front cover of Children’s Literature in Hitler’s Germany
Children’s Literature in Hitler’s Germany
The Cultural Policy of National Socialism
Christa Kamenetsky
Ohio University Press, 1984

Between 1933 and 1945, National Socialists enacted a focused effort to propagandize children’s literature by distorting existing German values and traditions with the aim of creating a homogenous “folk community.” A vast censorship committee in Berlin oversaw the publication, revision, and distribution of books and textbooks for young readers, exercising its control over library and bookstore content as well as over new manuscripts, so as to redirect the cultural consumption of the nation’s children. In particular, the Nazis emphasized Nordic myths and legends with a focus on the fighting spirit of the saga heroes, their community loyalty, and a fierce spirit of revenge—elements that were then applied to the concepts of loyalty to and sacrifice for the Führer and the fatherland. They also tolerated select popular series, even though these were meant to be replaced by modern Hitler Youth camping stories.

In this important book, first published in 1984 and now back in print, Christa Kamenetsky demonstrates how Nazis used children’s literature to selectively shape a “Nordic Germanic” worldview that was intended to strengthen the German folk community, the Führer, and the fatherland by imposing a racial perspective on mankind. Their efforts corroded the last remnants of the Weimar Republic’s liberal education, while promoting an enthusiastic following for Hitler.

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front cover of J. D. Salinger and the Nazis
J. D. Salinger and the Nazis
Eberhard Alsen
University of Wisconsin Press, 2018
Before J.D. Salinger became famous for his 1951 novel The Catcher in the Rye and infamous as a literary recluse, he was a soldier in World War II. While serving in the U.S. Army's Counter Intelligence Corps (CIC) in Europe, Salinger wrote more than twenty short stories and returned home with a German war bride. Eberhard Alsen, through meticulous archival research and careful analysis of the literary record, corrects mistaken assumptions about the young writer's war years and their repercussions. Though recent biographies and films claim that Salinger regularly participated in combat, Alsen cites military documents showing that his counterintelligence work was well behind the front lines.

Alsen, a longtime Salinger scholar who witnessed the Nazi regime firsthand as a child in Germany, tracks Salinger's prewar experiences in the army, his work for the CIC during significant military campaigns, and his reactions to three military disasters that killed more than a thousand fellow soldiers in his Fourth Infantry Division. Alsen also identifies the Nazi death camp where Salinger saw mounds of recently burned bodies. Revealing details shed light on Salinger's outspoken disgust for American military leaders, the personality changes that others saw in him after the war, and his avoidance of topics related to the Holocaust.
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