Social scientists have long recognized many apparent contradictions in the Minangkabau. The world’s largest matrilineal people, they are also strongly Islamic and, as a society, remarkably modern and outward looking.

Focusing on Minangkabau proper, and treating several adjacent areas as well, this collection examines the resilience and adaptability of the Minangkabau in the face of outside political and economic pressures and of distortions in social science and legal theory. Individual studies address issues of kinship and other forms of social organization, ideology, and political and economic life. Together, they emphasize the integrity of Minangkabau social forms while revealing fascinating patterns of continuity and change in Minangkabau culture.

This collection will be of particular interest to anthropologists specializing in Southeast Asia, but it will also be important reading for those concerned with the issue of change and continuity in the third world generally.

Randai, the popular folk theater tradition of the Minangkabau ethnic group in West Sumatra, has evolved to include influences of martial arts, storytelling, and folk songs. Theater and Martial Arts in West Sumatra describes the origin, development, and cultural background of randai and highlights two recent developments: the emergence of female performers and modern staging techniques.

This book also explores the indigenous martial arts form silek, a vital part of randai today. The strong presence of silek is illustrated in the martial focus of the stories that are told through randai, in its movement repertoire, and even in its costumes and musical accompaniment. As Kirstin Pauka shows, randai, firmly rooted in silek and Minangkabau tradition, is an intriguing mirror of the Minangkabau culture.