front cover of Visibility Interrupted
Visibility Interrupted
Rural Queer Life and the Politics of Unbecoming
Carly Thomsen
University of Minnesota Press, 2021

A questioning of the belief in the power of LGBTQ visibility through the lives of queer women in the rural Midwest

Today most LGBTQ rights supporters take for granted the virtue of being “out, loud, and proud.” Most also assume that it would be terrible to be LGBTQ in a rural place. By considering moments in which queerness and rurality come into contact, Visibility Interrupted argues that both positions are wrong. In the first monograph on LGBTQ women in the rural Midwest, Carly Thomsen deconstructs the image of the rural as a flat, homogenous, and anachronistic place where LGBTQ people necessarily suffer. And she suggests that visibility is not liberation and will not lead to liberation. 

Far from being an unambiguous good, argues Thomsen, visibility politics can, in fact, preclude collective action. They also advance metronormativity, postraciality, and capitalism. To make these interventions, Thomsen develops the theory of unbecoming: interrogating the relationship between that which we celebrate and that which we find disdainful—the past, the rural, politics—is crucial for developing alternative subjectivities and politics. Unbecoming precedes becoming. Drawing from critical race studies, disability studies, and queer Marxism, in addition to feminist and queer studies, the insights of this book will be useful to scholars theorizing issues far beyond sexuality and place and to social justice activists who want to move beyond visibility. 

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front cover of Visualizing the Sacred
Visualizing the Sacred
Cosmic Visions, Regionalism, and the Art of the Mississippian World
Edited by George E. Lankford, F. Kent Reilly III, and James F. Garber
University of Texas Press, 2011

The prehistoric native peoples of the Mississippi River Valley and other areas of the Eastern Woodlands of the United States shared a complex set of symbols and motifs that constituted one of the greatest artistic traditions of the pre-Columbian Americas. Traditionally known as the Southeastern Ceremonial Complex, these artifacts of copper, shell, stone, clay, and wood were the subject of the groundbreaking 2007 book Ancient Objects and Sacred Realms: Interpretations of Mississippian Iconography, which presented a major reconstruction of the rituals, cosmology, ideology, and political structures of the Mississippian peoples.

Visualizing the Sacred advances the study of Mississippian iconography by delving into the regional variations within what is now known as the Mississippian Iconographic Interaction Sphere (MIIS). Bringing archaeological, ethnographic, ethnohistoric, and iconographic perspectives to the analysis of Mississippian art, contributors from several disciplines discuss variations in symbols and motifs among major sites and regions across a wide span of time and also consider what visual symbols reveal about elite status in diverse political environments. These findings represent the first formal identification of style regions within the Mississippian Iconographic Interaction Sphere and call for a new understanding of the MIIS as a network of localized, yet interrelated religious systems that experienced both continuity and change over time.

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front cover of A Voice from the River
A Voice from the River
A Novel
Dan Gerber
Michigan State University Press, 2005

This novel is one of Dan Gerber's triumphs. From the author of American Atlas, Out of Control, and Grass Fires, Gerber's A Voice From the River followed Grass Fires to prominence on national bestseller lists. This novel once again affirms the Gerber's solid reputation for writing about the confrontation of the Spirit World and what some consider to be the Last of Days.

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