A collection of essays by experts from around the world
Like the other New Testament Gospels, the Gospel of John repeatedly appeals to Scripture (Old Testament). Preferring allusions and “echoes” alongside more explicit quotations, however, the Gospel of John weaves Scripture as an authoritative source concerning its story of Jesus. Yet, this is the same Gospel that is often regarded as antagonistic toward “the Jews,” especially the Jewish religious leaders, depicted within it.
Introduces and updates readers on the question of John’s employment of Scripture
Showcases useful approaches to more general studies on the New Testament’s use of Scripture, sociological and rhetorical analyses, and memory theory
Explores the possible implications surrounding Scripture usage for the Gospel audiences both ancient and contemporary
The story of Paul is one of irony, the New Testament depicting him at the martyrdom of Stephen holding the assassins' cloaks. Then this same Paul is transformed into the biblical archetype for someone suffering for their faith. He becomes so entrenched, it would appear that he had walked with the Christians all his life, that he was the one who defined the faith, eventually being called the “second founder of Christianity.” But much of what we think we "know" about Paul comes from Sunday school stories we heard as children. The stories were didactic tales meant to keep us reverent and obedient.
As adults reading the New Testament, we catch glimpses of a very different kind of disciple—a wild ascetic whom Tertullian dubbed “the second apostle of Marcion and the apostle of the heretics.” What does scholarship tell us about the enigmatic thirteenth apostle who looms larger than life in the New Testament? The epistles give evidence of having been written at the end of the first century or early in the second—too late to have been Paul’s actual writings. So who wrote (and rewrote) them? F. C. Baur, a nineteenth-century theologian, pointed persuasively to Simon Magus as the secret identity of “Paul.” Robert M. Price, in this exciting journey of discovery, gives readers the background for a story we thought we knew.
A new translation for scholars and students of biblical interpretation and ancient Christianity
The ancient writer dubbed Ambrosiaster was a pioneer in the revival of interest in the Pauline Epistles in the later fourth century. He was read by Latin writers, including Pelagius and Augustine, and his writings, passed on pseudonymously, had a long afterlife in the biblical commentaries, theological treatises, and canonical literature of the medieval and the early modern periods. In addition to his importance as an interpreter of scripture, Ambrosiaster provides unique perspectives on many facets of Christian life in Rome, from the emergence of clerical celibacy to the development of liturgical practices to the subordination of women.
An up-to-date overview of what is known about Ambrosiaster, the transmission of his commentary on the Pauline Epistles, his exegetical method, his theological orientation, and aspects of Christianity in Rome in the fourth century
A scholarly translation of the final version of the commentary, along with notes that identify significant variants from prior versions of the commentary
Bibliography thatincludes a comprehensive list of the scholarly literature on Ambrosiaster
A critical study for those interested in the intersection of art and biblical interpretation
With a special focus on biblical texts and images, this book nurtures new developments in biblical studies and art history during the last two or three decades. Analysis and interpretation of specific works of art introduce guidelines for students and teachers who are interested in the relation of verbal presentation to visual production. The essays provide models for research in the humanities that move beyond traditional disciplinary boundaries erected in previous centuries. In particular, the volume merges recent developments in rhetorical interpretation and cognitive studies with art historical visual exegesis. Readers will master the tools necessary for integrating multiple approaches both to biblical and artistic interpretation.
Resources for understanding the relation of texts to artistic paintings and images
Tools for integrating multiple approaches both to biblical and artistic interpretation