front cover of The Beast, and Other Tales
The Beast, and Other Tales
Jóusè d'Arbaud; Translated from the Provençal by Joyce Zonana
Northwestern University Press, 2020

Winner of the Global Humanities Translation Prize

A classic of modern Provençal literature, Jóusè d’Arbaud’s 1926 masterpiece “The Beast of Vacarés” (also known as “The Beast of Vaccarès”) is a haunting parable. Set during the fifteenth century, the tale is narrated by a solitary bull herder—known as a gardian—who stumbles upon a starving creature that is half man, half goat. Terrified, the gardian is nonetheless drawn to the eloquent Beast, a dying demigod who laments the loss of his glorious past even as he wields power over the animals around him. Torn between pity and fear, unable to understand his experiences and afraid he will be condemned for heresy, the gardian records his encounters in a journal, hoping that one day readers will make sense of what he cannot.

Set in the vast, lonely landscape of the Camargue delta, where the Rhône meets the Mediterranean, The Beast seamlessly melds fantasy with naturalistic detail about the region’s flora and fauna. Three additional stories—“The Caraco,” “Pèire Guilhem’s Remorse,” and “The Longline”—explore the lives of twentieth-century gardians in the region. Each man succumbs to fears and social pressure, tragically losing what he most loves.

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The Conjure Woman and Other Conjure Tales
Charles W. Chesnutt
Duke University Press, 1993
The stories in The Conjure Woman were Charles W. Chesnutt's first great literary success, and since their initial publication in 1899 they have come to be seen as some of the most remarkable works of African American literature from the Emancipation through the Harlem Renaissance. Lesser known, though, is that the The Conjure Woman, as first published by Houghton Mifflin, was not wholly Chesnutt's creation but a work shaped and selected by his editors. This edition reassembles for the first time all of Chesnutt's work in the conjure tale genre, the entire imaginative feat of which the published Conjure Woman forms a part. It allows the reader to see how the original volume was created, how an African American author negotiated with the tastes of the dominant literary culture of the late nineteenth century, and how that culture both promoted and delimited his work.
In the tradition of Uncle Remus, the conjure tale listens in on a poor black southerner, speaking strong dialect, as he recounts a local incident to a transplanted northerner for the northerner's enlightenment and edification. But in Chesnutt's hands the tradition is transformed. No longer a reactionary flight of nostalgia for the antebellum South, the stories in this book celebrate and at the same time question the folk culture they so pungently portray, and ultimately convey the pleasures and anxieties of a world in transition. Written in the late nineteenth century, a time of enormous growth and change for a country only recently reunited in peace, these stories act as the uneasy meeting ground for the culture of northern capitalism, professionalism, and Christianity and the underdeveloped southern economy, a kind of colonial Third World whose power is manifest in life charms, magic spells, and ha'nts, all embodied by the ruling figure of the conjure woman.
Humorous, heart-breaking, lyrical, and wise, these stories make clear why the fiction of Charles W. Chesnutt has continued to captivate audiences for a century.
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logo for Temple University Press
Death in the Dining Room and Other Tales of Victorian Culture
Kenneth Ames
Temple University Press, 1995

front cover of First World Third Class and Other Tales of the Global Mix
First World Third Class and Other Tales of the Global Mix
By Regina Rheda
University of Texas Press, 2005

Regina Rheda is a contemporary award-winning Brazilian writer whose original voice and style have won her many admirers. First World Third Class and Other Tales of the Global Mix presents some of her finest and most representative work to an English-speaking readership. Stories from the Copan Building consists of eight tales set in a famous residential building in São Paulo. The stories, like the apartment complex, are a microcosm of modern-day urban Brazil. They are witty, consistently caustic, and never predictable.

Also in this volume is the poignant and often hilarious novel First World Third Class. It depicts young middle-class professionals and artists who, as opportunities in Brazil diminished, opted to leave their country, even if it meant taking menial jobs abroad. At the center of the narrative is Rita, a thirty-year-old aspiring filmmaker who migrates to England, and then Italy. She looks for work and love in all the wrong places, moving from city to city and from bed to bed.

The last three stories in this collection also happen to be among the author's most recent. "The Enchanted Princess" is an ironic title for a postfeminist tale of a South American woman being wooed to marry an old-world gentleman who promises to take care of her every need. "The Sanctuary" concerns the living conditions of immigrant workers and farm animals. Equally piquant in nature, "The Front" deals with ecology, labor environments, and gender politics.

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Free Trade In The Bermuda Triangle
And Other Tales Of Counterglobalization
Brett Neilson
University of Minnesota Press, 2003
Shangri-La, the Bermuda Triangle, Transylvania, the Golden Triangle—far-flung in popular conception, these anomalous places nonetheless occupy the same mysterious zone, a mythography of unruly cartographic practices. And because this mythography becomes associated with a particular area of the earth’s surface, it may well suggest an alternative means of mapping the world, dissociated from the dominant geographical paradigms of nation-state, economic region, and the global/local marketing nexus. Large-scale nonnational geographical spaces that find their genesis in popular feeling, mystery, and belief, these four sites provide Brett Neilson with the basis not only for rethinking the current global reorganization of space and time but also for questioning the dominant narrative by which globalization marks the victory of capitalism. Free Trade in the Bermuda Triangle moves between analysis of popular fantasies and engagement with on-the-ground realities, weaving together topics as diverse as airplane disasters off the U.S. Atlantic coast, the global drug trade, vampire culture in postsocialist Europe, and the search for utopia in Chinese-occupied Tibet. The study of globalization is largely a solemn affair, occupied with increasing economic polarities, environmental degradation, and global insecurity. Free Trade in the Bermuda Triangle maintains a critical focus on these sobering issues but at the same time asks how popular pleasure and enjoyment can create viable alternatives to the current global order. Neilson takes seriously the proposition that capitalism must be contested at its own level of generality, finding provisional grounds for resistance in nonlocal transnational spaces that embody quotidian hopes, desires, and anxieties. By studying the real and imagined dimensions of these popular geographies, his book seeks resources for social betterment in the fallen mythologies of the contemporary postutopian world.Brett Neilson is senior lecturer in the School of Humanities at the University of Western Sydney, where he is also a member of the Centre for Cultural Research.
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front cover of Ginseng and Other Tales from Manila
Ginseng and Other Tales from Manila
Marianne Villanueva
Calyx, 1991
Please fill in Nominee Manila Critics Circle Award These beautiful and poignant stories evoke a complex and empathetic picture of the Philippines. They reveal characters trapped in the extremity of urban violence or the crushing poverty of the provinces. The reader comes away with new insight into human nature and the valor and courage of the Philippine people. copy
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front cover of How I Beat Coca-Cola and Other Tales of One-Upmanship
How I Beat Coca-Cola and Other Tales of One-Upmanship
Carl Djerassi
University of Wisconsin Press, 2013
Carl Djerassi crafts a shrewd collection of comedies of manners, exposing the foibles of elite tribes—business executives, chefs, scientists, professors, musicians, and other clever characters. They spar in battles of one-upmanship using class, education, gender, or prestige as their weapons, sometimes leaving damaged bystanders in their wake but sometimes finding their superiority deflated by unexpected turns of events.
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Hunting for Frogs on Elston, and Other Tales from Field & Street
Jerry Sullivan
University of Chicago Press, 2004
A selection of savvy observations on urban ecology from one of the Midwest's foremost authorities on the subject, Hunting for Frogs on Elston collects the best of naturalist Jerry Sullivan's weekly Field & Street columns, originally published in the Chicago Reader. Engaging, opinionated, inspiring, and occasionally irreverent, Hunting for Frogs on Elston pays tribute to Chicago's natural history while celebrating one of its greatest champions.

Published in association with the Chicago Wilderness coalition, Hunting for Frogs on Elston comprehensively chronicles Chicagoland's unique urban ecology, from its indigenous prairie and oft-delayed seasons to its urban coyotes and passenger pigeons. In witty, informed prose, Sullivan evokes his adventures netting dog-faced butterflies, hunting rattlesnakes, and watching fireflies mate. Inspired by regional flora and fauna, Sullivan ventures throughout the metropolis and its environs in search of sludge worms, gyrfalcons, and wild onions. In reporting his findings to otherwise oblivious urbanites, Sullivan endeavors to make "alienated, atomized, postmodern people feel at home, connected to something beyond ourselves."

In the sprawling Chicagoland region, where an urban ecosystem teeming with remarkable life evolves between skyscrapers and train tracks, no writer chronicled the delicate balance of nature and industry more vividly than Jerry Sullivan. An homage to the urban ecology Sullivan loved so dearly, Hunting for Frogs on Elston is his fitting legacy as well as a lasting gift to the urban naturalist in us all.
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Mother Box and Other Tales
Sarah Blackman
University of Alabama Press, 2013
The eleven stories and one novella of Mother Box, and Other Tales bring together everyday reality and something that is dramatically not in compelling narratives of new possibilities.

In language that is both barb and bauble, bitter and unbearably sweet, Sarah Blackman spins the threads of stories where everything is probable and nothing is constant. The stories in Mother Box, and Other Tales occur in an in-between world of outlandish possibility that has become irrefutable reality: a woman gives birth to seven babies and realizes at one of their weddings that they were foxes all along; a girl with irritating social quirks has been raised literally by cardboard boxes; a young woman throws a dinner party only to have her elaborate dessert upstaged by one of the guests who, as it turns out, is the moon. Love between mothers and children is a puzzling thrum that sounds at the very edge of hearing; a muted pulse that, nevertheless, beats and beats and beats.

In these tales, the prosaic details of everyday life—a half-eaten sandwich, an unopened pack of letters on a table—take on fevered significance as the characters blunder into revelations that occlude even as they unfold.
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News from the New American Diaspora
and Other Tales of Exile
By Jay Neugeboren
University of Texas Press, 2005

Prize-winning novelist Jay Neugeboren's third collection of short stories focuses on Jews in various states of exile and expatriation—strangers in strange lands, far from home. These dozen tales, by an author whose stories have been selected for more than fifty anthologies, including Best American Short Stories and O. Henry Prize Stories, span the twentieth century and vividly capture brief moments in the lives of their characters: a rabbi in a small town in New England struggling to tend to his congregation and himself, retirees who live in Florida but dream of Brooklyn, a boy at a summer camp in upstate New York learning about the Holocaust for the first time, Russians living in Massachusetts with the family who helped them immigrate. In "The Other End of the World," an American soldier who has survived life in a Japanese prisoner of war camp grieves for members of his family murdered in a Nazi death camp, and in "Poppa's Books" a young boy learns to share his father's passion for the rare books that represent the Old World. "This Third Life" tells of a divorced woman who travels across Germany searching for new meaning in her life after her children leave home, while both "His Violin" and "The Golden Years" explore the plight of elderly Jews, displaced from New York City to retirement communities in Florida, who struggle with memory, madness, and mortality.

Set in various times and places, these poignant stories are all tales of personal exile that also illuminate that greater diaspora—geographical, emotional, or spiritual—in which many of us, whether Jews or non-Jews, live.

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front cover of The Orange Wire Problem and Other Tales from the Doctor’s Office
The Orange Wire Problem and Other Tales from the Doctor’s Office
David Watts
University of Iowa Press, 2009
Western literature has had a long tradition of physician-writers. From Mikhail Bulgakov to William Carlos Williams to Richard Selzer to Ethan Canin, exposure to human beings at their most vulnerable has inspired fine writing. In his own inimitable and unpretentious style, David Watts is also a master storyteller. Whether recounting the decline and death of a dear friend or poking holes in the faulty logic of an insurance company underling, The Orange Wire Problem lays bare the nobility and weakness, generosity and churlishness of human nature.

With disarming candor and the audacity to admit that practicing medicine can be a crazy thing, Watts fills each page with riveting details, moving accounts, or belly-laughs.  As the stories in this work unfold, we are witness to the moral dilemmas and personal rewards of ministering to the sick. Whether the subject is the potential benefits of therapeutic deception or telling a child about death, Watts’s ear for the right word, the right tone, and the right detail never fails him.

From The Orange Wire Problem and Other Tales from the Doctor’s Office:

We were lingering in the outer office. He mentioned again, no biopsy. I knew that. And I knew there would be no chemotherapy.
    Maybe it's like that Orange Wire Problem, I said.
    Yes exactly, he said, and four years from now when we're all sitting around the campfire we'll remember the Orange Wire Problem. . .
    And I thought to myself, my brother did that. Spoke of the time ahead as he was dying of lung cancer. Six months from now he had said, we'll be glad we did all those drug therapies—as if to speak of the future laid claim to the future.
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front cover of Why the Chisholm Trail Forks and Other Tales of the Cattle Country
Why the Chisholm Trail Forks and Other Tales of the Cattle Country
By Andy Adams
University of Texas Press, 1956

This sparkling collection of tales told around Western campfires, written by the master chronicler of the range, is a literary find of great interest and genuine importance.

Andy Adams is remembered chiefly as the author of The Log of a Cowboy. Among the most charming features of the Log are the stories the cowhands told around the fires at night when the day's work was done. Similar and equally delightful stories are scattered throughout several other less successful novels, long out of print, while others that never saw publication were found by the editor among Adams' papers.

In the present book, Wilson M. Hudson has gathered together these tales of the trail and camp into one volume that surely will delight the hearts of all readers who are interested in the old West.

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