From romanticism through postmodernism, the imagination has become an indispensable reference point for thinking about the self, culture, philosophy, and politics. How has imagination so thoroughly influenced our understanding of experience and its possibilities? In a bold reinterpretation of a crucial development in modern European intellectual history, Matthew W. Maguire uncovers a history of French thought that casts the imagination as a dominant faculty in our experience of the world.

Pascal, turning Augustinianism inside out, radically expanded the powers of imagination implicit in the work of Montaigne and Descartes, and made imagination the determinative faculty of everything from meaning and beauty to political legitimacy and happiness. Maguire traces the ways that others, including Montesquieu and Voltaire, developed and assigned limits to this exalted imagination. But it is above all Rousseau's diverse writings that engage with an expansive imagination. And in the writings of Rousseau's careful readers, particularly Alexis de Tocqueville, imagination is increasingly understood as the medium for an ineffable human freedom against the constrictive power of a new order in politics and culture.

Original and thought-provoking, The Conversion of Imagination will interest a range of readers across intellectual history, political theory, literary and cultural studies, and the history of religious thought.

The life of the paradoxical seventeenth-century philosopher and mathematician is examined here along three axes—psychological, theological, and linguistic—to present the first rounded portrayal of the querulous, intense, ever-committed Pascal. In drawing this portrait, the author restores Pascal to the general reader after twenty years of scholarship that has embroiled this historic thinker in academic quarrels.

Robert Nelson confronts the contradictions in Pascal’s life and personality: intensely religious according to the demands of his time, yet simultaneously committed to rigorous scientific inquiry, no matter where it led; fascinated by rebellion, yet deeply dependent on the authority of father, spiritual adviser, church, and science. Mr. Nelson sees the resolution of these personal dilemmas in Pascal’s growing interest in language—the essential relation between word and object, signifier and signified, which form a style of “Pascalian linguistics” different from those of Descartes or Port Royal.

Through the scrutiny of Pascal’s biography and analysis of the entire body of his writing, Nelson reveals Pascal the man, the scientist, the theologian, and the literary genius.

Blaise Pascal (1623-1662) was a French mathematician, physicist, and religious philosopher, who laid the foundation for the modern theory of probabilities. The Pensées are made up of some 800 fragments, that have proven to be an enduring masterpiece since their initial publication in 1670. This volume is a translation of Philippe Sellier’s edition of Pascal’s Pensées, in addition to two shorter texts, the Exchange with M. de Sacy and The Life of Monsieur Pascal by Pascal’s sister, Gilberte Périer. In addition to a Preface and an Introduction, there is a comprehensive apparatus criticus. The text was originally produced by a team of international Pascal scholars, who translated individual sections and was revised by the General Editor. The introduction situates the Sellier edition in the history of Pascal scholarship and highlights the advance its reordering of the fragments and of the folders or bundles represents, both the translation itself and the notes allow for a deeper reading of the text. It not only gives English readers a version of the authoritative Sellier edition of the collection of reflections known as The Pensées, it also proposes material which help assess the philosopher’s significance and the originality of his thought. On the whole, this translation gives a comprehensive view of the progress of Pascal’s intended Apology of the Christian Religion as well as of other writings on related topics. It also provides today’s readers with a challenging set of arguments, prayer, and quotations from Scripture, and even the record of a mystical experience, known as the Memorial. It highlights all facets of Pascal’s genius, his familiarity with Scripture combined with a talent for controversy, irony mixed with fervor, and altogether the production of an intriguing and challenging writer and thinker.

From an eminent scholar, a spirited introduction to one of the great polymaths in the history of Europe.

Blaise Pascal (1623–1662) is best known in the English-speaking world for his contributions to mathematics and physics, with both a triangle and a law in fluid mechanics named after him. Meanwhile, the classic film My Night at Maud’s popularized Pascal’s wager, an invitation to faith that has inspired generations of theologians. Despite the immensity of his reputation, few read him outside French schools. In A Summer with Pascal, celebrated literary critic Antoine Compagnon opens our minds to a figure somehow both towering and ignored.

Compagnon provides a bird’s-eye view of Pascal’s life and significance, making this volume an ideal introduction. Still, scholars and neophytes alike will profit greatly from his masterful readings of the Pensées—a cornerstone of Western philosophy—and the Provincial Letters, in which Pascal advanced wry theological critiques of his contemporaries. The concise, taut chapters build upon one another, easing into writings often thought to be forbidding and dour. With Compagnon as our guide, these works are not just accessible but enchanting.

A Summer with Pascal brings the early modern thinker to life in the present. In an age of profound existential doubt and assaults on truth and reason, in which religion and science are so often crudely opposed, Pascal’s sophisticated commitment to both challenges us to meet the world with true intellectual vigor.

Blaise Pascal (1623-1662) is known in the English-speaking world principally for the wager (an argument that it is rational to do what will affect belief in God and irrational not to), and, more generally, for the Pensées, a collection of philosophical and theological fragments of unusual emotional and intellectual intensity collected and published after his death. He thought and wrote, however, about much more than this: mathematics; physics; grace, freedom, and predestination; the nature of the church; the Christian life; what it is to write and read; the order of things; the nature and purpose of human life; and more. He was among the polymaths of the seventeenth century, and among the principal apologists of his time for the Catholic faith, against both its Protestant opponents and its secular critics. Why Read Pascal? engages all the major topics of Pascal's theological and philosophical writing. It provides discussion of Pascal's literary style, his linked understandings of knowledge and of the various orders of things, his anthropology (with special attention to his presentation of affliction, death, and boredom), his politics, and his understanding of the relation between Christianity and Judaism. Pascal emerges as a literary stylist of a high order, a witty and polemical writer (never have the Jesuits been more thoroughly eviscerated), and, perhaps above all else, as someone concerned to show to Christianity's cultured despisers that the fabric of their own lives implies the truth of Christianity if only they can be brought to look at what their lives are like. Why Read Pascal? is the first book in English in a generation to engage all the principal themes in Pascal's theology and philosophy. The book takes Pascal seriously as an interlocutor and as a contributor of continuing relevance to Catholic thought; but it also offers criticisms of some among the positions he takes, showing, in doing so, how lively his writing remains for us now.

A few years before he died in 1662, Blaise Pascal wrote fifteen interconnected essays on grace, which have collectively come to be known as the Écrits sur la grâce. These were not published before his death, and were not polished and revised by him with an eye to publication, which means that they show his mind at work experimentally, trying out lines of argument and engagements with magisterial and patristic texts without resolving them into anything like a final system. The Écrits are replete with experimental formulations and bursts of literary and intellectual energy; taken together, they provide an intense and extreme presentation of Pascal's version of Augustinianism with respect to grace, election, and predestination, the meaning of the Council of Trent, and much else. These essays provide one of the keys to the entirety of Pascal's thought, and they provide a view of grace's workings -- perhaps better, a grammar of grace -- which still warrants serious attention by Catholic theologians. Less than one-fifth of the Écrits has yet been published in English. This book provides a complete translation, made from the French text provided in Michel Le Guern's edition (1998, 2000) of Pascal's Oeuvres complètes, and annotated to provide full information about Pascal's sources and how he used them. The translation is followed by a substantial interpretive essay in which Pascal's positions and approaches are restated and argued with.