Within his native state of Nevada, McCarran constructed a machine designed to dominate the state’s political and economic life. This domination, which extended to both political parties, was built on personal favors for constituents, shrewd use of patronage, rewards for friends, and inevitable punishment for those suspected of being enemies. Ironically, the Senator employed the same tactics that others had once used against him to stymie his own early political efforts.
This work discusses the Senator’s background, his rise to power, and his methods of establishing political domination. Personal correspondence, excerpts from speeches, newspaper editorials, and interviews all help bring to life a colorful account of a controversial, driven man who held the levers of political control in Nevada during the early twentieth century.
Beneath the glitzy surface of the resorts and the seemingly cookie-cutter suburban sprawl of Las Vegas lies a vibrant and diverse ethnic life. People of varied origins make up the population of nearly two million and yet, until now, little mention of the city has been made in studies and discussion of ethnicity or immigration. The Peoples of Las Vegas: One City, Many Faces fills this void by presenting the work of seventeen scholars of history, political science, sociology, anthropology, law, urban studies, cultural studies, literature, social work, and ethnic studies to provide profiles of thirteen of the city’s many ethnic groups. The book’s introduction and opening chapters explore the historical and demographic context of these groups, as well as analyze the economic and social conditions that make Las Vegas so attractive to recent immigrants. Each group is the subject of the subsequent chapters, outlining migration motivations and processes, economic pursuits, cultural institutions and means of transmitting culture, involvement in the broader community, ties to homelands, and recent demographic trends.
In eight brilliant essays, Fox explores many of the major playas of the American West , examining locations as diverse as Nellis Air Force Base and Frenchman Flat, where the federal government has tested experimental aircraft and atomic weaponry; the Great Salt Lake Desert, where land-speed records have been broken; and the Black Rock Desert of Northern Nevada, site of the colorful Burning Man arts festival. He analyzes the geological and climatological conditions that created the playas and the historical role that playas played in the exploration and settlement of the West. And he offers lucid and keenly perceptive discussions of the ways that artists have responded to the playas, from the ancient makers of geoglyphs to the work of contemporary artists who have found inspiration in these enigmatic spaces, including earthworks builder Michael Heizer, photographer Richard Misrach, and painter Michael Moore. The ensemble is a compelling combination of natural history, philosophy, and art criticism, a thoughtful meditation on humankind's aversion to and fascination with the void.
From 1940 to 1989, nearly every hotel on the Las Vegas Strip employed a full-time band or orchestra. After the late 1980s, when control of the casinos changed hands from independent owners to corporations, almost all of these musicians found themselves unemployed. Played Out on the Strip traces this major shift in the music industry through extensive interviews with former musicians. In 1989, these soon-to-be unemployed musicians went on strike. Janis McKay charts the factors behind this strike, which was precipitated by several corporate hotel owners moving to replace live musicians with synthesizers and taped music, a strategic decision made in order to save money. The results of this transitional period in Las Vegas history were both long-lasting and far-reaching for the entertainment industry. With its numerous oral history interviews and personal perspectives from the era, this book will appeal to readers interested in Las Vegas history, music history, and labor issues.
At once a Technicolor wonderland and the embodiment of American mythology, Las Vegas exists at the Ground Zero of a reverence for risk-taking and the transformative power of a winning hand. Jake Johnson edits a collection of short essays and flash ideas that probes how music-making and soundscapes shape the City of Second Chances. Treating topics ranging from Cher to Cirque de Soleil, the contributors delve into how music and musicians factored in the early development of Vegas’s image; the role of local communities of musicians and Strip mainstays in sustaining tensions between belief and disbelief; the ways aging showroom stars provide a sense of timelessness that inoculates visitors against the outside world; the link connecting fantasies of sexual prowess and democracy with the musical values of Liberace and others; considerations of how musicians and establishments gambled with identity and opened the door for audience members to explore Sin City–only versions of themselves; and the echoes and energy generated by the idea of Las Vegas as it travels across the country.
Contributors: Celine Ayala, Kirstin Bews, Laura Dallman, Joanna Dee Das, James Deaville, Robert Fink, Pheaross Graham, Jessica A. Holmes, Maddie House-Tuck, Jake Johnson, Kelly Kessler, Michael Kinney, Carlo Lanfossi, Jason Leddington, Janis McKay, Sam Murray, Louis Niebur, Lynda Paul, Arianne Johnson Quinn, Michael M. Reinhard, Laura Risk, Cassaundra Rodriguez, Arreanna Rostosky, and Brian F. Wright
This archaeological study of the interactions between Western Shoshone families and Euro-American ranchers in the late nineteenth century helps fill the gap between what is known regarding Late Prehistoric foragers of the American West and ethnohistoric understanding of Native American peoples of the Great Basin.
Pottery Hill, an archaeological site located in Grass Valley, Nevada, northeast of the historic mining town of Austin, represents a small settlement of Native Americans who lived there in the late 1800s. The Grass Valley Shoshone, whose environment and traditional lifeways were disrupted by the arrival of miners and settlers in the 1860s, found work on the ranches and farms in the valley.
Archaeological fieldwork conducted in the 1970s investigated house remains, hearths, and artifacts. A recent analysis of these data, enhanced by the use of archival documents and oral history, provides new insights into the dynamics of late nineteenth-century life in central Nevada. The Pottery Hill Site addresses a critical period in the history of the Grass Valley Shoshone, who adopted and modified Euro-American artifacts and materials while maintaining important aspects of their traditional culture. It gives readers a deeper understanding of the effects of Euro-American settlement on the Shoshone, the history of the western United States, and the reciprocal impacts of cultural contact.
University of Utah Anthropological Paper No. 123
This study examines prehistoric use of the Stillwater Marsh in the Carson Desert of western Nevada and the adjacent Stillwater Mountains based on an archaeological survey undertaken in 1980 and 1981, and excavations conducted in 1987. Much of the argument about the use of wetlands revolved around whether they were used be sedentary hunter-gatherers, were just one stop of a family’s seasonal round, or were used only as backup resources. As a result, this report focuses on the issues of hunter-gatherer subsistence and mobility.
Nye County is Nevada’s largest and least populated county, but it is also the site of many of the state’s most colorful ghost towns and mining camps. The county’s economy throughout its history has been largely based on its mines--first, exploiting veins of gold and silver, and more recently deposits of raw materials for modern industry, such as molybdenum and barite. It was here that famous boomtowns like Tonopah and Rhyolite sprang up after the discovery of nearby lodes brought in rushes of prospectors and the merchants who supported them. But the county includes many smaller, shorter-lived camps and numerous abandoned stagecoach and railroad stops associated with defunct mining operations.This book offers a lively, informative record of Nevada’s isolated interior. Hall first published a guide to Nye County’s ghost towns in 1981. Since then, he has continued his research into the county’s past and has uncovered much new information and corrected some errors. To prepare this revised and greatly expanded edition, he revisited all 175 sites recorded earlier and has added more than 20 previously unlisted sites.
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