A SCHOLARLY BOOK REPOSITORY8 start with V start with V
Captain Clark was a twenty-seven-year-old Knoxville businessman when the first shots of the Civil War were fired in 1861. Like many southern gentlemen, Clark was opposed to secession but could not desert his family and friends. Enlisting as a first lieutenant in the Confederacy’s Third Tennessee Infantry Regiment, he spent his first night as a soldier on the bloody battlefield of Manasses. Clark’s recollections of Manasses and the battles and skirmishes that followed pinpoint his regiment’s activities in previously undocumented areas while providing valuable analyses of battles from a participant’s point of view and discussing the irony many soldiers felt when battle pitted them against men they had known before the war in business, politics, and society.
Captured after the battle of Morristown in the fall of 1864, Clark was jailed in Knoxville, then under Federal control. His account of the eight months he spent as a prisoner—his harsh treatment, a near-fatal illness, the false accusations of traitorous activities—offer a detailed description of the physical and legal battles of a Confederate prisoner of war fighting to obtain his freedom. Clark’s post war experiences relate his struggles as a former Rebel living in a conquered state, reflecting the deeply divided loyalties of East Tennessee that continued for years after the war’s end.
This first book in the Voices of the Civil War series shares the story of a man who remained sensible of his kinship with those he was forced to call his enemies. Written a quarter-century after the war began, Clark's memories vividly bring to life the tragedy that was the Civil War.
Willene B. Clark, a granddaughter of Captain Clark, is a professor of art history at Marlboro College, Marlboro, Vermont.
A member of a middle-class family that had moved to Knoxville in 1860 from Georgia, Ellen House became, like her parents and siblings, a fervent Confederate—or, as she called herself, “a very violent Rebel.” When the city fell to Federal forces in September 1863, Ellen’s resentments ran deep, and she filled her diary with scornful words for the occupying Yankees. She eagerly followed the news of military actions that might mean the recapture of the city and became an eyewitness to the war’s dangers when Confederate General James Longstreet launched an ill-fated attack on Knoxville late in 1863. Despite her own privations, Ellen gave much of her time to providing relief to Confederate prisoners of war in the city. Since she made no secret of where her sympathies lay, Federal military authorities eventually suspected her of spying and expelled her to Georgia, where she continued to record her impressions and observations.
Only recently brought to light by the diarist’s descendants, this compelling personal record has been meticulously edited and annotated by Daniel Sutherland. The resulting volume adds a spirited and articulate voice to the chorus of available firsthand testimony on America’s bloodiest conflict.
In the decades since the Vietnam War, veteran memoirs have influenced Americans’ understanding of the conflict. Yet few historians or literary scholars have scrutinized how the genre has shaped the nation’s collective memory of the war and its aftermath. Instead, veterans’ accounts are mined for colorful quotes and then dropped from public discourse; are accepted as factual sources with little attention to how memory, no matter how authentic, can diverge from events; or are not contextualized in terms of the race, gender, or class of the narrators.
Veteran Narratives and the Collective Memory of the Vietnam War is a landmark study of the cultural heritage of the war in Vietnam as presented through the experience of its American participants. Crossing disciplinary borders in ways rarely attempted by historians, John A. Wood unearths truths embedded in the memoirists’ treatments of combat, the Vietnamese people, race relations in the United States military, male-female relationships in the war zone, and veterans’ postwar troubles. He also examines the publishing industry’s influence on collective memory, discussing, for example, the tendency of publishers and reviewers to privilege memoirs critical of the war. Veteran Narratives is a significant and original addition to the literature on Vietnam veterans and the conflict as a whole.
In any time of disruption or grief, many of us seek guidance in the work of great writers who endured similar circumstances. During the first year of the COVID-19 pandemic, historian and biographer Robert Zaretsky did the same while also working as a volunteer in a nursing home in south Texas. In Victories Never Last Zaretsky weaves his reflections on the pandemic siege of his nursing home with the testimony of six writers on their own times of plague: Thucydides, Marcus Aurelius, Michel de Montaigne, Daniel Defoe, Mary Shelley, and Albert Camus, whose novel The Plague provides the title of this book.
Zaretsky delves into these writers to uncover lessons that can provide deeper insight into our pandemic era. At the same time, he goes beyond the literature to invoke his own experience of the tragedy that enveloped his Texas nursing home, one which first took the form of chronic loneliness and then, inevitably, the deaths of many residents whom we come to know through Zaretsky’s stories. In doing so, Zaretsky shows the power of great literature to connect directly to one’s own life in a different moment and time.
For all of us still struggling to comprehend this pandemic and its toll, Zaretsky serves as a thoughtful and down-to-earth guide to the many ways we can come to know and make peace with human suffering.
“I imagine everyone has a center of gravity,” says Ellen Bromfield Geld. “Something which binds one to the earth and gives sense and direction to what one does.” For Ellen, this center is a writing table before a window that looks out upon groves of pecan trees and mahogany-colored cattle in seas of grass. The place is Fazenda Pau D’Alho, Brazil, where she and her husband, Carson, have lived and farmed since 1961.
Healing the ravaged coffee plantation, rearing five children, exploring the outposts, the Gelds have created a dynamic yet peaceful life far from Ellen’s native Ohio. Their practice of sustainable agriculture, and Ellen’s plea for the preservation of Brazil’s remaining wilderness areas, reflect the legacy of her father, the novelist and farm visionary Louis Bromfield. Their shared vision is crystallized in her account of a cattle drive across the Pantanal, the vast flood plain on Brazil’s side of the Paraguay River. She describes a two-hundred year symbiosis between ranchers and a fragile ecosystem that is being threatened by development.
View from the Fazenda is distilled from fifty years of living in Brazil, weaving daily life on the farm into her quest to understand a nation. It portrays a true melting pot of people who—as conquerers, immigrants, or slaves, their blood and history mingled with those of native Indians—have created the character of Brazil. This huge, diverse county, living in several eras at the same time, is ever changing through its people’s amazing ability to “find a way.”
Ellen Bromfield Geld evokes the land and people of Brazil and offers readers an invigorating glimpse into a soulful life. “It seems to me that being a bit of a poet is perhaps the only way one can survive as a farmer,” she explains. “For in the end, more than anything, farming is a way of life you either love or become bitter enduring.”
Brown joined the Black Panther Party and met with Fred Hampton, the Illinois chapter’s deputy chairman, engaging the man to speak at SIU just three weeks before his infamous assassination by Chicago police under orders from the FBI. Soon after, tensions would escalate into violence closer to home. Before his work in Carbondale was over, Brown would survive a terrible betrayal, an explosion that resulted in a month-long coma, the amputation of a leg, and a poisoning that was attempted as he lay in his hospital bed. After Brown’s injuries forced him to withdraw from Carbondale, his group would be falsely accused of shooting a local police officer, and their residence would be attacked with gunfire and tear gas. The narrative also reveals the challenges and struggles he faced in dealing with physical disabilities and the consequences of addiction.
A View from the Inside offers not only a fresh perspective on racial conflicts in southern Illinois during a pivotal era but also reflections on black identity, leadership, drug addiction, and more. In original poetry and rap as well as prose, Brown reveals a fascinating and significant moment in African American history.
Through anecdotal stories, readers get a glimpse into the fascinating lives of gorillas—the familiar gentleness of mothers and fathers toward their infants, power plays and social climbing, the unruly nature of teenagers, the capacity for humor, and the shared sadness by group members as they mourn the death of one of their own. In the end, Armstrong’s conflict with captivity and her lifelong fondness for these animals helped shape a zoo program dedicated to gorilla conservation.
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