BiblioVault - Books about Nuremberg

The Apocalypse in Reformation Nuremberg

Jews and Turks in Andreas Osiander’s World

Andrew L. Thomas

University of Michigan Press, 2022

Lutheran preacher and theologian Andreas Osiander (1498–1552) played a critical role in spreading the Lutheran Reformation in sixteenth-century Nuremberg. Besides being the most influential ecclesiastical leader in a prominent German city, Osiander was also a well-known scholar of Hebrew. He composed what is considered to be the first printed treatise written by a Christian defending Jews against blood libel. Despite Osiander’s importance, however, he remains surprisingly understudied. The Apocalypse in Reformation Nuremberg: Jews and Turks in Andreas Osiander’s World is the first book in any language to concentrate on his attitudes toward both Jews and Turks, and it does so within the dynamic interplay between his apocalyptic thought and lived reality in shaping Lutheran identity. Likewise, it presents the first published English translation of Osiander’s famous treatise on blood libel. Osiander’s writings on Jews and Turks that shaped Lutherans’ identity from cradle to grave in Nuremberg also provide a valuable mirror to reflect on the historical antecedents to modern antisemitism and Islamophobia and thus elucidate how the related stereotypes and prejudices are both perpetuated and overcome.

[more]

It All Began in Nuremberg

Between History and Memory

Rita Thalmann

University of Michigan Press, 2015

It All Began in Nuremberg is a translation of Rita Thalmann’s moving memoir, Tout Commença à Nuremberg, originally published in France in 2004. Thalmann’s memoir represents one of the last voices to witness personally the rise of Nazism and the Holocaust. The author, a scholar of significance in France, died on August 18, 2013.

Rita Thalmann was born in Nuremberg in 1926 and lived there until 1933, when anti-Semitic events made life intolerable. Her father abandoned his successful business and moved the family to Switzerland, where they were unwelcome, and then to France. After settling in Dijon, Rita attended public school until Jews were no longer allowed to pursue an education. At age fourteen, she took private lessons in English at the home of her teacher, Henriette Connes, who saved Rita from deportation and death by providing her with false identification papers and passing her to the Free Zone with a group of students going on a field trip. Although Rita and her brother managed to escape to Switzerland during the war, most of her family died in the Holocaust.

After the war, Rita Thalmann was determined to continue her education and participate in the struggle against anti-Semitism and discrimination of all types. She achieved the highest level of university teaching in France while publishing seven books. This memoir relates her personal experience of the historical events she spent most of her adult life researching.

[more]

Nuremberg, a Renaissance City, 1500-1618

By Jeffrey Chipps Smith

University of Texas Press, 1983

Although renowned for the excellence of its medieval art, the German city of Nuremberg reached the height of its artistic brilliance during the Renaissance. Beginning its ascendancy during the late fifteenth century, by 1500 the city had blossomed into both Germany's preeminent artistic center and one of the foremost cultural centers in all of Europe. Nuremberg was the home of Albrecht Dürer, the greatest Northern Renaissance master, whose creative genius inspired two generations of German artists. However, Dürer was only one of a host of extraordinary painters, printmakers, sculptors, and goldsmiths working in the city. Georg Pencz, Hans and Barthel Beham, Hans Schäufelein, Jost Amman, and Hans Lautensack were among the most accomplished printmakers of the day. Veit Stoss, Adam Kraft, Peter Flötner, and the Vischer family dominated early sixteenth-century German sculpture. Goldsmith Wenzel Jamnitzer was rivaled only by Florentine master Benvenuto Cellini in his inventiveness and technical virtuosity.

This remarkably comprehensive volume is the first English-language examination of Nuremberg at its creative peak. Following a mapping of the city's principal landmarks, Guy Fitch Lytle provides a compact historical background for Jeffrey Chipps Smith's detailed discussions of the city's social and artistic history. Smith examines the religious function of art before and during the Reformation to demonstrate the magnitude of the cultural transformations that resulted from the adoption of Lutheranism in 1525. He considers the early manifestations of humanism in Nuremberg and its influence on the art of Dürer and his contemporaries, and he reviews the central role of Dürer's pedagogical ideas and his workshop in the dissemination of Renaissance artistic concepts. Finally, Smith surveys the principal artists and stylistic trends in Nuremberg from 1500 to the outbreak of the Thirty Years War in 1618.

Nuremberg: A Renaissance City, 1500-1618 is the permanent record of an exhibition organized by the Archer M. Huntington Art Gallery as part of the centennial celebration of the University of Texas at Austin. As such, it represents not only a thorough introduction to the cultural heritage of Nuremberg during its period of greatest glory but also a catalogue of the more than two hundred objects borrowed for the exhibition from public and private collections in the United States, Canada, and Germany. The catalogue contains biographical sketches of forty-five major artists of the period. Over three hundred illustrations depict the city and its most magnificent artistic treasures.

[more]

Peasants, Warriors, and Wives

Popular Imagery in the Reformation

Keith Moxey

University of Chicago Press, 2004

In Peasants, Warriors, and Wives, Keith Moxey examines woodcut images from the German Reformation that have often been ignored as a crude and inferior form of artistic production. In this richly illustrated study, Moxey argues that while they may not satisfy received notions of "art," they nevertheless constitute an important dimension of the visual culture of the period. Far from being manifestations of universal public opinion, as a cursory acquaintance with their subject matter might suggest, such prints were the means by which the reformed attitudes of the middle and upper classes were disseminated to a broad popular audience.

[more]

The Unwanted Child

The Fate of Foundlings, Orphans, and Juvenile Criminals in Early Modern Germany

Joel F. Harrington

University of Chicago Press, 2009

The baby abandoned on the doorstep is a phenomenon that has virtually disappeared from our experience, but in the early modern world, unwanted children were a very real problem for parents, government officials, and society. The Unwanted Child skillfully recreates sixteenth-century Nuremberg to explore what befell abandoned, neglected, abused, or delinquent children in this critical period.

Joel F. Harrington tackles this question by focusing on the stories of five individuals. In vivid and poignant detail, he recounts the experiences of an unmarried mother-to-be, a roaming mercenary who drifts in and out of his children’s lives, a civic leader handling the government’s response to problems arising from unwanted children, a homeless teenager turned prolific thief, and orphaned twins who enter state care at the age of nine. Braiding together these compelling portraits, Harrington uncovers and analyzes the key elements that link them, including the impact of war and the vital importance of informal networks among women. From the harrowing to the inspiring, The Unwanted Child paints a gripping picture of life on the streets five centuries ago.

[more]

Walking Away from Nuremberg

Just War and the Doctrine of Command Responsibility

Lawrence P. Rockwood

University of Massachusetts Press, 2007

In September 1994, Lawrence P. Rockwood, then a counterintelligence officer with the U.S. Army's Tenth Mountain Division, was deployed to Haiti as part of Operation Restore Democracy, the American-led mission to oust the regime of Raoul Cedras and reinstall President Jean-Bertrand Aristide. Shortly after arriving in-country, Captain Rockwood began receiving reports of human rights abuses at the local jails, including the murder of political prisoners. He appealed to his superiors for permission to take action but was repeatedly turned down. Eventually, after filing a formal complaint with an army inspector general, he set off to inspect the jails on his own. The next day, Captain Rockwood found himself on a plane headed back to the United States, where he was tried by court-martial, convicted on several counts, and discharged from military service. In this book, Rockwood places his own experience within the broader context of the American military doctrine of "command responsibility"—the set of rules that holds individual officers directly responsible for the commission of war crimes under their authority. He traces the evolution of this doctrine from the Civil War, where its principles were first articulated as the "Lieber Code," through the Nuremberg trials following World War II, where they were reaffirmed and applied, to the present. Rockwood shows how in the past half-century the United States has gradually abandoned its commitment to these standards, culminating in recent Bush administration initiatives that in effect would shield American commanders and officials from prosecution for many war crimes. The Abu Ghraib and Guantánamo prison abuse scandals, the recently disclosed illegal CIA detention centers, the unprecedented policy of tolerating acts considered as torture by both international standards and U.S. military doctrine, and the recent cover-ups of such combat-related war crimes as the Haditha massacre of November 2005, all reflect an "official anti-humanitarian" trend, Rockwood argues, that is at odds with our nation's traditions and principles.

[more]