf, Old Norse and Old English riddles, and medieval music, the contributors collectively work to refine, challenge, and further advance contemporary Oral Theory, an interdisciplinary school of thought heavily influenced by John Miles Foley, whose work provides the jumping-off point for this volume. The book includes a useful introduction to the history of oral theory and Foley’s ground-breaking and influential work.

This volume offers an English translation of John of St. Thomas’s Cursus theologicus I, question I, disputation 2. In this particular text, the Dominican master raises questions concerning the scientific status and nature of theology. At issue, here, are a number of factors: namely, Christianity’s continual coming to terms with the “Third Entry” of Aristotelian thought into Western Christian intellectual culture – specifically the Aristotelian notion of ‘science’ and sacra doctrina’s satisfaction of those requirements – the Thomistic-commentary tradition, and the larger backdrop of the Iberian Peninsula’s flourishing “Second Scholasticism.” 
    In this latter context, John of St. Thomas applies the theological principles of Thomas Aquinas to the Scholastic disputes preoccupying Thomist, Franciscan, and Jesuit theologians, such as Cajetan, Bañez, Luis de Molina, Vazquez, Suárez – to name only a few – in a tour de force of theological thinking throughout the entire period of Scholasticism. In the process – and not insignificantly – the status quaestionis of theology’s scientific character is clearly framed and answered according to John’s satisfaction. 
    Key to John of St. Thomas’s resolution of the question is his understanding of the continuity of the     power of human reason with the super-intelligibility of divine revelation spelled out in terms of what he calls “virtual revelation.” This text presented in this volume is a quintessential example of the deep and abiding harmony that flourished between faith and reason as well as grace and nature within the golden era of Baroque Scholasticism.

Christopher Dawson wrote The Judgment of the Nations in 1942, in the midst of the horrors of World War II.

Once upon a time, there lived a humble juggler, Barnaby by name, who was skillful but suffered every winter from poverty. A devotee of the Virgin, he had few failings apart from enjoying drink a little too much. One day he met a monk, who persuaded him to enter a monastery. All the brethren had exceptional skills to exercise on behalf of Mary, but the juggler felt he had nothing worthy to offer. Finally, he had the notion to juggle copper balls and knives before the altar of the Virgin in the chapel. The others caught him in the act and deemed his behavior madness, but after seeing the Mother of God descend to soothe him, they realized that he was blessed.

Writers, illustrators, and musicians from the Middle Ages to the present have loved this simple, medieval tale. In 1890, Anatole France (1844–1924) adapted the original poem as the short story “Le jongleur de Notre-Dame.” Dumbarton Oaks is pleased to bring this version back into print for the enjoyment of modern audiences, featuring a translation by Jan M. Ziolkowski and Art Deco illustrations by Maurice Lalau (1881–1961), faithfully reproduced from a 1924 printing.

Once upon a time, there lived a humble juggler, Barnaby by name, who was skillful but suffered every winter from poverty. A devotee of the Virgin, he had few failings apart from enjoying drink a little too much. One day he met a monk, who persuaded him to enter a monastery. All the brethren had exceptional skills to exercise on behalf of Mary, but the juggler felt he had nothing worthy to offer. Finally, he had the notion to juggle copper balls and knives before the altar of the Virgin in the chapel. The others caught him in the act and deemed his behavior madness, but after seeing the Mother of God descend to soothe him, they realized that he was blessed.

In 1890, Anatole France (1844–1924) adapted this medieval French poem as the short story “Le jongleur de Notre-Dame,” republished in 1906 with illustrations by Henri Malteste (1881–1961)—who signed his work “Malatesta”—a specialist in medievalesque illustrations and calligraphy. Dumbarton Oaks is pleased to bring this version back for the enjoyment of modern audiences both young and old, with artwork reproduced from original gouaches, and a translation by Jan M. Ziolkowski facing the French text.

Once upon a time, there lived in France a humble juggler, Barnaby by name, who was skillful but suffered every winter from poverty. A devotee of the Virgin, he had few failings apart from enjoying drink a little too much. One day he met a monk, who persuaded him to enter a monastery. There he felt miserable at his inability to show his devotion to the Virgin Mary as the other monks did. Then an idea came to him: he would perform before the Madonna! The monks caught him and were outraged or thought he was mad, but soon they saw the Virgin descend from the altar to soothe him. He may be simple, but his heartfelt offering of talent was appreciated. The moral? We do not need to be maestros or to have much money and master’s degrees. We all have something to give.

This simple story has medieval beginnings—a lovely poem often known as “Our Lady’s Tumbler” that dates to the 1230s. Many writers and artists have been inspired by it, and the line art in this coloring book was thoughtfully chosen and carefully prepared from books published a century or so ago. Enjoy the beauty of these illustrations as you add your own colors to the story!

The architectural jewel of Constantinople is the church of Hagia Sophia (Holy Wisdom), constructed 532–537 CE. Although the edifice built by Justinian remains almost intact, only some of its original mosaics survive. In the first comprehensive study, Natalia Teteriatnikov describes the original mosaic program of the church and its restorations after the earthquake of 558.

Drawing from decades of her personal research and scholarship on St. Sophia, the author analyzes the material and decorative components of the Justinianic mosaics that survive. She considers the architectural and theological aesthetics, as well as the social conditions that led to the production of a distinctive, aniconic mosaic program. Lavishly illustrated, the book includes a catalog of the nineteenth-century watercolors created by Gaspare Fossati—the only surviving evidence for reconstructing mosaics that are no longer extant.