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4 books match the query 'Net'

cover of Brethren of the Net: American Entomology, 1840-1880

Brethren of the Net

American Entomology, 1840-1880

W. Conner Sorensen

University of Alabama Press, 1995

Draws together information from diverse sources to illuminate an important chapter in the history of American science

Sorensen asks how it came about that, within the span of forty years, the American entomological community developed from a few gentlemen naturalists with primary links to Europe to a thriving scientific community exercising world leadership in entomological science. He investigates the relationship between American and European entomology, the background of American entomologists, the implications of entomological theory, and the specific links between 19th-century American society and the rapid institutional growth and advances in theoretical and applied entomology.

By the 1880s the entomologists constituted the largest single group of American zoologists and the largest group of ecologists in the world. While rooted in the British natural history tradition, these individuals developed a distinctive American style of entomological investigation. Inspired by the concept of the balance of nature, they excelled in field investigations of North American insects with special emphasis on insect pests that threatened crop production in a market-oriented agriculture. During this period, entomologists described over ten times as many North American insect species as had been previously named, and they consolidated their findings in definitive collections. Employing evolutionary theory, they contributed to the growing understanding of insect migration, mimicry, seasonal dimorphism, and the symbiotic relationship of plant and animal species. Americans also led in the revision of insect taxonomy according to the new principles. Their employment of entomological findings in the practical control of agricultural pests set new standards worldwide. Initially ridiculed as eccentric bug hunters, American entomologists eventually achieved stature as agricultural advisers and as investigators into the origin and nature of life.

Based primarily on the correspondence of American entomologists, Brethren of the Net draws together information from diverse sources to illuminate an important chapter in the history of American science.

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cover of Flying Funny: My Life without a Net

Flying Funny

My Life without a Net

Dudley Riggs

University of Minnesota Press, 2017

The unusual, gravity-defying first act of improvisational theater’s founding father—now in paperback

Dudley Riggs didn’t have to run away from home to join the circus: home was the circus. Son of the acclaimed aerial flyers Riggs and Riggs, he made his circus debut as a polar prince parading in a wagon pulled by a polar bear. At the age of five, he graduated to a risqué vaudeville act during the circus off- season; at eight, he outgrew his cutes (and his child stardom) and joined his high-flying parents on the trapeze. Eventually he had to learn to “fly funny” because he grew too tall to fly straight. In one way or another, Riggs has been flying ever since.

The rest, as they say, is history. And what a story it is. In Flying Funny, Riggs shares many highs and lows while describing circus life and the evolution of America’s popular entertainment during the twentieth century. From his early life in circus and vaudeville to his creation of the Brave New Workshop, we see how his show business experience and instincts helped him create in Minneapolis what became the “next wave” in American entertainment—improvisation.

As a young man, Riggs lost everything in a tornado, got an education on the fly, and sailed with the All American circus to post–war Japan. On a slow boat home and restless about his future, he developed the idea of Word Jazz—creating a script on stage as it is being performed—and shortly after he opened the Instant Theater in New York. Later, he moved to Minneapolis where he founded the Brave New Workshop, launching the careers of comic greats such as Penn and Teller, The Flying Karamazov Brothers, Louie Anderson, Peter Tolan, Pat Proft, Nancy Steen, Liz Winstead, Al Franken and many others. Today, the Brave New Workshop thrives as the longest running improvisational theater in America.

From flying funny on the trapeze to theater without a net, Dudley Riggs’s story is filled with hearty laughs and eyebrow-raising insights. With a wry sense of humor and infectious warmth, he shares the exhilaration of flying whether through the air or on the stage.

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cover of Net of Magic: Wonders and Deceptions in India

Net of Magic

Wonders and Deceptions in India

Lee Siegel

University of Chicago Press, 1991

Vast like the subcontinent itself and teeming with outrageous and exotic characters, Net of Magic is an enthralling voyage through the netherworld of Indian magic. Lee Siegel, scholar and magician, uncovers the age-old practices of magic in sacred rites and rituals and unveils the contemporary world of Indian magic of street and stage entertainers.

Siegel's journeys take him from ancient Sanskrit texts to the slums of New Delhi to find remnants of a remarkable magical tradition. In the squalid settlement of Shadipur, he is initiated into a band of Muslim street conjurers and performs as their shill while they tutor him in their con and craft. Siegel also becomes acquainted with Hindu theatrical magicians, who claim descent from court illusionists and now dress as maharajahs to perform a repertoire of tricks full of poignant kitsch and glitz.

Masterfully using a panoply of narrative sleights to recreate the magical world of India, Net of Magic intersperses travelogue, history, ethnography, and fiction. Siegel's vivid, often comic tale is crowded with shills and stooges, tourists and pickpockets, snake charmers and fakirs. Among the cast of characters are Naseeb, a poor Muslim street magician who guides Siegel into the closed circle of itinerant performers; the Industrial Magician, paid by a bank, who convinces his audience to buy traveler's checks by making twenty-rupee notes disappear; the Government Magician, who does a trick with condoms to encourage family planning; P. C. Sorcar, Jr., the most celebrated Indian stage magician; and the fictive Professor M. T. Bannerji, the world's greatest magician, who assumes various guises over a millennium of Indian history and finally arrives in the conjuring capital of the world—Las Vegas.

Like Indra's net—the web of illusion in which Indian performers ensnare their audience—Net of Magic captures the reader in a seductive portrayal of a world where deception is celebrated and lies are transformed into compelling and universal truths.
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cover of On Your Own without a Net: The Transition to Adulthood for Vulnerable Populations

On Your Own without a Net

The Transition to Adulthood for Vulnerable Populations

Edited by D. Wayne Osgood, E. Michael Foster, Constance Flanagan, and Gretchen R

University of Chicago Press, 2005

In the decade after high school, young people continue to rely on their families in many ways-sometimes for financial support, sometimes for help with childcare, and sometimes for continued shelter. But what about those young people who confront special difficulties during this period, many of whom can count on little help from their families?

On Your Own Without a Net documents the special challenges facing seven vulnerable populations during the transition to adulthood: former foster care youth, youth formerly involved in the juvenile justice system, youth in the criminal justice system, runaway and homeless youth, former special education students, young people in the mental health system, and youth with physical disabilities. During adolescence, government programs have been a major part of their lives, yet eligibility for most programs typically ends between the ages of eighteen and twenty-one. This critical volume shows the unfortunate repercussions of this termination of support and points out the issues that must be addressed to improve these young people's chances of becoming successful adults.



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