front cover of American Political Plays
American Political Plays
AN ANTHOLOGY
Edited by Allan Havis
University of Illinois Press, 2001
Richly deserving of wider exposure in the theater and the classroom, these sly, remarkable scripts touch on the forceful and salient issues of the 1990s, including the Gulf War, racial and sexual relations, crises unique to big cities, immigration and multiculturalism, art and censorship, revisionist history, academic freedom, and the transformation of the American presidency.
 
The American Play by Suzan-Lori Parks features an Abraham Lincoln impersonator trapped in an outrageous, Beckett-like world, while Naomi Wallace's In the Heart of America centers on a Palestinian American from Atlanta who is caught up in the Persian Gulf conflict. Kokoro by Velina Hasu Houston chillingly depicts the stark predicament of a Japanese mother caught between two impossible worlds; Marisol by José Rivera reveals the dark fairytale life of a young Latin woman in a wartorn, apocalyptic New York. The Gift by Allan Havis confronts overwhelming moral ambiguity in the farcical realm of university politics, while Nixon's Nixon by Russell Lees offers an adroit treatment of the fascinating, tortured Nixon/Kissinger relationship. The collection closes with Mac Wellman's 7 Blowjobs, a wicked send-up of the compromise politics that determined the fate of the National Endowment for the Arts.
 
Taken together, these seven plays present an eclectic web of social thought and imagination that are uniquely American, offering the reader a splendid, honest study of a rich society in search of itself.
 
[more]
front cover of Collusions of Fact and Fiction
Collusions of Fact and Fiction
Performing Slavery in the Works of Suzan-Lori Parks and Kara Walker
Saal, Ilka
University of Iowa Press, 2021
Collusions of Fact and Fiction traces a generational shift in late twentieth-century African American cultural engagements with the history and legacies of transatlantic slavery. With a focus on works by playwright Suzan-Lori Parks and visual artist Kara Walker, the book explores how, in comparison to the first wave of neo-slave narratives of the 1970s and 1980s, artists of the 1990s and early 2000s tend to approach the past from the vantage point of a liberal entanglement of fact and fiction as well as a highly playful, often humorous, and sometimes irreverent signifying on entrenched motifs, iconographies, and historiographies.

Saal argues that the attempt to reconstruct or recuperate the experience of African Americans under slavery is no longer at stake in the works of artists growing up in the post–Civil Rights era. Instead, they lay bare the discursive dimension of our contemporary understanding of the past and address the continued impact of its various verbal and visual signs upon contemporary identities. In this manner, Parks and Walker stake out new possibilities for engaging the past and inhabiting the present and future.
 
[more]

Send via email Share on Facebook Share on Twitter