front cover of Encuentro
Encuentro
Latinx Performance for the New American Theater
Edited by Trevor Boffone, Teresa Marrero, and Chantal Rodriguez
Northwestern University Press, 2019
This anthology has its origins in the Encuentro theater festival, which was produced by the Latino Theater Company in association with the Latinx Theatre Commons in Los Angeles in 2014. Encuentro means “an encounter,” and meetings form a core theme in these six groundbreaking plays, each prefaced by a critical introduction from a leading Latinx theater scholar.

Playwrights Ruben C. Gonzalez, José Torres-Tama, Rickerby Hinds, Mariana Carreño King, Javier Antonio González, and Evelina Fernández exhibit a wide range of aesthetic approaches, dramatic structures, and themes, ranging from marriage, gentrification, racial and gendered violence, migration, and the ever-present politics of the U.S.–Mexico border. There is power in the communal experience of creating, witnessing, and participating in theater festivals. This anthology is a testament to that power and seeks to document the historic festival as well as to make these works available to a wider audience.

Encuentro: Latinx Performance for the New American Theater addresses interests of general audiences committed to the performing arts; scholars and students of Latinx, gender, and ethnic studies; university, college, and high school theater programs; and regional theaters looking to diversify their programming.

 
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New American Theater, Volume 31
Erika Munk
Duke University Press
This issue of Theater brings together a collection of new theater that, while dealing with a wide range of topics, is united by a commitment to inventiveness and intellectual integrity. One piece included here addresses the challenges faced by Chilean artists working under the shadow of Pinochet; another explores a model Truth and Reconciliation Commission put together by the Arab-Hebrew Theater of Java. From there the issue moves to New York’s experimental theater and includes a dialogue held at the Brooklyn Academy of Music on the future of the genre. A scholar’s forum considers the meaning of activist and experimental theater, and the issue is rounded out with a series of reviews of current productions.
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