A reappraisal of Ecce Homo and The Antichrist within Nietzsche’s oeuvre.
Nietzsche's Legacy takes on the most challenging and misunderstood works in Nietzsche’s oeuvre to illuminate his view of what a philosopher is and what constitutes a philosophic life. Interpreting Ecce Homo and The Antichrist as twin books meant to replace the abandoned Will to Power project, Heinrich Meier recovers them from the stigma of Nietzsche’s late mental collapse, showing that these works are, above all, a lucid self-assessment. The carefully written pair contains both the highest affirmation—the Yes of the “revaluation of all values”—and the most resolute negation—the No to Christianity. How the Yes and the No go together, how the relation between nature and politics is to be determined, how Nietzsche’s intention is governing the political-philosophical double-face: this is the subject of Nietzsche’s Legacy, which opens up a new understanding of Nietzsche’s philosophy as a whole.
On the Happiness of the Philosophic Life presents Heinrich Meier’s confrontation with Rousseau’s Rêveries, the philosopher’s most beautiful and daring work, as well as his last and least understood. Bringing to bear more than thirty years of study of Rousseau, Meier unfolds his stunningly original interpretation in two parts.
The first part of On the Happiness of the Philosophic Life approaches the Rêveries not as another autobiographical text in the tradition of the Confessions and the Dialogues, but as a reflection on the philosophic life and the distinctive happiness it provides. The second turns to a detailed analysis of a work referred to in the Rêveries, the “Profession of Faith of the Savoyard Vicar,” which triggered Rousseau’s political persecution when it was originally published as part of Émile. In his examination of this most controversial of Rousseau’s writings, which aims to lay the foundations for a successful nonphilosophic life, Meier brings to light the differences between natural religion as expressed by the Vicar and Rousseau’s natural theology. Together, the two reciprocally illuminating parts of this study provide an indispensable guide to Rousseau and to the understanding of the nature of the philosophic life.
A masterful, nuanced, and novel examination of Nietzsche’s Zarathustra.
Thus Spoke Zarathustra is Nietzsche’s most famous and most puzzling work, one in which he makes the greatest use of poetry to explore the questions posed by philosophy. But in order to understand the movement of this drama, we must first understand the character of its protagonist: we must ask, What Is Nietzsche’s Zarathustra?
Heinrich Meier attempts to penetrate the core of the drama, following as a guiding thread the question of whether Zarathustra is a philosopher or a prophet, or, if he is meant to be both, whether Zarathustra is able to unite philosopher and prophet in himself. Via a close reading that uncovers the book’s hidden structure, Meier develops a highly stimulating and original interpretation of this much-discussed but still ill-understood masterwork of German poetic prose. In the process, he carefully overturns long-established canons in the academic discourse of Nietzsche interpretation. The result is a fresh and surprising grasp of Nietzsche’s well-known teachings of the overman, the will to power, and the eternal return.
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