A SCHOLARLY BOOK REPOSITORY
In this definitive collection of essays spanning fifteen years, R. Stephen Warner traces the development of the “new paradigm” interpretation of American religion. Originally formulated in the 1990s in response to prevailing theories of secularization that focused on the waning plausibility of religion in modern societies, the new paradigm reoriented the study of religion to a focus on communities, subcultures, new religious institutions, and the fluidity of modern religious identities. This perspective continues to be one of the most important driving forces in the field and one of the most significant challenges to the idea that religious pluralism inevitably leads to religious decline.
A leading sociologist of religion, Warner shows how the new paradigm stresses the role that religion plays as a vehicle for the bonding and expression of communities within the United States—a society founded on the principle of religious disestablishment and characterized by a diverse and mobile population. Chapters examine evangelicals and Pentecostals, gay and lesbian churches, immigrant religious institutions, Hispanic parishes, and churches for the deaf in terms of this framework. Newly written introductory and concluding essays set these groups within the broad context of the developing field. A thoughtfully organized and timely collection, the volume is a valuable classroom resource as well as essential reading for scholars of contemporary religion.
A Faith of Our Own investigates the development and growth of these houses of worship, a recent and rapidly increasing phenomenon in major cities throughout the United States.
Immigration historians have depicted the second-generation as a transitional generation--on the steady march toward the inevitable decline of ethnic identity and allegiance. Sharon Kim suggests an alternative path. By harnessing religion and innovatively creating hybrid religious institutions, second-generation Korean Americans are assertively defining and shaping their own ethnic and religious futures. Rather than assimilating into mainstream American evangelical churches or inheriting the churches of their immigrant parents, second-generation pastors are creating their own hybrid third space--new autonomous churches that are shaped by multiple frames of reference.
Including data gathered over ten years at twenty-two churches, A Faith of Our Own is the most comprehensive study of this topic that addresses generational, identity, political, racial, and empowerment issues.
In 1964, of the more than 85 million telephones in the United States and Canada, less than one percent were used regularly by deaf people. If they didn’t ask their hearing neighbors for help, they depended upon their hearing children, some as young as three years old, to act as intermediaries for business calls or medical consultations. In that same year, three enterprising deaf men, Robert H. Weitbrecht, James C. Marsters, and Andrew Saks, started the process that led to deaf people around the world having an affordable phone system that they could use.
Weitbrecht, a successful physicist with the Stanford Research Institute, had been experimenting with a teletypewriter (TTY) used with shortwave radios. When Marsters, a prominent deaf orthodontist, met Weitbrecht and saw his TTY, he immediately suggested the possibility of resolving deaf people’s decades-long struggle to have access to telecommunications without relying totally upon hearing people as go-betweens. Andrew Saks brought his business acumen to the group, which soon set to work overcoming the daunting problems they faced.
Harry G. Lang’s A Phone of Our Own: The Deaf Insurrection Against Ma Bell tells how these three men collaborated to solve the technical difficulties of developing a coupling device for TTYs that would translate sounds into discernible letters. More remarkably, and with the help of an expanding corps of Deaf advocates, they successfully assaulted the American Telephone and Telegraph Company (AT&T), which in its efforts to protect its monopoly, smashed old TTYs to keep them from being used for potentially competitive purposes. The Federal Communications Commission (FCC) also resisted efforts to build a telephone system for deaf people that was available, affordable, portable, and fully accessible. Lang recounts in vivid terms how many other Deaf individuals and groups from all walks of life joined Weitbrecht, Marsters, and Saks against these forces. A Phone of Our Own is an entertaining and engrossing story of how they fought and won, and changed the world for the better for deaf people everywhere.
The history of educational summer camps in American Reform Judaism. Reform Judaism is not the only religious community in America to make the summer camp experience a vital part of a faith community's effort to impart its values and beliefs to its adolescents, but perhaps no group relied more on summer camp as an adjunct to home and community for this purpose. Summer camp became an important part of Reform group identity, a bulwark against the attraction of assimilation into the greater society and mere nominal Judaism.
These essays, which commemorate the fiftieth anniversary of the founding of the first Reform Jewish educational camp in the United States (Olin-Sang-Ruby Union Institute [OSRUI], in Oconomowoc, Wisconsin) cover a wide range of topics related to both the Reform Judaism movement and the development of the Reform Jewish camping system in the United States. Donald M. Splansky’s chapter on “Prayer at Reform Jewish Camps” documents changes in prayer services that took place both at OSRUI and in the Reform movement in general; Michael Zeldin’s “Making the Magic in Reform Jewish Summer Camps” describes the educational philosophies employed at many camps and analyzes their effectiveness; and Jonathan D. Sarna’s “The Crucial Decade in Jewish
With a little help from Virginia Woolf, Susan Gubar contemplates startling transformations produced by the women's movement in recent decades. What advances have women made and what still needs to be done? Taking Woolf's classic A Room of One's Own as her guide, Gubar engages these questions by recounting one year in the life of an English professor.
A meditation on the teaching of literature and on the state of the humanities today, her chapters also provide a crash course on the challenges and changes in feminist intellectual history over the past several decades: the influence of post-structuralism and of critical race, postcolonial, and cultural studies scholarship; the stakes of queer theory and the institutionalization of women's studies; and the effects of globalism and bioengineering on conversations about gender, sex, and sexuality. Yet Rooms of Our Own eschews a scholarly approach. Instead, through narrative criticism it enlists a thoroughly contemporary cast of characters who tell us as much about the comedies and tragedies of campus life today as they do about the sometimes contentious but invariably liberating feminisms of our future.
Winner, 2020 American Educational Studies Association Critics' Choice Award
As battles over school desegregation helped define a generation of civil rights activism in the United States, a less heralded yet equally important movement emerged in Chicago. Following World War II, an unprecedented number of African Americans looked beyond the issue of racial integration by creating their own schools. This golden age of private education gave African Americans unparalleled autonomy to avoid discriminatory public schools and to teach their children in the best ways they saw fit. In Schools of Our Own, Worth Kamili Hayes recounts how a diverse contingent of educators, nuns, and political activists embraced institution building as the most effective means to attain quality education. Schools of Our Own makes a fascinating addition to scholarly debates about education, segregation, African American history, and Chicago, still relevant in contemporary discussions about the fate of American public schooling.
When the Reverend Henry Carmichael opened the Sydney Mechanics’ School of Arts in 1833, he introduced a bold directive: for Australia to advance on the scale of nations, it needed to develop a science of its own. Prominent scientists in the colonies of New South Wales and Victoria answered this call by participating in popular exhibitions far and near, from London’s Crystal Place in 1851 to Sydney, Melbourne, Adelaide, and Brisbane during the final decades of the nineteenth century. A Science of Our Own explores the influential work of local botanists, chemists, and geologists—William B. Clarke, Joseph Bosisto, Robert Brough Smyth, and Ferdinand Mueller—who contributed to shaping a distinctive public science in Australia during the nineteenth century. It extends beyond the political underpinnings of the development of public science to consider the rich social and cultural context at its core. For the Australian colonies, as Peter H. Hoffenberg argues, these exhibitions not only offered a path to progress by promoting both the knowledge and authority of local scientists and public policies; they also ultimately redefined the relationship between science and society by representing and appealing to the growing popularity of science at home and abroad.
A Theater of Our Own is a fascinating, fast-paced, and fact-filled chronicle of Chicago's legendary theater scene by the long-time chief critic for the Chicago Tribune. Who produced the first stage adaptation of "The Wizard of Oz" in 1902-nearly forty years before the movie classic? What entertainment juggernaut began in a converted Chinese laundry on Wells Street in 1959? Where did Louis (Studs) Terkel make his stage debut? When did the original production of "Grease" open at Kingston Mines Theater? Richard Christiansen, former chief critic for the Chicago Tribune, answers these and many more questions about the rich role of the theater in Chicago, from its earliest days in 1837 to its present state as a diverse community of artists with international stature.
In A Theater of Our Own, he draws upon his exclusive interviews, insights, and memories gathered over a period of more than forty years of reviewing the arts. This history and memoir traces the evolution of the Chicago theater scene from small theaters to major institutions such as the Steppenwolf Theatre Company, the Goodman Theater, and The Second City. Along the way, Richard Christiansen relates his behind-the-scenes conversations with some of Chicago's most acclaimed writers, directors, and actors--David Mamet, Frank Galati, Mary Zimmerman, John Malkovich, Laurie Metcalf, Harold Ramis, Gary Sinise, and Joe Mantegna--all a part of Chicago's theater renaissance from the 1970s onward. To this day, Chicago remains a city known for its imaginative, innovative, and influential theaters and artists. A Theater of Our Own, a valuable contribution to the history of theater, is a book written for anyone who enjoys the theater and its people as well as the story of Chicago.
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