front cover of An Indian in White America
An Indian in White America
Mark Monroe, edited by Carolyn Reyer, afterword by Kenneth Lincoln
Temple University Press, 1994
"At time when most Americans don't realize that over 66 percent of Indians live off the reservation, this book is a powerful witness ... it will reward the reader with an illuminating look into what it means to be a member of America's Native minority." --Kirkus Reviews Narrated with intense honesty, this autobiography of Mark Monroe, a Lakota Sioux Indian, is a story of courage, faith, and determination, and a rare opportunity to witness the life of a contemporary American Indian. Despite lifelong confrontations with violence, racism, and personal hardship--alcoholism, family deaths, illness, poverty, and unemployment--Mark Monroe has worked to instill ethnic pride in his fellow Indians. After an early idyllic childhood at the Rosebud South Dakota reservation, Monroe moved with his parents off-reservation to Alliance, Nebraska. There he first felt the sting of white America's racism from signs outside local businesses that read "No Indians or dogs allowed." As a young man, Monroe enlisted in the military, for the first time experiencing outside acceptance and learning vocational skills. Upon his return to the United States, he worked as a baker. At the same time, however, he was being sucked into a life of alcoholism, begun years earlier with social drinking. Eventually he was unable to eat or to work. After rehabilitation, he ran for Police Magistrate. Monroe was the first Indian ever to have filed for public office in Alliance, and his candidacy divided the town. Though he lost the election, he gained community support and a growing sense of dignity from the campaign. From the misery and hopelessness he suffered as an alcoholic, and the pains of recovery, Monroe became aware of the cultural difference between Indian alcoholism and white alcoholism. This understanding led to his work with Indian alcoholics at the Panhandle Mental Health Center in Scottsbluff, Nebraska--another first. No Indian had ever served on the Center's staff. Since his recovery, Monroe has been an active participant in his community and continues to fight for the legal rights of American Indians. In 1973 he founded the American Indian Council, which today offers a variety of health, educational, and social programs, including a nutrition program, a hospital busing program, and alcohol counseling. "[An] interesting representation of Lakota male experiences in the realities of present-day life in the Great Plains." --Wicazo Sa Review "Mark Monroe has broken out of society's cage and achieved outstanding things. We are all better off for it. His personality and stature--qualities of leadership, determination, and stamina--quickly override the poverty-stricken times and the tragic aspects that linger constantly at the edges of this Indian world, this seemingly desolate place. Compared with other Native American biographies, An Indian in White America stands near the top." --Charles Ballard, Institute of Ethnic Studies, University of Nebraska "I know of no other volume that deals so frankly with the familiar Indian problems of poverty, racism and alcoholism while offering, at the same time, the powerful example of one man's struggle out of those traps which still threaten Native people. Although Mark Monroe describes himself as 'just an ikee wicasa--a common man who's trying to provide for his family,' he provides us all with lessons for healing and survival. His autobiography is an uncommon gift." --Joseph Bruchac, Editor, Greenfield Press Review
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Interpreting the Legacy
John Neihardt and Black Elk Speaks
Brian Holloway
University Press of Colorado, 2020
Ambitious and provocative, Interpreting the Legacy: John Neihardt and Black Elk Speaks is a new study of the classic spiritual text that is sure to spark debate. Neihardt's work has recently been critiqued by scholars who maintain that the author filtered and corrupted Black Elk's teachings through a European spiritual and political lens. In this book, Brian Holloway offers a rather different view, making a convincing case that Neihardt quite consciously attempted to use his literary craftsmanship to provide the reader with direct and immediate access to the teachings of the Oglala elder.

Using Neihardt's original handwritten notes and early manuscript drafts, Holloway demonstrates the poet's careful and deliberate re-creation of Black Elk's spiritual world in order to induce a transcendent experience in the reader. Through exhaustive research into Neihardt's biographical materials, published philosophical and metaphysical writings, and volumes of taped lectures, Holloway examines the sources of the book's production as well as the reactions to and the implications of his literary portrayal of the spiritual world of the Oglala.

Restoring Neihardt's reputation as a faithful witness to Black Elk's sacred landscape, Interpreting the Legacy: John Neihardt and Black Elk Speaks will be of interest to Neihardt scholars and students of literature, religious studies, and Native American studies.

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Oglala Women
Myth, Ritual, and Reality
Marla N. Powers
University of Chicago Press, 1986
Based on interviews and life histories collected over more than twenty-five years of study on the Pine Ridge reservation in South Dakota, Marla N. Powers conveys what it means to be an Oglala woman. Despite the myth of the Euramerican that sees Oglala women as inferior to men, and the Lakota myth that seems them as superior, in reality, Powers argues, the roles of male and female emerge as complementary. In fact, she claims, Oglala women have been better able to adapt to the dominant white culture and provide much of the stability and continuity of modern tribal life. This rich ethnographic portrait considers the complete context of Oglala life—religion, economics, medicine, politics, old age—and is enhanced by numerous modern and historical photographs.


"It is a happy event when a fine scholarly work is rendered accessible to the general reader, especially so when none of the complexity of the subject matter is sacrificed. Oglala Women is a long overdue revisionary ethnography of Native American culture."—Penny Skillman, San Francisco Chronicle Review

"Marla N. Powers's fine study introduced me to Oglala women 'portrayed from the perspectives of Indians,' to women who did not pity themselves and want no pity from others. . . . A brave, thorough, and stimulating book."—Melody Graulich, Women's Review of Books

"Powers's new book is an intricate weaving . . . and her synthesis brings all of these pieces into a well-integrated and insightful whole, one which sheds new light on the importance of women and how they have adapted to the circumstances of the last century."—Elizabeth S. Grobsmith, Nebraska History
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front cover of War Dance
War Dance
Plains Indian Musical Performance
William K. Powers
University of Arizona Press, 1990
The Indian powwow, with its colorful war dance, is among the most vital aspects of American Indian culture. William Powers has witnessed both the traditions and trends in Plains Indian music and dance over the past thirty years, and here encapsulates his long career in what may be the first book that deals with Plains Indian musical culture as a unit. After providing background material on the study of American Indian music, Powers gives a full description of the popular war dance, discusses the powwow as the context in which the war dance appears, and describes associated dances. While observing that a fascination with "pan-Indianism" temporarily misdirected the study of Plains Indian music and dance by focusing too sharply on what many believed was a nationalization of American Indians, Powers notes that individual tribes continue to be concerned with maintaining their ethnic identities through their styles of music and dance. In the balance of the book, Powers offers essays describing Plains songs available on disc and tape, including notes on the history and culture of tribes and some translations of Lakota songs. A concluding essay offers some observations of why Plains Indian music and dance have received the interest they have and why they will continue to symbolize a burgeoning contemporary American Indian culture--not only on the Plains, but in every corner of the world where American Indians are respected, admired, and imitated.
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