As the first comprehensive volume to explore the impact of empire on Afghanistan’s past and present, Decolonizing Afghanistan marks a decolonial turn in Afghanistan and American studies. Featuring new and often sidelined ground-up perspectives, this collection examines how Afghan communities have subverted, resisted, and participated in colonial projects from the early twentieth century to the present, with a particular focus on the US intervention that began in 2001. Contributors interrogate the relationship between knowledge and power to analyze how narratives about Afghanistan have framed and legitimated imperial governance. Topics span the contradictions and consequences of the US “Forever” War, the rise of private security contracting, the deployment of biometric and surveillance technologies, the politics of US and Taliban countermedia operations, the evolution of gender discourses, and the mobilization of Afghan Americans and “Afghan culture,” among others. Throughout, contributors draw important connections and insights to ongoing global anticolonial struggles and offer paths to decolonial futures.

Contributors. Matthieu Aikins, Dawood Azami, Purnima Bose, Paula Chakravartty, Robert D. Crews, Marya Hannun, Ali Karimi, Nivi Manchanda, Sabauon Nasseri, Tausif Noor, Wazhmah Osman, Hosai Qasmi, Zohra Saed, Gazelle Samizay, Morwari Zafar, Helena Zeweri

Portrayed in Western discourse as tribal and traditional, Afghans have in fact intensely debated women's rights, democracy, modernity, and Islam as part of their nation building in the post-9/11 era. Wazhmah Osman places television at the heart of these public and politically charged clashes while revealing how the medium also provides war-weary Afghans with a semblance of open discussion and healing. After four decades of gender and sectarian violence, she argues, the internationally funded media sector has the potential to bring about justice, national integration, and peace.

Fieldwork from across Afghanistan allowed Osman to record the voices of many Afghan media producers and people. Afghans offer their own seldom-heard views on the country's cultural progress and belief systems, their understandings of themselves, and the role of international interventions. Osman analyzes the impact of transnational media and foreign funding while keeping the focus on local cultural contestations, productions, and social movements. As a result, she redirects the global dialogue about Afghanistan to Afghans and challenges top-down narratives of humanitarian development.