front cover of The Clan of the Flapdragon and Other Adventures in Etymology by B. M. W. Schrapnel, Ph.D.
The Clan of the Flapdragon and Other Adventures in Etymology by B. M. W. Schrapnel, Ph.D.
Richard McKee
University of Alabama Press, 1997
This potpourri of satire on language use in Western culture will trigger chuckles and guffaws from an eclectic readership
 
In The Clan of the Flapdragon and Other Adventures in Etymology by B. M. W. Schrapnel, Ph.D., the pseudonymous critic satirizes a variety of subjects in and out of academe. These adventurous essays include lampoons on writing, language, and literature, and the collection is a delightful spoof of much in contemporary culture—especially areas of intellectual pretension. Readers will be entertained by anachronistic allusions, improbable parodies, whimsical etymologies, tongue-in-cheek word play, and stunning purple prose—examples of just some of the liberties Schrapnel takes with the language.

Dr. Schrapnel includes a wide array of audience reactions in the form of bogus letters from fictional readers, confirming that language and literature are everyone’s business. He also offers an annual list of words that writers and speakers should use more often—a lexicographer’s equivalent to the endangered species list—and coins terms such as prufrockery and grendelish.
 
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front cover of First Loves and Other Adventures
First Loves and Other Adventures
Grace Schulman
University of Michigan Press, 2009

Grace Schulman's acclaimed poetry is often about joy, the celebration of the miraculous, and the birth of beauty from adversity. In her new prose collection, she explores the passion for reading and other disciplines that led her to exult in her craft.

In First Loves and Other Adventures Schulman explores how she became a writer; her wide-ranging influences; and some of the many writers and works that have enchanted her over the years, ranging from Genesis and Song of Songs in the King James Bible to T. S. Eliot to Walt Whitman. These reflections on her art and career touch on a variety of other disciplines, including science, the novel, music, and art, and their relation to poetry as a field. Her belief that art transcends formal boundaries is a recurring theme throughout her discussion of these influences, as well as in her own work.

Grace Schulman is the author of six books of poems. Among her honors are the Aiken Taylor Award for poetry, the Delmore Schwartz Memorial Award, a Guggenheim Fellowship, and New York University's Distinguished Alumni Award. Her poems have won three Pushcart Prizes, and her collection Days of Wonder was selected by Library Journal as one of the best poetry books of 2002. Schulman is the former director of the Poetry Center and former poetry editor of the Nation and currently is Distinguished Professor of English at Baruch College, City University of New York.

A volume in the POETS ON POETRY series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation.

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Great Walls of Discourse and Other Adventures in Cultural China
Haun Saussy
Harvard University Press, 2001

"China" and "the West," "us" and "them," the "subject" and the "non-subject"--these and other dualisms furnish China watchers, both inside and outside China, with a pervasive, ready-made set of definitions immune to empirical disproof. But what does this language of essential difference accomplish? The essays in this book are an attempt to cut short the recitation of differences and to answer this question.

In six interpretive studies of China, the author examines the ways in which the networks of assumption and consensus that make communication possible within a discipline affect collective thinking about the object of study. Among other subjects, these essays offer a historical and historiographical introduction to the problem of comparison and deal with translation, religious proselytization, semiotics, linguistics, cultural bilingualism, writing systems, the career of postmodernism in China, and the role of China as an imaginary model for postmodernity in the West. Against the reigning simplifications, these essays seek to restore the interpretation of China to the complexity and impurity of the historical situations in which it is always caught.

The chief goal of the essays in this book is not to expose errors in interpreting China but to use these misunderstandings as a basis for devising better methodologies for comparative studies.

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