The Art of Reading is the first—long overdue—collection of essays by the French classical philologist and humanist Jean Bollack to be published in English. As the scope of the collection demonstrates, Bollack felt at home thinking in depth about two things that seem starkly different to most other thinkers. We see on the one hand the classics of Greek poetry and philosophy, including the relatively obscure but in his hands illuminating re-readings of Greek philosophy by the doxographers. Then, on the other hand, there is modern, including contemporary, poetry. The author of monumental commentaries on the Oedipus Tyrannos of Sophocles and on the fragments of Empedocles, Bollack cultivated in himself and in a generation of students (academics and others) a way to read both sets of texts closely that is as uncompromising and demanding of the interpreter as it is of the reader of the interpretation. The results, which this wide-ranging but compact collection brings to mind, are designed to get beyond flat and clichéd approaches to familiar works and to awaken the reader anew to the aesthetics, the complexity, and the intelligence that careful reconstruction of the text can bring to light.

A luminous, groundbreaking biography of one of the most important literary figures of the twentieth century, best known for the poem “Death Fugue.”

Paul Celan (1920–1970) was recognized as the greatest poet of the German language shortly before his tragic death just shy of his fiftieth birthday, when he drowned himself in the Seine. He described his “Todesfuge” (“Death Fugue”) as a “tombstone” for his mother, who perished in the Holocaust. Celan’s work is often viewed as a rejoinder to Theodor Adorno’s dictum that it was barbaric to write poetry after Auschwitz.

While the commentary on Celan’s contributions to poetics and Holocaust literature is voluminous, little has been written about his life itself. Anna Arno provides the definitive biography. Paul Celan: A Life follows the poet from his birthplace, Czernowitz (today Chernivtsi, Ukraine), to Bucharest, where he was part of an important circle of Surrealists, then onto Vienna, where he met and fell in love with Ingeborg Bachmann, and finally to Paris. Although in his final years he was haunted by bouts of mental illness, his life cannot be defined by its implosion. Paul Celan was an ardent, inveterate romantic whose many meaningful relationships left their mark on his poetry. He also cultivated intense, often fraught dialogues with such thinkers as René Char, Yves Bonnefoy, and Martin Heidegger.

Drawing upon a linguistically wide range of archival sources and the most up-to-date research, Arno presents a complete picture of Celan’s life. Here is the essential story of a towering figure in modern poetry.