front cover of Beware of Limbo Dancers
Beware of Limbo Dancers
A Correspondent’s Adventures with the New York Times
Roy Reed
University of Arkansas Press, 2012
This witty, wide-ranging memoir from Roy Reed--a native Arkansan who became a reporter for the New York Times--begins with tales of the writer's formative years growing up in Arkansas and the start of his career at the legendary Arkansas Gazette. Reed joined the New York Times in 1965 and was quickly thrust into the chaos of the Selma, Alabama, protest movement and the historical interracial march to Montgomery. His story then moves from days of racial violence to the political combat of Washington. Reed covered the Johnson White House and the early days of the Nixon administration as it wrestled with the competing demands of black voters and southern resistance to a new world. The memoir concludes with engaging postings from New Orleans and London and other travels of a reporter always on the lookout for new people, old ways, good company, and fresh outrages.
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front cover of Editorializing
Editorializing "The Indian Problem"
The New York Times on Native Americans, 1860-1900
Robert Hays. Foreword by: Paul Simon
Southern Illinois University Press, 2007
Drawing on four decades of New York Times editorials, Robert Hays demonstrates the magnitude of the conflict between Native American and white European cultures as settlers and adventurers spread rapidly across the continent in the post–Civil War period.
From 1860 through 1900, the Times published nearly a thousand editorials on what was commonly called “the Indian problem.” Selecting some of the best of these editorials, Hays gives readers what current accounts cannot: contemporary writers’ perspectives on the public images of Native Americans and their place in a nation bent on expansion. Some editorials express the unbridled bitterness and raw ambition of a nation immersed in an agenda of conquest, while others resonate with the struggle to find a common ground. Still others evince an attitude of respect, which set the tone for reconciling national ambition with natural rights.
American history demonstrates time and again the price of Manifest Destiny.
Many of the issues confronting nineteenth-century Native Americans remain alive today: unemployment, infant mortality, suicide, crime, alcoholism, and poverty. In presenting the authentic and urgent voices of a national newspaper’s daily record, Hays illuminates the roots of our current challenges.
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front cover of Making News at The New York Times
Making News at The New York Times
Nikki Usher
University of Michigan Press, 2014
Making News at The New York Times is the first in-depth portrait of the nation’s, if not the world's, premier newspaper in the digital age. It presents a lively chronicle of months spent in the newsroom observing daily conversations, meetings, and journalists at work. We see Page One meetings, articles developed for online and print from start to finish, the creation of ambitious multimedia projects, and the ethical dilemmas posed by social media in the newsroom. Here, the reality of creating news in a 24/7 instant information environment clashes with the storied history of print journalism, and the tensions present a dramatic portrait of news in the online world.

This news ethnography brings to bear the overarching value clashes at play in a digital news world. The book argues that emergent news values are reordering the fundamental processes of news production. Immediacy, interactivity, and participation now play a role unlike any time before, creating clashes between old and new. These values emerge from the social practices, pressures, and norms at play inside the newsroom as journalists attempt to negotiate the new demands of their work. Immediacy forces journalists to work in a constant deadline environment, an ASAP world, but one where the vaunted traditions of yesterday's news still appear in the next day's print paper. Interactivity, inspired by the new user-computer directed capacities online and the immersive Web environment, brings new kinds of specialists into the newsroom, but exacts new demands upon the already taxed workflow of traditional journalists. And at time where social media presents the opportunity for new kinds of engagement between the audience and media, business executives hope for branding opportunities while journalists fail to truly interact with their readers.

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