front cover of No Less a Man
No Less a Man
Masculist Art in a Feminist Age
Doug Robinson
University of Wisconsin Press, 1994
Robert B. Parker's detective Spenser. John Rambo, created by David Morrell and played on the silver screen by Sylvester Stallone. Bruce Springsteen. All three, Douglas Robinson claims, are central figures in a new form of popular men’s art: art that explores what it means to be a man in a feminist age. Robinson develops a three-stage transformation myth out of Joseph Campbell’s studies of hero mythology: the road of trials, on which repressive “normality” is tested and found lacking (Spenser); a symbolic death in which defensive rational ego-structures are surrendered (the Rambo of First Blood); and regeneration and return, the gradual rebirth of masculinity in a redemptive transformation (Springsteen).
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front cover of Not All Dead White Men
Not All Dead White Men
Classics and Misogyny in the Digital Age
Donna Zuckerberg
Harvard University Press, 2018

A Times Higher Education Book of the Week

A virulent strain of antifeminism is thriving online that treats women’s empowerment as a mortal threat to men and to the integrity of Western civilization. Its proponents cite ancient Greek and Latin texts to support their claims—from Ovid’s Ars Amatoria to Seneca and Marcus Aurelius—arguing that they articulate a model of masculinity that sustained generations but is now under siege. Not All Dead White Men reveals that some of the most controversial and consequential debates about the legacy of the ancients are raging not in universities but online.

“A chilling account of trolling, misogyny, racism, and bad history proliferated online by the Alt-Right… Zuckerberg makes a persuasive case for why we need a new, more critical, and less comfortable relationship between the ancient and modern worlds in this important and very timely book.”
—Emily Wilson, translator of The Odyssey

“Explores how ideas about Ancient Greece and Rome are used and misused by antifeminist thinkers today.”
Time

“Zuckerberg presciently analyzes these communities’…embrace of stoicism as a self-help tool to gain confidence, jobs, and girlfriends. Their adoration of men like Marcus Aurelius, Epictetus, and Ovid…is founded in a limited and distorted interpretation of ancient philosophy…lending heft and authority to sexism and abuse.”
The Nation

“Traces the application—and misapplication—of classical authors and texts in online communities that see feminism as a threat.”
Bitch Media

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front cover of The Politics of Manhood
The Politics of Manhood
Profeminist Men Respond to the Mythopoetic Men's Movement (And the Mythopoetic Leaders Answer)
edited by Michael S. Kimmel
Temple University Press, 1995
The concept and reality of revolution continue to pose some of the most challenging and important questions in the world today. What causes revolution? Why do some people participate in revolutionary events while others do not? What is the role of religion and ideology in causing and sustaining revolution? Why do some revolutions succeed and some fail? These questions have preoccupied philosophers and social scientists for centuries. In Revolution, Michael S. Kimmel examines why the study of revolution has attained such importance and he provides a systematic historical analysis of key ideas and theories. The book surveys the classical perspectives on revolution offered by nineteenth- and early twentieth-century theorists, such as Marx, Weber, Durkheim, Tocqueville, and Freud. Kimmel argues that their perspectives on revolution were affected by the reality of living through the revolutions of 1848 and 1917, a reality that raised crucial issues of class, state, bureaucracy, and motivation. The author then turns to the interpretations of revolution offered by social scientists in the post-World War II period, especially modernization theory and social psychological theories. Here, he contends that the relative quiescence of the 1950s cast revolutions in a different light, which was poorly suited to explain the revolutionary upheavals that have marked the 1960s, 1970s, and 1980s. With reference to the work of Barrington Moore, Theda Skocpol, Immanuel Wallerstein, and Charles Tilly, among others, Kimmel develops the criteria for a structural theory of revolution. This lucid, accessible account includes contemporary analyses of the Nicaraguan, Iranian, and Angolan revolutions.
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