front cover of The Affirmation of Life
The Affirmation of Life
Nietzsche on Overcoming Nihilism
Bernard Reginster
Harvard University Press, 2009

Among all the great thinkers of the past two hundred years, Nietzsche continues to occupy a special place--not only for a broad range of academics but also for members of a wider public, who find some of their most pressing existential concerns addressed in his works. Central among these concerns is the question of the meaning of a life characterized by inescapable suffering, at a time when the traditional responses inspired by Christianity are increasingly losing their credibility. While most recent studies of Nietzsche's works have lost sight of this fundamental issue, Bernard Reginster's book The Affirmation of Life brings it sharply into focus.

Reginster identifies overcoming nihilism as a central objective of Nietzsche's philosophical project, and shows how this concern systematically animates all of his main ideas. In particular, Reginster's work develops an original and elegant interpretation of the will to power, which convincingly explains how Nietzsche uses this doctrine to mount a critique of the dominant Christian values, to overcome the nihilistic despair they produce, and to determine the conditions of a new affirmation of life. Thus, Reginster attributes to Nietzsche a compelling substantive ethical outlook based on the notions of challenge and creativity--an outlook that involves a radical reevaluation of the role and significance of suffering in human existence.

Replete with deeply original insights on many familiar--and frequently misunderstood--Nietzschean concepts, Reginster's book will be essential to anyone approaching this towering figure of Western intellectual history.

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Nietzsche's Final Teaching
Michael Allen Gillespie
University of Chicago Press, 2017
In the seven and a half years before his collapse into madness, Nietzsche completed Thus Spoke Zarathustra, the best-selling and most widely read philosophical work of all time, as well as six additional works that are today considered required reading for Western intellectuals. Together, these works mark the final period of Nietzsche’s thought, when he developed a new, more profound, and more systematic teaching rooted in the idea of the eternal recurrence, which he considered his deepest thought.

Cutting against the grain of most current Nietzsche scholarship, Michael Allen Gillespie presents the thought of the late Nietzsche as Nietzsche himself intended, drawing not only on his published works but on the plans for the works he was unable to complete, which can be found throughout his notes and correspondence. Gillespie argues that the idea of the eternal recurrence transformed Nietzsche’s thinking from 1881 to 1889. It provided both the basis for his rejection of traditional metaphysics and the grounding for the new logic, ontology, theology, and anthropology he intended to create with the aim of a fundamental transformation of European civilization, a “revaluation of all values.” Nietzsche first broached the idea of the eternal recurrence in Thus Spoke Zarathustra, but its failure to gain attention or public acceptance led him to present the idea again through a series of works intended to culminate in a never-completed magnum opus. Nietzsche believed this idea would enable the redemption of humanity. At the same time, he recognized its terrifying, apocalyptic consequences, since it would also produce wars of unprecedented ferocity and destruction.

Through his careful analysis, Gillespie reveals a more radical and more dangerous Nietzsche than the humanistic or democratic Nietzsche we commonly think of today, but also a Nietzsche who was deeply at odds with the Nietzsche imagined to be the forefather of Fascism. Gillespie’s essays examine Nietzsche’s final teaching—its components and its political, philosophical, and theological significance. The book concludes with a critical examination and a reflection on its meaning for us today. 
 
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Nihilism and Negritude
Ways of Living in Africa
Célestin Monga
Harvard University Press, 2016

There are two common ways of writing about Africa, says Célestin Monga. One way blames Africa’s ills on the continent’s history of exploitation and oppression. The other way blames Africans themselves for failing to rise above poisonous national prejudices and resentments. But patronizing caricatures that reduce Africans to either victims or slackers do not get us very far in understanding the complexities and paradoxes of Africa today.

A searching, often searing, meditation on ways of living in modern Africa, Nihilism and Negritude dispels the stereotypes that cloud how outsiders view the continent—and how Africans sometimes view themselves. In the role of a traveler-philosopher, Monga seeks to register “the picturesque absurdity of daily life” in his native Cameroon and across the continent. Whether navigating the chaotic choreography of street traffic or discoursing on the philosophy of café menus, he illuminates the patterns of reasoning behind everyday behaviors and offers new interpretations of what some observers have misunderstood as Africans’ resigned acceptance of suffering and violence.

Monga does not wish to revive Negritude, the once-influential movement that sought to identify and celebrate allegedly unique African values. Rather, he seeks to show how daily life and thought—witnessed in dance and music, sensual pleasure and bodily experience, faith and mourning—reflect a form of nihilism developed to cope with chaos, poverty, and oppression. This is not the nihilism of despair, Monga insists, but the determination to find meaning and even joy in a life that would otherwise seem absurd.

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Ontological Terror
Blackness, Nihilism, and Emancipation
Calvin L. Warren
Duke University Press, 2018
In Ontological Terror Calvin L. Warren intervenes in Afro-pessimism, Heideggerian metaphysics, and black humanist philosophy by positing that the "Negro question" is intimately imbricated with questions of Being. Warren uses the figure of the antebellum free black as a philosophical paradigm for thinking through the tensions between blackness and Being. He illustrates how blacks embody a metaphysical nothing. This nothingness serves as a destabilizing presence and force as well as that which whiteness defines itself against. Thus, the function of blackness as giving form to nothing presents a terrifying problem for whites: they need blacks to affirm their existence, even as they despise the nothingness they represent. By pointing out how all humanism is based on investing blackness with nonbeing—a logic which reproduces antiblack violence and precludes any realization of equality, justice, and recognition for blacks—Warren urges the removal of the human from its metaphysical pedestal and the exploration of ways of existing that are not predicated on a grounding in being.
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front cover of Yes
Yes
Thomas Bernhard
University of Chicago Press, 1992
The narrator, a scientist working on antibodies and suffering from emotional and mental illness, meets a Persian woman, the companion of a Swiss engineer, at an office in rural Austria. For the scientist, his endless talks with the strange Asian woman mean release from his condition, but for the Persian woman, as her own circumstances deteriorate, there is only one answer.

"Thomas Bernhard was one of the few major writers of the second half of this century."—Gabriel Josipovici, Independent

"With his death, European letters lost one of its most perceptive, uncompromising voices since the war."—Spectator

Widely acclaimed as a novelist, playwright, and poet, Thomas Bernhard (1931-89) won many of the most prestigious literary prizes of Europe, including the Austrian State Prize, the Bremen and Brüchner prizes, and Le Prix Séguier.
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