Octavius Valentine Catto was an orator who shared stages with Frederick Douglass, a second baseman on Philadelphia’s best black baseball team, a teacher at the city’s finest black school and an activist who fought in the state capital and on the streets for equal rights. With his racially-charged murder, the nation lost a civil rights pioneer—one who risked his life a century before Selma and Birmingham. 

In Tasting Freedom Murray Dubin and Pulitzer Prize winner Dan Biddle painstakingly chronicle the life of this charismatic black leader—a “free” black whose freedom was in name only. Born in the American south, where slavery permeated everyday life, he moved north where he joined the fight to be truly free—free to vote, go to school, ride on streetcars, play baseball and even participate in July 4th celebrations.   

Catto electrified a biracial audience in 1864 when he proclaimed, “There must come a change,” calling on free men and women to act and educate the newly freed slaves. With a group of other African Americans who called themselves a “band of brothers,” they challenged one injustice after another. Tasting Freedom presents the little-known stories of Catto and the men and women who struggled to change America.

It is 1883, and all of Klara Bozic’s girlish dreams have come crashing down as she arrives in Thirsty, a gritty steel town carved into the slopes above the Monongahela River just outside of Pittsburgh. She has made a heartbreaking discovery. Her new husband Drago is as abusive as the father she left behind in Croatia.

In Kristin Bair O’Keeffe’s debut novel, Klara’s life unfolds over forty years as she struggles to find her place in a new country where her survival depends on the friends who nurture her: gutsy, funny Katherine Zupanovic, who isn‘t afraid of Drago’s fist; BenJo, the only black man in Thirsty to have his own shop; and strangely enough, Old Man Rupert, the town drunk.

Thirsty follows a chain of unlikely events that keep Klara’s spirit aloft: a flock of angelic butterflies descends on Thirsty; Klara gives birth to her first child in Old Man Rupert’s pumpkin patch; and BenJo gives her a talking bird. When Klara’s daughter marries a man even more brutal than Drago, Klara is forced to act. If she doesn’t finally break the cycle of violence in her family, her granddaughters will one day walk the same road, broken and bruised. As the threads that hold her family together fray and come undone, Klara has to decide if she has the courage to carve out a peaceful spot in the world for herself and her girls.

The 2010 Pennsylvania Senate election provided high drama from the earliest days of its primary campaigns right through Election Day. After long-time incumbent Arlen Specter was eliminated, the race boiled down to two fresh faces—Pat Toomey and Joe Sestak. Their battle constitutes a microcosm of the political divide that characterizes contemporary American politics.

Veteran writer Hal Gullan obtained special access to the Toomey campaign early on. Toomey's Triumph offers both that inside look and a Philadelphian's reflections of a riveting election. Gullan's astute month-by-month narrative distills the events of the year-long battles through the high drama and the day-to-day of grassroots organizing and campaigning. He describes how the candidates appear, what they say, and how the media pundits respond to their various gambits. He provides wry observations on the efficacy of each candidate's campaign ads and strategies, and he analyzes the up-and-down polls.

Toomey's Triumph provides an engaging chronicle of a critical campaign.

In 1986, with little warning, the USX Homestead Works closed. Thousands of workers who depended on steel to survive were left without work. A Town Without Steel looks at the people of Homestead as they reinvent their views of household and work and place in this world.  The book details the modifications and revisions of domestic strategies in a public crisis.  In some ways unique, and in some ways typical of American industrial towns, the plight of Homestead sheds light on social, cultural, and political developments of the late twentieth century.  

In this anthropological and photographic account of a town facing the crisis of deindustrialization, A Town Without Steel focuses on families.  Reminiscent of Margaret Byington and Lewis Hine’s approach in Homestead,  Charlee Brodsky’s photographs document the visual dimension of change in Homestead.  The mill that dominated the landscape transformed to a vast, empty lot; a crowded commercial street turns into a ghost town; and an abundance of well-kept homes become an abandoned street of houses for sale.  The individual narratives and family snapshots, Modell’s interpretations, and Brodsky’s photographs all evoke the tragedy and the resilience of a town whose primary source of self-identification no longer exists.