Diverse approaches to sensoria in Persian literature.

We experience art with our whole bodies, yet traditional approaches to Persian literature overemphasize the mind—the political, allegorical, or didactic—and ignore the feelings that uniquely characterize aesthetics. Losing Our Minds, Coming to Our Senses rediscovers the sensuality of Persian art across period, genre, and artist. Through readings of such well-known writers as Rumi and lesser-known artists as Hossein Abkenar, the authors demonstrate the significance of sensoria to the rich history of Persian letters.

At its height in the sixteenth and seventeenth centuries, the Mughal Empire was one of the largest empires in Eurasia, with territory extending over most of the Indian subcontinent and much of present-day Afghanistan. As part of the Persianate world that spanned from the Bosphorus to the Bay of Bengal, Mughal rulers were legendary connoisseurs of the arts. Their patronage attracted poets, artists, and scholars from all parts of the eastern Islamic world. Persian was the language of the court, and poets from Safavid Iran played a significant role in the cultural life of the nobility. Mughal Arcadia explores the rise and decline of Persian court poetry in India and the invention of an enduring idea—found in poetry, prose, paintings, and architecture—of a literary paradise, a Persian garden located outside Iran, which was perfectly exemplified by the valley of Kashmir.

Poets and artists from Iran moved freely throughout the Mughal empire and encountered a variety of cultures and landscapes that inspired aesthetic experiments which continue to inspire the visual arts, poetry, films, and music in contemporary South Asia. Sunil Sharma takes readers on a dazzling literary journey over a vast geographic terrain and across two centuries, from the accession of the first emperor, Babur, to the throne of Hindustan to the reign of the sixth great Mughal, Aurangzeb, in order to illuminate the life of Persian poetry in India. Along the way, we are offered a rare glimpse into the social and cultural life of the Mughals.

The Necklace of the Pleiades is a volume on Persian literature, culture and religion by Persian scholars from around the world. This book reflects the state of the field of Persian literary studies and will be of substantial interest not only to scholars of Iranian culture, history and religions, but of Middle Eastern and South Asian studies, as well. The topics of the 24 essays range from the Persian Alexander romance, to Ferdowsi’s Shahnama and other epics, the poetics and imagery of the ghazal and the qasida, Mughal court poetry, Sufism, Ismaili history, Baha’i literature, Iranian linguistics, the modern writer Sadeq Hedayat, and the reception of Salman Rushdie’s novel in Persian translation.

This volume presents several articles and other writings of Sorour S. Soroudi (1938–2002), who taught in the Department of Iranian Studies at the Hebrew University for three decades. Soroudi’s research was concentrated in three main areas, all of which are well represented in this collection. First, Soroudi was an early specialist in modern Persian poetry, particularly that of the constitutional era; her studies and translations did much to bring this poetry to the attention of critics and scholars. Second, on the basis of extensive fieldwork as well as literary study, Soroudi contributed greatly to the study of Judeo-Persian literature and folk culture. Third, Soroudi explored the history and culture of Iranian Jewry, which she situated in the larger context of Iranian history. This volume, meticulously and sensitively edited by Houchang E. Chehabi, brings together many of Dr. Soroudi’s published articles in these two areas. Included in this book is a previously unpublished piece as well as an article that appears here in English for the first time.