front cover of Judaism and Disability
Judaism and Disability
Portrayals in Ancient Texts from the Tanach through the Bavli
Judith Z. Abrams
Gallaudet University Press, 1998
The Jewish religion owns a virtually uninterrupted record of scripture and commentary dating back to 1,000 B.C.E. (B.C.), portions of which allow the new book Judaism and Disability: Portrayals in Ancient Texts from the Tanach through the Bavli to document attitudes toward disabled people in the earliest centuries of this ancient culture. Abrams examines the Tanach, the Hebrew acronym for the Jewish Bible, including passages from the Torah, Prophets, and Writings, and subsequent commentaries up to and through the Bavli, the Talmud of Babylonia written between the 5th and 7th centuries C.E. (A.D.).

In Judaism and Disability, the archaic portrayals of mentally ill, mentally retarded, physically affected, deaf, blind, and other disabled people reflect the sharp contrast they presented compared to the unchanging Judaic ideal of the “perfect priest.” All of these sources describe this perfection as embodied in a person who is male, free, unblemished, with da’at (cognition that can be communicated), preferably learned, and a priest. The failure to have da’at stigmatized disabled individuals, who were also compromised by the treatment they received from nondisabled people, who were directing and constraining.

As the Judaic ideal transformed from the bodily perfection of the priest in the cult to intellectual prowess in the Diaspora, a parallel change of attitudes toward disabled persons gradually occurred. The reduced emphasis upon physical perfection as a prerequisite for a relationship with God eventually enabled the enfranchisement of some disabled people and other minorities. Scholars, students, and other readers will find the engrossing process disclosed in Judaism and Disability one that they can apply to a variety of other disciplines.
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front cover of Just Care
Just Care
Messy Entanglements of Disability, Dependency, and Desire
Akemi Nishida
Temple University Press, 2022

Just Care is Akemi Nishida’s thoughtful examination of care injustice and social justice enabled through care. The current neoliberal political economy has turned care into a business opportunity for the healthcare industrial complex and a mechanism of social oppression and control. Nishida analyzes the challenges people negotiate whether they are situated as caregivers, receivers, or both. Also illuminated is how people with disabilities come together to assemble community care collectives and bed activism (resistance and visions emerging from the space of bed) to reimagine care as a key element for social change.

The structure of care, Nishida writes, is deeply embedded in and embodies the cruel social order—based on disability, race, gender, migration status, and wealth—that determines who survives or deteriorates. Simultaneously, many marginalized communities treat care as the foundation of activism. Using interviews, focus groups, and participant observation with care workers and people with disabilities, Just Care looks into lives unfolding in the assemblage of Medicaid long-term care programs, community-based care collectives, and bed activism. Just Care identifies what care does, and asks: How can we activate care justice or just care where people feel cared affirmatively and care being used for the wellbeing of community and for just world making?

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front cover of Just Vibrations
Just Vibrations
The Purpose of Sounding Good
William Cheng
University of Michigan Press, 2016

Modern academic criticism bursts with what Eve Kosofsky Sedgwick once termed paranoid readings—interpretative feats that aim to prove a point, persuade an audience, and subtly denigrate anyone who disagrees. Driven by strategies of negation and suspicion, such rhetoric tends to drown out softer-spoken reparative efforts, which forego forceful argument in favor of ruminations on pleasure, love, sentiment, reform, care, and accessibility.

Just Vibrations: The Purpose of Sounding Good calls for a time-out in our serious games of critical exchange. Charting the divergent paths of paranoid and reparative affects through illness narratives, academic work, queer life, noise pollution, sonic torture, and other touchy subjects, William Cheng exposes a host of stubborn norms in our daily orientations toward scholarship, self, and sound. How we choose to think about the perpetration and tolerance of critical and acoustic offenses may ultimately lead us down avenues of ethical ruin—or, if we choose, repair. With recourse to experimental rhetoric, interdisciplinary discretion, and the playful wisdoms of childhood, Cheng contends that reparative attitudes toward music and musicology can serve as barometers of better worlds.

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