AFSCME's Philadelphia Story provides the most comprehensive account of the early years of the American Federation of State, County and Municipal Employees, which is one of the nation’s largest and most politically powerful unions in the AFL-CIO. Author Francis Ryan details the emergence of the Quaker City's interracial union, charting its beginnings in the political patronage system of one of the nation's most notorious political machines to the first decade of the twenty-first century. Ryan provides new insight into the working class origins of African American political power in the late twentieth century as well as a thorough overview of the role the municipal state played in the urban economy of one of the nation's largest cities.
Ryan describes the work processes and how they changed, and uses workers' testimonies to ground the detailed accounts of issues and negotiations. Beginning in the 1920s and ending in the 2000s, Ryan's study offers a long-term analysis of the growth of a single union in a major American city.
When Hahnemann Medical College was founded in Philadelphia in 1848, it was the only institution in the world to offer an M. D. degree in homeopathy, a therapeutic and intellectual alternative to orthodox medicine. This institutional history situates Hahnemann in the broader context of American social changes and chronicles its continual remaking in response to the rise of corporate medicine and constant changes in the Philadelphia community. In the nineteenth century, Hahnemann provided a distinctive and respected identity for its faculty, students, and supporters. In the early twentieth century, it accepted students denied admission elsewhere, especially Jewish and Italian students. It taught a flexible homeopathy that facilitated curricular changes remarkably similar to those at the best contemporary orthodox schools, including selective assimilation of the new experimental sciences, laboratory training, experience in the school's own teaching hospital, and a lengthened course of medical study. Hahnemann is no longer homeopathic, although it remained loyal to its alternative heritage long after the 1910 Flexner Report attempted to eliminate alternative medical education in America. Like many other American medical schools, Hahnemann has had its share of problems, financial and otherwise. The civil rights and radical student movements of the 1960s and 70s, however, pushed the College into a more politically conscious view of itself as a health care provider to the inner city and as a producer of health professionals. In 1993, the College merged with another Philadelphia medical school into a single health care and training institution called the Allegheny University of the HealthSciences. Although Hahnemann is now part of a new system of academic medicine, its institutional legacy endures, as it has in the past, by following alternative paths.
Dissecting twenty years of educational politics in our nation’s largest cities, American School Reform offers one of the clearest assessments of school reform as it has played out in our recent history. Joseph P. McDonald and his colleagues evaluate the half-billion-dollar Annenberg Challenge—launched in 1994—alongside other large-scale reform efforts that have taken place in New York, Chicago, Philadelphia, and the San Francisco Bay Area. They look deeply at what school reform really is, how it works, how it fails, and what differences it can make nonetheless.
McDonald and his colleagues lay out several interrelated ideas in what they call a theory of action space. Frequently education policy gets so ambitious that implementing it becomes a near impossibility. Action space, however, is what takes shape when talented educators, leaders, and reformers guide the social capital of civic leaders and the financial capital of governments, foundations, corporations, and other backers toward true results. Exploring these extraordinary collaborations through their lifespans and their influences on future efforts, the authors provide political hope—that reform efforts can work, and that our schools can be made better.
When the Museum of the American Revolution acquired the land at Third and Chestnut streets in Olde City, Philadelphia, it came with the condition that an archaeological investigation be conducted. The excavation that began in the summer of 2014 yielded treasures in the trash: unearthed privy pits provided remarkable finds from a mid-eighteenth-century tavern to relics from a button factory dating to the early twentieth century. These artifacts are described and analyzed by urban archaeologist Rebecca Yamin in Archaeology at the Site of the Museum of the American Revolution.
Yamin, lead archaeologist on the dig, catalogues items—including earthenware plates and jugs, wig curlers, clay pipes, and liquor bottles—to tell the stories of their owners and their roles in Philadelphia history. As she uncovers the history of the people as well as their houses, taverns, and buildings that were once on the site, she explains that by looking at these remains, we see the story of the growth of Philadelphia from its colonial beginnings to the Second World War.
Archaeology at the Site of the Museum of the American Revolution is a perfect keepsake for armchair archaeologists, introductory students, and history buffs.
Black Men Can't Shoot
Scott N. Brooks University of Chicago Press, 2009 Library of Congress GV885.73.P55B76 2009 | Dewey Decimal 796.3230974811
The myth of the natural black athlete is widespread, though it’s usually talked about only when a sports commentator or celebrity embarrasses himself by bringing it up in public. Those gaffes are swiftly decried as racist, but apart from their link to the long history of ugly racial stereotypes about black people—especially men—they are also harmful because they obscure very real, hard-fought accomplishments. As Black Men Can’t Shoot demonstrates, such successes on the basketball court don’t happen just because of natural gifts—instead, they grow out of the long, tough, and unpredictable process of becoming a known player.
Scott Norman Brooks spent four years coaching summer league basketball in Philadelphia. And what he saw, heard, and felt working with the young black men on his team tells us much about how some kids are able to make the extraordinary journey from the ghetto to the NCAA. He tells the story of two young men, Jermaine and Ray, following them through their high school years and chronicling their breakthroughs and frustrations on the court as well as their troubles at home. Black Men Can’t Shoot is a moving coming-of-age story that counters the belief that basketball only exploits kids and lures them into following empty dreams—and shows us that by playing ball, some of these young black men have already begun their education even before they get to college.
The history of Philadelphia’s Boathouse Row is both wide and deep.Dotty Brown, an avid rower and former editor at the Philadelphia Inquirer, immersed herself in boathouse archives to provide a comprehensive history of rowing in Philadelphia. She takes readers behind the scenes to recount the era when rowing was the spectator sport of its time—and the subject of Thomas Eakins’ early artwork—through the heyday of the famed Kelly dynasty, and the fight for women to get the right to row. (Yes, it really was a fight, and it took generations to win.)
With more than 160 photographs, a third of them in full color, Boathouse Row chronicles the “waves of change” as various groups of different races, classes, and genders fought for access to water and the sport. Chapters also discuss the architectural one-upmanship that defined Boathouse Row after Frank Furness designed the stunning and eclectic Undine Barge Club, and the regattas that continue to take place today on the Schuylkill River, including the forgotten forces that propelled high school rowing.
Beautifully written and illustrated, Boathouse Row will be a keepsake for rowers and spectators alike.
Introduced at the 1876 Centennial Exposition and powered by an historic advertising campaign, Hires Root Beer—launched 10 years before Coca-Cola—blazed the trail for development of the American soft drink industry. Its inventor, Charles Elmer Hires, has been described as “a tycoon with the soul of a chemist.” In addition to creating root beer, Hires, a devoted family man and a pillar of the Quaker community, became a leading importer of botanical commodities, an authority on the vanilla bean. Starting from scratch, he also built one of the world’s largest condensed milk companies.
Charles E. Hires and the Drink that Wowed a Nation chronicles the humble origin and meteoric business success of this extraordinary entrepreneur. Author Bill Double uses published interviews, correspondence, newspaper reports, magazine articles, financial data, and a small family archive to tell this story of native ingenuity. Here, the rough-hewn capitalism of the gilded age, the evolution of the neighborhood drugstore, the rise of advertising in creating mass markets, and the emerging temperance movement all come together in a biography that, well, fizzes with entrepreneurial spirit.
Fairmount Park is the municipal park system of Philadelphia, Pennsylvania. It consists of more than one hundred parks, squares, and green spaces totaling about 11,000 acres, and is one of the largest landscaped urban park systems in the world. In City in a Park, James McClelland and Lynn Miller provide an affectionate and comprehensive history of this 200-year-old network of parks.
Originated in the nineteenth century as a civic effort to provide a clean water supply to Philadelphia, Fairmount Park also furnished public pleasure grounds for boat races and hiking, among other activities. Millions travel to the city to view its eighteenth-century villas, attend boat races on the Schuylkill River, hike the Wissahickon Creek, visit the Philadelphia Zoo, hear concerts in summer, stroll the city’s historic squares and the Benjamin Franklin Parkway, and enjoy its enormous collection of public art. Green initiatives flower today; Philadelphia lives amidst its parks.
Filled with nearly 150 gorgeous full-color photographs, City in a Park chronicles the continuing efforts to create what founder William Penn desired: a “greene countrie town.”
Below the middle class managers and professionals yet above the skilled blue-collar workers, sales and office workers occupied an intermediate position in urban America's social structure during the age of smokestacks. Bjelopera traces the shifting occupational structures and work choices that facilitated the emergence of a white-collar workforce. He paints a fascinating picture of the lives led by Philadelphia's male and female clerks, both inside and outside the workplace, as they formed their own clubs, affirmed their "whiteness," and even challenged sexual norms. By mapping the relationship between these workers' self-expectations and the shifting demands of their employers, City of Clerks reveals how the notion of "white collar" shifted over half a century.
Marc Stein's City of Sisterly and Brotherly Loves is refreshing for at least two reasons: it centers on a city that is not generally associated with a vibrant gay and lesbian culture, and it shows that a community was forming long before the Stonewall rebellion. In this lively and well received book, Marc Stein brings to life the neighborhood bars and clubs where people gathered and the political issues that rallied the community. He reminds us that Philadelphians were leaders in the national gay and lesbian movement and, in doing so, suggests that New York and San Francisco have for too long obscured the contributions of other cities to gay culture.
In this pathbreaking history, Marc Stein takes an in-depth look at Philadelphia from the 1940s to the 1970s. What he finds is a city of vibrant gay and lesbian households, neighborhoods, commercial establishments, public cultures, and political groups. In doing so, Stein shatters the myth that lesbian and gay history began with the 1969 Stonewall riots in New York City and challenges the notion that only New York and San Francisco featured major lesbian and gay communities in the pre-Stonewall era.
Stein takes us on a tour through Philadelphia's bars, restaurants, bookstores, bathhouses, movie theaters, parks, and parades where lesbian and gay cultures thrived.
We learn about the scientific experts, religious leaders, public officials, and journalists who attacked and ignored same-sex sexualities. And we read about the courageous people who fought back with strategies of everyday resistance and organized political activism.
Stein argues against the idea that a conspiracy of silence surrounded gays and lesbians in the 1940s and 1950s. He shows that same-sex sexualities were regularly discussed in controversies concerning the tennis player Big Bill Tilden, the Walt Whitman Bridge, sex murders and crimes, and police raids. Philadelphians became national leaders in the gay and lesbian movement. They conducted sit-ins at Dewey's restaurant, organized pickets at Independence Hall, edited the movement's most widely circulated publications the Ladder and Drum, and pursued court cases all the way to the U.S. Supreme Court.
Beautifully crafted and exceptionally well-written, Stein's book not only provides a new starting place for thinking about lesbian and gay history but also challenges readers to rethink twentieth-century urban history.
Colored Amazons is a groundbreaking historical analysis of the crimes, prosecution, and incarceration of black women in Philadelphia at the turn of the twentieth century. Kali N. Gross reconstructs black women’s crimes and their representations in popular press accounts and within the discourses of urban and penal reform. Most importantly, she considers what these crimes signified about the experiences, ambitions, and frustrations of the marginalized women who committed them. Gross argues that the perpetrators and the state jointly constructed black female crime. For some women, crime functioned as a means to attain personal and social autonomy. For the state, black female crime and its representations effectively galvanized and justified a host of urban reform initiatives that reaffirmed white, middle-class authority.
Gross draws on prison records, trial transcripts, news accounts, and rare mug shot photographs. Providing an overview of Philadelphia’s black women criminals, she describes the women’s work, housing, and leisure activities and their social position in relation to the city’s native-born whites, European immigrants, and elite and middle-class African Americans. She relates how news accounts exaggerated black female crime, trading in sensationalistic portraits of threatening “colored Amazons,” and she considers criminologists’ interpretations of the women’s criminal acts, interpretations largely based on notions of hereditary criminality. Ultimately, Gross contends that the history of black female criminals is in many ways a history of the rift between the political rhetoric of democracy and the legal and social realities of those marginalized by its shortcomings.
Thomas Eakins’ 1875 painting, The Gross Clinic, the Rocky Statue, andthe Barnes Foundation are all iconic in Philadelphia for different reasons. But around the year 2000, this painting, this sculpture, and this entire art collection, respectively, generated extended—and heated—controversies about the “appropriate” location for each item. Contested Image revisits the debates that surrounded these works of visual culture and how each item changed through acts of reception—through the ways that viewers looked at, talked about, and used these objects to define their city.
Laura Holzman investigates the negotiations and spirited debates that affected the city of Philadelphia’s identity and its public image. She considers how the region’s cultural resources reshaped the city’s reputation as well as delves into discussions about official efforts to boost local spirit. In tracking these “contested images,” Holzman illuminates the messy process of public envisioning of place and the ways in which public dialogue informs public meaning of both cities themselves and the objects of urban identity.
In the early 1980s the radical group MOVE settled into a rowhouse in a predominantly African-American neighborhood of west Philadelphia, beginning years of confrontations with neighbors and police over its anti-establishment ways and militant stance against all social and political institutions. On May 13, 1985, following a period of increased MOVE activity and threats by neighbors to take matters into their own hands, the city moved from bureaucratic involvement to violent intervention. Police bullhorned arrest warrants, hosed down the rowhouse, sprayed tear gas through its walls, and dropped explosives from a helicopter. By the end of the day, eleven MOVE members were dead, an entire block of the neighborhood was destroyed, and Mayor Wilson Goode was calling for an investigation.
How did this struggle between the city and MOVE go from memos and meetings to tear gas and bombs? And how does the mandate to defend public order become a destructive force? Sifting through the hearings that followed the deadly encounter, Robin Wagner-Pacifici reconstructs the conflict between MOVE and the city of Philadelphia. Against this richly nuanced account, in which the participants—from the mayor and the police officers to members of MOVE and their neighbors—offer opposing versions of their aims, assumptions, and strategies, Wagner-Pacifici develops a compelling analysis of the relation between definition and action, between language and violence.
Was MOVE simply a radical, black separatist group with an alternative way of life? Or was it a terrorist cult that held a neighborhood and politicians hostage to its offensive language and bizarre behavior? Wagner-Pacifici shows how competing definitions of MOVE led to different strategies for managing the conflict. In light of the shockingly similar, and even more deadly, 1993 Branch Davidian disaster in Waco, Texas, such an analysis becomes imperative. Indeed, for those who hope to understand—and, finally, to forestall—the moment when language and violence are inexorably drawn together, this book demands attention.
Philadelphia’s Chinatown, like many urban chinatowns, began in the late nineteenth century as a refuge for immigrant laborers and merchants in which to form a community to raise families and conduct business. But this enclave for expression, identity, and community is also the embodiment of historical legacies and personal and collective memories.
In Ethnic Renewal in Philadelphia’s Chinatown. Kathryn Wilson charts the unique history of this neighborhood. After 1945, a new generation of families began to shape Chinatown’s future. As plans for urban renewal—ranging from a cross-town expressway and commuter rail in the 1960s to a downtown baseball stadium in 2000—were proposed and developed, “Save Chinatown” activists rose up and fought for social justice.
Wilson chronicles the community’s efforts to save and renew itself through urban planning, territorial claims, and culturally specific rebuilding. She shows how these efforts led to Chinatown’s growth and its continued ability to serve as a living community for subsequent waves of new immigration.
Jamie J. Fader documents the transition to adulthood for a particularly vulnerable population: young inner-city men of color who have, by the age of eighteen, already been imprisoned. How, she asks, do such precariously situated youth become adult men? What are the sources of change in their lives?
Falling Back is based on over three years of ethnographic research with black and Latino males on the cusp of adulthood and incarcerated at a rural reform school designed to address “criminal thinking errors” among juvenile drug offenders. Fader observed these young men as they transitioned back to their urban Philadelphia neighborhoods, resuming their daily lives and struggling to adopt adult masculine roles. This in-depth ethnographic approach allowed her to portray the complexities of human decision-making as these men strove to “fall back,” or avoid reoffending, and become productive adults. Her work makes a unique contribution to sociological understandings of the transitions to adulthood, urban social inequality, prisoner reentry, and desistance from offending.
When Americans think of investment and finance, they think of Wall Street—though this was not always the case. During the dawn of the Republic, Philadelphia was the center of American finance. The first stock exchange in the nation was founded there in 1790, and around it the bustling thoroughfare known as Chestnut Street was home to the nation's most powerful financial institutions.
The First Wall Street recounts the fascinating history of Chestnut Street and its forgotten role in the birth of American finance. According to Robert E. Wright, Philadelphia, known for its cultivation of liberty and freedom, blossomed into a financial epicenter during the nation's colonial period. The continent's most prodigious minds and talented financiers flocked to Philly in droves, and by the eve of the Revolution, the Quaker City was the most financially sophisticated region in North America. The First Wall Street reveals how the city played a leading role in the financing of the American Revolution and emerged from that titanic struggle with not just the wealth it forged in the crucible of war, but an invaluable amount of human capital as well.
This capital helped make Philadelphia home to the Bank of the United States, the U.S. Mint, an active securities exchange, and several banks and insurance companies—all clustered in or around Chestnut Street. But as the decades passed, financial institutions were lured to New York, and by the late 1820s only the powerful Second Bank of the United States upheld Philadelphia's financial stature. But when Andrew Jackson vetoed its charter, he sealed the fate of Chestnut Street forever—and of Wall Street too.
Finely nuanced and elegantly written, The First Wall Street will appeal to anyone interested in the history of the United States and the origins of its unrivaled economy.
"We were poor but we had everything we needed," reminisces Dona Epifania. Nonetheless, when a man she knew told her about a job in Philadelphia, she grasped the opportunity to leave Coamas. "He went to Puerto Rico and told me there were beans to cook. I came here and cooked for fourteen workers." In San Lorenzo, Dona Carmen and her husband made the same decision: "We didn't want to, nobody wanted to leave....There wasn't any alternative." Don Florencio recalls that in Salinas work had gotten scarce, "especially for the youth, the young men....The farmworker that was used to cutting cane, already the sugar cane was disappearing," and government licensing regulations made fishing "more difficult for the poor."
Puerto Rican migration to the mainland following World War II took place for a range of reasons -- globalization of the economy, the colonial relationship between the United States and Puerto Rico, state policies, changes in regional and local economies, social networks, and, not least, the decisions made by individual immigrants. In this wide-ranging book, Carmen Whalen weaves them all into a tapestry of Puerto Rican immigration to Philadelphia.
Like African Americans and Mexicans, Puerto Ricans were recruited for low-wage jobs, only to confront racial discrimination as well as economic restructuring. As Whalen shows, they were part of that wave of newcomers who came from areas in the Caribbean, Latin America, and Asia characterized by a heavy U.S. military and economic presence, especially export processing zones looking for a new life in depressed urban environments already populated by earlier labor migrants. But Puerto Rican in-migration was also unique, especially in its regional and gender dimensions. Many migrants came as part of contract labor programs shaped by competing agendas.
By the 1990s, economic conditions, government policies, and racial ideologies had transformed Puerto Rican labor migrants into what has been called "the other underclass." The author analyzes this continuation of "culture and poverty" interpretations and contrasts it with the efforts of Philadelphia's Puerto Ricans to recreate their communities and deal with the impact of economic restructuring and residential segregation in the City of Brotherly Love.
The racial and ethnic composition of Philadelphia continues to diversify as a new wave of immigrants—largely from Asia and Latin America—reshape the city’s demographic landscape. Moreover, in a globalized economy, immigration is the key to a city’s survival and competitiveness. The contributors to Global Philadelphia examine how Philadelphia has affected its immigrants’ lives, and how these immigrants, in turn, have shaped Philadelphia.
Providing a detailed historical, ethnographic, and sociological look at Philadelphia’s immigrant communities, this volume examines the social and economic dynamics of various ethnic populations. Significantly, the contributors make comparisons to and connections between the traditional immigrant groups—Germans, Italians, the Irish, Jews, Puerto Ricans, and Chinese—and newer arrivals, such as Cambodians, Haitians, Indians, Mexicans, and African immigrants of various nationalities.
While their experiences vary, Global Philadelphia focuses on some of the critical features that face all immigrant groups—intra-group diversity, the role of institutions, and ties to the homeland. Taken together, these essays provide a richer understanding of the processes and implications of contemporary immigration to the area.
Haunted City explores the history of racial impersonation in Philadelphia from the late eighteenth century through the present day. The book focuses on select historical moments, such as the advent of the minstrel show and the ban on blackface makeup in the Philadelphia Mummers Parade, when local performances of racial impersonation inflected regional, national, transnational, and global formations of race.
Mummers have long worn blackface makeup during winter holiday celebrations in Europe and North America; in Philadelphia, mummers’ blackface persisted from the colonial period well into the twentieth century. The first annual Mummers Parade, a publicly sanctioned procession from the working-class neighborhoods of South Philadelphia to the city center, occurred in 1901. Despite a ban on blackface in the Mummers Parade after civil rights protests in 1963–64, other forms of racial and ethnic impersonation in the parade have continued to flourish unchecked. Haunted City combines detailed historical research with the author’s own experiences performing in the Mummers Parade to create a lively and richly illustrated narrative. Through its interdisciplinary approach, Haunted City addresses not only theater history and performance studies but also folklore, American studies, critical race theory, and art history. It also offers a fresh take on the historiography of the antebellum minstrel show.
Of the some sixty thousand vacant properties in Philadelphia, half of them are abandoned row houses. Taken as a whole, these derelict homes symbolize the city’s plight in the wake of industrial decline. But a closer look reveals a remarkable new phenomenon—street-level entrepreneurs repurposing hundreds of these empty houses as facilities for recovering addicts and alcoholics. How It Works is a compelling study of this recovery house movement and its place in the new urban order wrought by welfare reform.
To find out what life is like in these recovery houses, Robert P. Fairbanks II goes inside one particular home in the Kensington neighborhood. Operating without a license and unregulated by any government office, the recovery house provides food, shelter, company, and a bracing self-help philosophy to addicts in an area saturated with drugs and devastated by poverty. From this starkly vivid close-up, Fairbanks widens his lens to reveal the intricate relationships the recovery houses have forged with public welfare, the formal drug treatment sector, criminal justice institutions, and the local government.
"Could you love me so much that if the whole world turned against us, & we were obliged to live alone, given up by society you could live entirely in me? Could I ever become all the world to you?" --John Miller to Sally McDowell, February 21, 1855
"At last I come to tell you that I am yours. And I pray God to bless us not only in each other but to each other, and to grant us His favor and protection in the important step we are about to take.
If even to this hour I have fears and misgivings, and am disturbed by doubts and anxieties you must forgive me. They grow out of a condition of things as painful as it is unalterable, and out of an anxious temper which is, I think, like dear little Allie's ticklishness "constitutional." They are entirely without justification in anything I know or believe of you for I have the very fullest trust in your affection, and every confidence in your high and honorable character. But the cloud that rests upon the past with me does obscure the present to us both and looks portentous for the future. Yet you must take me with it all. Perhaps I may by and by prove to be something else than a burden to you; and at any rate, my affection is of some value to you, isn't it?" --Sally McDowell to John Miller, April 30, 1855
"If You Love That Lady Don't Marry Her" is a fascinating collection of almost five hundred letters between John Miller (1819-1895) and Sally Campbell Preston McDowell (1821-1895). Their correspondence began in early August 1854 and continued until their marriage in November 1856. The oldest daughter of the late Governor James McDowell of Virginia, Sally McDowell owned and managed Colalto, the family plantation. She was considered part of the South's social and political elite. John Miller, a widower with two young children, was a Presbyterian minister in Philadelphia. Son of Samuel Miller, a founder of Princeton Theological Seminary, he was one of the North's most prominent clergymen.
McDowell and Miller literally fell in love by mail, but one major obstacle blocked their marriage: Sally McDowell was a divorced woman. She had been wed to Governor Francis Thomas of Maryland, but his jealousy and cruelty soon drove her from Annapolis. Although an 1846 legislative divorce freed her to remarry legally, it was not socially acceptable to do so, especially not to "a man of the cloth." So when Miller and McDowell announced their plan to marry, social pressure cost him his pulpit and made her the object of extreme criticism from family members and friends. Although Miller was initially determined to wed despite any opposition, he eventually settled for a long-term engagement to preserve McDowell's social position.
Apart from a few brief visits, Miller and McDowell's relationship depended entirely upon letters. Begun in carefully guarded terms, these letters soon evolved into intimate explorations of their deepening love, their respective gender roles, the problems created by divorce, and religious and familial obligations. McDowell provides the unusual feminist perspective of a divorced woman in mid-nineteenth-century America. As she probes her own inner world, her correspondence with Miller becomes a healing experience through which she gradually surmounts the limitations she experiences as a woman, her depression and the fears resulting from her first marriage, and the stigma of divorce. Ultimately her self- revelations lead to their marriage in November 1856, which lasted until their deaths a week apart almost forty years later.
Because of their unique situation, Miller and McDowell committed to paper the private thoughts and feelings that most couples would have expressed in person. Although their personal relationship forms the principal subject of these letters, the couple also discussed such issues as the growing sectional tensions, national and state politics and politicians, literary figures, church meetings and personages, slave management and behavior, and family and community values and attitudes. Eloquently written, these letters offer a unique window on American society on the eve of the Civil War. They also reveal important information about gender roles and relationship in nineteenth-century America. Because no other book like this exists in print, readers everywhere will welcome "If You Love That Lady Don't Marry Her."
An Intimate Illustrated Tour of America’s Most Iconic Colonial City
From its beginning as a haven for English Quakers in the colony William Penn founded in 1681, the city of Philadelphia prospered, becoming a leading port in the English Atlantic World and a center of American culture and politics. Grounded in enlightenment ideals, Philadelphia attracted diverse settlers from the Old and New Worlds. By the 1760s, a cash-strapped England set its sights on taxing the American colonies to pay its debts. Philadelphia assumed roles as a center of revolutionary protests, a meeting place for colonial delegates to decide on independence and a new form of government, and, finally, the first capital of the United States of America.
Richly illustrated with both new photography and an amazing array of early American art drawn from the collections of some of America’s leading museums and archives, Independence: A Guide to Historic Philadelphia reveals the stories of the persons who experienced the early years of the new nation in America’s first capital. Based on meticulous research, Independence walks its readers through the lives of the residents and visitors of the revolutionary city, and through the streets and buildings that they knew. Famous names are here: Franklin, Jefferson, Adams, Washington. But Independence also focuses on the fascinating stories of less famous American founders. Enslaved and free, women and men, rich and poor, patriot and Tory, shaped Philadelphia’s and America’s experience in the revolutionary era, and all have their say here. In addition, this guide tells the stories of the iconic buildings and streets where America was founded. The book explores the dozens of buildings that make up Independence National Historical Park and connects these with neighboring sites that are also intimately associated with the story of America’s birth.
Independence will enrich the experience of those who travel to these historic sites, as well as offer a vivid and fascinating story for the general reader.
Klezmer presents a lively and detailed overview of the folk musical tradition as practiced in Philadelphia's twentieth-century Jewish community. Through interviews, archival research, and recordings, Hankus Netsky constructs an ethnographic portrait of Philadelphia’s Jewish musicians, the environment they worked in, and the repertoire they performed at local Jewish lifestyle and communal celebrations.
Netsky defines what klezmer music is, how it helped define Jewish immigrant culture in Philadelphia, and how its current revival has changed klezmer’s meaning historically. Klezmer also addresses the place of musicians and celebratory music in Jewish society, the nature of klezmer culture, the tensions between sacred and secular in Jewish music, and the development of Philadelphia's distinctive “Russian Sher” medley, a unique and masterfully crafted composition.
Including a significant amount of musical transcriptions, Klezmer chronicles this special musical genre from its heyday in the immigrant era, through the mid-century period of its decline through its revitalization from the 1980s to today.
Revealing the mind-set of a soldier seared by the horrors of combat even as he kept faith in his cause, Last to Leave the Field showcases the private letters of Ambrose Henry Hayward, a Massachusetts native who served in the 28th Pennsylvania Volunteer Infantry.
Hayward’s service, which began with his enlistment in the summer of 1861 and ended three years later following his mortal wounding at the Battle of Pine Knob in Georgia, took him through a variety of campaigns in both the Eastern and Western theaters of the war. He saw action in five states, participating in the battles of Antietam, Chancellorsville, and Gettysburg as well as in the Chattanooga and Atlanta campaigns. Through his letters to his parents and siblings, we observe the early idealism of the young recruit, and then, as one friend after another died beside him, we witness how the war gradually hardened him. Yet, despite the increasing brutality of what would become America’s costliest conflict, Hayward continually reaffirmed his faith in the Union cause, reenlisting for service late in 1863.
Hayward’s correspondence takes us through many of the war’s most significant developments,
including the collapse of slavery and the enforcement of Union policy toward Southern civilians. Also revealed are Hayward’s feelings about Confederates, his assessments of Union political and military leadership, and his attitudes toward desertion, conscription, forced marches, drilling, fighting, bravery, cowardice, and comradeship.
Ultimately, Hayward’s letters reveal the emotions—occasionally guarded but more often expressed with striking candor—of a soldier who at every battle resolved to be, as one comrade described him, “the first to spring forward and the last to leave the field.”
Timothy J. Orr is an assistant professor of military history at Old Dominion University in Norfolk, Virginia.
The Mummers Parade is like no other parade in the world. With 10,00 wildly-costumed participants stepping out every New Year's Day in South Philadelphia, it is one of the most spectacular annual parades in the U.S. This remarkable book is a "family portrait" of the parade. It presents, in pictures and in words, the flamboyantly-attired Mummers and reveals the everyday, working-class people beneath the outrageous garb.
Noted photographer E. A. Kennedy spent four years documenting the Mummers and their parade. He has personally selected the striking images included here -- more than 150 in all -- and he has written an engaging history of the parade itself. As Kennedy explains, and as his photos make clear, "mummery" is a way of life for Mummers, who have deep attachments to their clubs, associations, and brigades.
For all its glitz, the Mummers Parade remains a folk parade. This is the captivating story of the folks behind the parade.
In 1961, famed architect Louis I. Kahn (1901–1974) received a commission to design a new synagogue. His client was one of the oldest Sephardic Orthodox congregations in the United States: Philadelphia’s Mikveh Israel. Due to the loss of financial backing, Kahn’s plans were never realized. Nevertheless, the haunting and imaginative schemes for Mikveh Israel remain among Kahn’s most revered designs. Susan G. Solomon uses Kahn’s designs for Mikveh Israel as a lens through which to examine the transformation of the American synagogue from 1955 to 1970. She shows how Kahn wrestled with issues that challenged postwar Jewish institutions and evaluates his creative attempts to bridge modernism and Judaism. She argues that Kahn provided a fresh paradigm for synagogues, one that offered innovations in planning, decoration, and the incorporation of light and nature into building design.
Philadelphia has been at the heart of many books by award-winning author Beth Kephart, but none more so than the affectionate collection Love. This volume of personal essays and photographs celebrates the intersection of memory and place. Kephart writes lovingly, reflectively about what Philadelphia means to her. She muses about meandering on SEPTA trains, spending hours among the armor in the Philadelphia Museum of Art, and taking shelter at Independence Mall during a downpour.
In Love, Kephart shares her loveof Reading Terminal Market at Thanksgiving: “This abundant, bristling market is, in November, the most unlonesome place around.” She waxes poetic about the shoulder-to-shoulder crowds, the mustard in a Salumeria sandwich, and the “coins slipped between the lips of Philbert the pig.”
Kephart also extends her journeys to the suburbs, Glenside and Ardmore—and beyond, to Lancaster County, Pennsylvania; Stone Harbor, New Jersey; and Wilmington, Delaware. What emerges is a valentine to the City of Brotherly Love and its environs. In Love, Philadelphia is “more than its icons, bigger than its tagline.”
One of the myths about families in inner-city neighborhoods is that they are characterized by poor parenting. Sociologist Frank Furstenberg and his colleagues explode this and other misconceptions about success, parenting, and socioeconomic advantage in Managing to Make It. This unique study—the first in the MacArthur Foundation Studies on Successful Adolescent Development series—focuses on how and why youth are able to overcome social disadvantages.
Based on nearly 500 interviews and case studies of families in inner-city Philadelphia, Managing to Make It lays out in detail the creative means parents use to manage risks and opportunities in their communities. More importantly, it also depicts the strategies parents develop to steer their children away from risk and toward resources that foster positive development and lead to success.
"Indispensible to anyone concerned about breaking the cycle of poverty and helplessness among at-risk adolescents, this book has a readable, graphic style easily grasped by those unfamiliar with statistical techniques." —Library Journal
Discuss real estate with any young family and the subject of schools is certain to come up—in fact, it will likely be a crucial factor in determining where that family lives. Not merely institutions of learning, schools have increasingly become a sign of a neighborhood’s vitality, and city planners have ever more explicitly promoted “good schools” as a means of attracting more affluent families to urban areas, a dynamic process that Maia Bloomfield Cucchiara critically examines in Marketing Schools, Marketing Cities.
Focusing on Philadelphia’s Center City Schools Initiative, she shows how education policy makes overt attempts to prevent, or at least slow, middle-class flight to the suburbs. Navigating complex ethical terrain, she balances the successes of such policies in strengthening urban schools and communities against the inherent social injustices they propagate—the further marginalization and disempowerment of lowerclass families. By asking what happens when affluent parents become “valued customers,” Marketing Schools, Marketing Cities uncovers a problematic relationship between public institutions and private markets, where the former are used to leverage the latter to effect urban transformations.
The 1946 publication of Dr. Benjamin Spock's Baby and Child Care signaled the pervasive influence of expert 'medicalized motherhood' in mid-twentieth-century America. Throughout the previous two decades, pediatricians and women's magazines alike advised mothers of the importance of physicians' guidance for the everyday care of their children, and Spock's book popularized this advice, particularly among white, middle-class women.
When Jacquelyn S. Litt interviewed African-American and Jewish women who raised their children in the 1930s and 1940s, she found that these women responded to experts' advice in ways uniquely shaped by their ethnicity, race, and class. For middle-class African-American and Jewish women, medicalization took place in ethnically/racially segregated networks and functioned as a collectively held strategy for social advance as much as a set of technical practices for raising healthy children. For poor, single African-American mothers, everyday networks offered limited access to medical institutions or mainstream norms. Medical discourse was largely controlled by white women and men, which left these women disempowered in medical institutions and marginal to dominant definitions of acceptable mothering.
Litt's book is enriched with many narratives from the mothers themselves. Both the women's voices and her acute sociological research bring to light how medicalized motherhood, while not the single cause of difference and inequality among the women, was a site where they were produced.
Eddie Gottlieb-The Mogul -was one of the most colorful figures in Philadelphia sports history. A member of the Basketball Hall of Fame, he founded, played and coached for the legendary South Philadelphia Hebrew Association (SPHAs) basketball team, helped form the National Basketball Association, owned the Warriors franchise, and created the NBA's annual schedule of games for over a quarter-century. In baseball, he co-owned the Philadelphia Stars in the Negro Leagues and tried unsuccessfully to buy the Philadelphia Phillies. Locally, he was the city's leading sports booking agent for activities ranging from sandlot baseball to semipro football to professional wrestling.
Drawing upon sixty-plus interviews and many archival sources, well-known Philadelphia sports historian Rich Westcott vividly portrays Gottlieb's role in a pivotal era in city sports, in the process offering histories of the SPHAs, Warriors, and Stars and the role of Jews and African Americans in the city's sporting history.
More than twenty years ago, a New Jersey artist started a project for the Philadelphia Anti-Graffiti Network that encouraged young people to paint murals on a few buildings around the city. Jane Golden could not have known that the Mural Arts Program (MAP) would become the nation's largest public art program and a model for programs throughout the country. With more than 2600 murals throughout Philadelphia, the program has brightened the lives of countless residents and tourists while providing a creative outlet for an astounding array of artists. MAP now works with more than 3000 students around the city, engaging them in a curriculum that teaches not only artistic skills but civic engagement and personal responsibility. In this sequel to the bestselling Philadelphia Murals and the Stories They Tell, published in 2002, More Philadelphia Murals and the Stories They Tell shares with the earlier work its beautiful color photography, along with profiles of the artists. Featured here is the remarkable story of an unlikely artistic collaboration—between boys who live in a residential facility, a community in the Kensington section of Philadelphia, and men who are incarcerated in a maximum-security state correctional facility. The 1/8 of a mile long mural they created, about balanced and restorative justice, was intended to help the young men give something back to a community they had harmed and help the community wrestle with issues around crime and violence. In the process of creating the mural, it became a life-changing experience for all involved. By recounting this story and the many others behind the works of art, More Philadelphia Murals and the Stories They Tell is as inspirational as it is beautiful.
In 1985, police bombed the Philadelphia community occupied by members of the black counterculture group MOVE (short for “The Movement”). What began fifteen years earlier as a neighborhood squabble provoked by conflicting lifestyles ended in the destruction of sixty-one homes and the death of eleven residents - five of them children. Some 250 people were left homeless.
Was this tragedy the only solution to the conflict? Were John Africa and his morally and ecologically idealistic followers “too crazy” to negotiate with?
The authors interviewed MOVE members and their neighbors, third-party intervenors, and representatives of the Philadelpia administration in the 1970s, and draw on their own knowledge of the field of dispute resolution. More than simply describing a terrible event, they examine the dynamics of conflict, analyzing attempts at third-party mediation and the possibility of resolution without violence. Their analytical approach provides insight into other major conflicts, such as the problems of perception and misperception in U.S. - Iranian relations.
In an age when terrorism and hostage-taking are regular features on the six o’clock news, their questioning of traditional views on negotiation with “irrational” adversaries is especially important.
Recovering the Life and Influence of the “Mother of American Cooking,” the Woman Who Changed the Way We Learn How to Prepare Meals
In Philadelphia during the first decades of the nineteenth century, a widow, Mrs. Elizabeth Goodfellow, ran a popular bakery and sweet shop. In addition to catering to Philadelphia’s wealthy families and a reputation of having the finest desserts and sweet dishes in the young country, her business stood out from every other establishment in another way: she ran a small school to learn the art of cooking, the first of its kind in America. Despite her fame—references to her cooking as a benchmark abound in the literature of the period—we know very little about who she was. Since she did not keep a journal and never published any of her recipes, we have to rely on her students, most notably Eliza Leslie, who fortunately recorded many of Goodfellow’s creations and techniques. Goodfellow is known to have made the first lemon meringue pie and for popularizing regional foods, such as Indian (corn) meal. Her students also recall that Mrs. Goodfellow stressed using simple wholesome ingredients that were locally grown, presaging modern culinary fashion.
By assembling the many parts of this puzzle from old recipe books, advertisements, letters, diaries, genealogical records, and other primary sources, researcher and writer Becky Diamond has been able to provide a more complete portrait of this influential figure in cooking history. Mrs. Goodfellow: The Story of America’s First Cooking School begins with what we know about Elizabeth Goodfellow—where she was born, her husbands, her children, where her shop was located. We then travel back in time to discover the kinds of foods that would have been available to Goodfellow and how she may have used them. The book next turns to the rise of both commercial eating establishements and books of recipes. From here, the author explains the rapid expansion of cooking schools, such as the New York Cooking Academy and the Boston Cooking School, made famous through its association with Fannie Farmer, and ends with a discussion of the role of celebrity chefs. Thoroughly researched and including a range of authentic recipes, Mrs. Goodfellow is a delicious exploration of the life and legacy of one of America’s most influential cooks.
On February 2, 1968, the Electric Factory, Philadelphia's first major venue for the era's new music, opened with a show featuring the Chambers Brothers. Performing their neosoul and gospel sounds in a warm and inviting venue, they declared, "My soul's been psychedelicized!"-a feeling that the Factory's cofounder, Larry Magid, has been experiencing ever since.
In My Soul's Been Psychedelicized, Magid presents a spectacular photographic history of the bands and solo acts that have performed at the Electric Factory and at other venues in Factory-produced concerts over the past four decades. The book includes concert posters, photographs, and promotional items featuring both rising stars and established performers, such as Pink Floyd, Jimi Hendrix, Bob Dylan, Bruce Springsteen, Bette Midler, Elvis Presley, Tina Turner, Pearl Jam and many, many more.
The images—candid and celebratory—create a one-of-a-kind history of rock and roll, from the wild 1960s to the Live Aid concert in 1985 and the closing of the Philadelphia Spectrum in 2009. Magid's vivid recollections constitute a who's who of pop music and culture. As one of the great concert producers, he shares his unique perspective on the business, talking about how it has changed and how lasting careers have been carefully developed.
For anyone who has ever attended a concert at the Electric Factory—or for anyone who missed a show—My Soul's Been Psychedelicized will bring back great memories of the music and the musicians.
Never Married Women
Barbara Levy Simon Temple University Press, 1989 Library of Congress HQ800.2.S55 1987 | Dewey Decimal 305.489065209748
"[Simon] deals seriously and perceptively with lives almost never granted such respect--those of the 'spinster,' the 'old maid.' ...There is also a particular ironic energy."
"Nothing is more ridiculous than someone who says, upon learning that I never got married, â€˜Oh, you would like my Aunt _____ ! She never got married either. You two would have a lot in common.' "--from an interview, August 1984.
In this timely and provocative study, Barbara Levy Simon interviews fifty American women, born between 1884 and 1918 who were never married, and examines their emphatic refusal to be "yoked by wifing," as one woman expressed it. A spirit of independence pervades these compelling self-portraits as the women describe the day-to-day activities, options and adaptations, as well as the stigma that shaped lives that defied the spinster stereotype. Simon explains: "I have written this book about them because I want others to learn, as I have, about the diversity of their experiences and perspectives. It is only by immersion in this variety that one can begin to comprehend the discrepancy between popular notions of â€˜old maids' and the actualities of single women's daily lives.... Though women who have never married have often been judged, they have seldom been studied."
With care and empathy, the author presents women who lived at a time when not being married and being financially independent were considered deviant. From a variety of ethnic, religious, educational, and social groups, and ranging in age from sixty-six to one hundred and one years old, these women discuss the work they have loved or hated and their relations with family and friends. The autobiographical reflections provide insights about the symbolic and material worlds of never-married women and comparisons to the lives of single career women today.
In the 1980s, a significantly higher proportion of American women are foregoing marriage than at any point in the past one hundred years. Simon confronts head-on the image of the passive and unhappy old maid, presenting instead a group of independent and self-actualizing women who, in many cases, chose to remain single.
"With women choosing to be single in greater numbers than at any other time in this century, a study of single women is most timely.... Although considered deviant by the greater society, these women all manifest a feisty, independent spirit that defies conventional stereotypes of â€˜old maids' or â€˜spinsters.â€˜ ... Maybe you should give your mother a copy of this book the next time she asks."
--New Directions for Women
"An important work on a segment of the female population that has remained single for at least six decades in a society that expected its women to marry and bear children [Simon] evaluates the actualities of these women's lives versus popular images and stereotypes..."
"By offering concrete examples of how the nuclear family is oppressive to those who stand outside of it, Never Married Women breathes life into critiques of the family articulated by...other feminist theorists. And by focusing on the lives of elderly single women, Simon aptly illustrates the injustice of our over reliance on the family--instead of the state--to care for the dependent elderly."
"This book is a paean to women's resilience, adaptability, and courage to live with the consequences of their own decisions."
--Readings: A Journal of Reviews and Commentary in Mental Health
In 1850, a group of reformist male Quaker physicians and allies founded the Female Medical College of Pennsylvania to offer formal medical training to women. By the 1890s, the renamed Woman's Medical College of Pennsylvania (WMC) had matured into a solid and progressive institution that would outlast other, younger women's medical schools that had arisen in the United States. Steven J. Peitzman describes how WMC survived periods of instability and crises as it became a remarkable experiment in single-sex professional education, and a rare early example of female-male collaboration in science and medicine. Its unique survival provided scarce opportunities for women physicians and scientists to teach and perform research, while maintaining the assurance of medical education free from gender discrimination, Yielding to complex forces, it became the coeducational Medical College of Pennsylvania in 1970 and found another new course to pursue
Newcomers in the Workplace documents and dramatizes the changing face of the American workplace, transformed in the 1980s by immigrant workers in all sectors. This collection of excellent ethnographies captures the stench of meatpacking plants, the clatter of sewing machines, the sweat of construction sites, and the strain of management-employee relations in hotels and grocery stores as immigrant workers carve out crucial roles in a struggling economy.
Case studies focus on three geographical regions—Philadelphia, Miami, and Garden City, Kansas—where the active workforce includes increasing numbers of Cubans, Haitians, Koreans, Puerto Ricans, Laotians, Vietnamese, and other new immigrants. The portraits show these newcomers reaching across ethnic boundaries in their determination to retain individualism and to insure their economic survival.
In the series Labor and Social Change, edited by Paula Rayman and Carmen Sirianni.
Bert Bell, a native of Philadelphia, has been called the most powerful executive figure in the history of professional football. He was responsible for helping to transform the game from a circus sideshow into what has become the most popular spectator sport in America. In On Any Given Sunday, the first biography of this important sports figure, historian Robert Lyons recounts the remarkable story of how de Benneville “Bert” Bell rejected the gentility of a high society lifestyle in favor of the tougher gridiron, and rose to become the founder of the Philadelphia Eagles and Commissioner of the National Football League.
Bell, who arguably saved the league from bankruptcy by conceiving the idea for the annual player draft, later made the historic decision to introduce “sudden death” overtime—a move that propelled professional football into the national consciousness. He coined the phrase “on any given sunday” and negotiated the league’s first national TV contract. Lyons also describes in fascinating detail Bell’s relationships with leading figures ranging from such Philadelphia icons as Walter Annenberg and John B. Kelly to national celebrities and U.S. Presidents. He also provides insight into Bell’s colorful personal life—including his hell-raising early years and his secret marriage to Frances Upton, a golden name in show business.
On Any Given Sunday is being published on the 50th anniversary of Bell’s death.
David Grazian’s riveting tour of downtown Philadelphia and its newly bustling nightlife scene reveals the city as an urban playground where everyone dabbles in games of chance and perpetrates elaborate cons. Entertainment in the city has evolved into a professional industry replete with set designers, stage directors, and method actors whose dazzling illusions tempt even the shrewdest of customers. As entertaining and illuminating as the confessional stories it recounts, On the Make is a fascinating exposé of the smoke and mirrors employed in the city at night.
Forty years in, the War on Drugs has done almost nothing to prevent drugs from being sold or used, but it has nonetheless created a little-known surveillance state in America’s most disadvantaged neighborhoods. Arrest quotas and high-tech surveillance techniques criminalize entire blocks, and transform the very associations that should stabilize young lives—family, relationships, jobs—into liabilities, as the police use such relationships to track down suspects, demand information, and threaten consequences.
Alice Goffman spent six years living in one such neighborhood in Philadelphia, and her close observations and often harrowing stories reveal the pernicious effects of this pervasive policing. Goffman introduces us to an unforgettable cast of young African American men who are caught up in this web of warrants and surveillance—some of them small-time drug dealers, others just ordinary guys dealing with limited choices. All find the web of presumed criminality, built as it is on the very associations and friendships that make up a life, nearly impossible to escape. We watch as the pleasures of summer-evening stoop-sitting are shattered by the arrival of a carful of cops looking to serve a warrant; we watch—and can’t help but be shocked—as teenagers teach their younger siblings and cousins how to run from the police (and, crucially, to keep away from friends and family so they can stay hidden); and we see, over and over, the relentless toll that the presumption of criminality takes on families—and futures.
While not denying the problems of the drug trade, and the violence that often accompanies it, through her gripping accounts of daily life in the forgotten neighborhoods of America's cities, Goffman makes it impossible for us to ignore the very real human costs of our failed response—the blighting of entire neighborhoods, and the needless sacrifice of whole generations.
Albert M. Greenfield (1887-1967), an ambitious immigrant outsider, was courted for his business acumen by mayors, senators, governors, and presidents, including Franklin Roosevelt and Harry Truman. As this feisty Russian Jew built a business empire that encompassed real estate, stores (including Bonwit Teller and Tiffany's), hotels (including the Ben Franklin and the Bellevue-Stratford), banks, newspapers, transportation companies, and even the Loft Candy Corporation, he challenged the entrenched business elite. Greenfield was also instrumental in bringing both major political conventions to Philadelphia in 1948.
In The Outsider, veteran journalist and best-selling author Dan Rottenberg deftly chronicles the astonishing rises, falls, and countless reinventions of this savvy businessman. Greenfield's power allowed him to cross social, religious, and ethnic boundaries with impunity. He alarmed Philadelphia's conservative business and social leaders-Christians and Jews alike-some of whom plotted his downfall.
In this engaging account of Greenfield's fascinating life, Rottenberg demonstrates the extent to which one uniquely brilliant and energetic man pushed the boundaries of society's limitations on individual potential. The Outsider provides a microcosmic look at three twentieth-century upheavals: the rise of Jews as a crucial American business force, the decline of America's Protestant establishment, and the transformation of American cities.
Allen Iverson loved Philadelphia Daily News basketball beat reporter Phil Jasner, calling him “the best” in the world of sports journalism. From 1981 until his death in 2010, Jasner was always “on the case,” going to great lengths to track athletes down for a quote or a story. He was most known for covering the team’s famous players, including World B. Free and Bobby Jones, Julius Erving and Moses Malone, Charles Barkley, and, of course, Iverson. His tremendous output was beloved by players and fans alike, earning him many honors, including inductions into six Halls of Fame.
Phil Jasner “On the Case” collects the best of Jasner’s writing throughout his illustrious career. Jasner wrote about baseball, the Eagles, and the Philadelphia Atoms’ soccer with the same insight and aplomb he showed in his coverage of The Big 5, the 76ers’ championship season in 1983, and the Dream Team. Lovingly assembled—each chapter is introduced by some of the most prominent figures Jasner covered, from Vince Papale, Doug Collins, and Billy Cunningham to Iverson and Barkley—this collection recounts a distinguished sportswriter’s remarkable career.
When renowned national food critic John Mariani ranked Philadelphia's food scene among the top ten in the country, placing it alongside longtime culinary destinations New York and San Francisco, nobody at PhiladelphiaMagazine was surprised. That's what the magazine's food critics—always in search of the best of Philly—have known for years. Now, the PhiladelphiaMagazine's Ultimate Restaurant Guide condenses their comprehensive knowledge—and thousands of meals—into one informative, easy-to-digest handbook, essential for both the Philadelphia foodie and the hungry tourist.
What's on the menu:
* Profiles of Philadelphia's most influential chefs and restaurant owners, including Le Bec-Fin's Georges Perrier, and restaurant mogul Stephen Starr.
* A behind-the-scenes look at the Philadelphia food purveyors, who are responsible for some of the nation's hottest food trends—from La Colombe coffee to Metropolitan Bakery's artisanal breads to Jubilee Chocolates.
* Reviews of more than 230 of the best restaurants in the Philadelphia region, from Center City mainstays Susanna Foo and Morimoto to suburban destinations Alison at Blue Bell and Carmine's Café.
* Easy-to-use index of restaurants by cuisine and neighborhood.
Understanding Philadelphia’s history requires that we understand that nothing is inevitable; history is not made by abstract forces, but by the decisions of real individuals as they conduct their lives. With its insightful analysis and engaging prose, Philadelphia provides an accessible and readable overview of the history of the Quaker City from its founding by William Penn to the deindustrialization and gentrification of the early twenty-first century. Roger Simon asserts that the history of Philadelphia is a story of the efforts to sustain economic prosperity while fulfilling community needs, and the continued tension between those priorities.
Philadelphia devotes considerable attention to the evolving physical development of the city and to the social conditions and class structure of the people. Three dozen maps and illustrations enrich this edition, which has been fully updated and revised to reflect new scholarship on Philadelphia’s role in the post-industrial present and the diverse communities that incorporated women and minorities into the economic and social fabric of the city.
Published in association with the Pennsylvania Historical Association
For two and a half centuries, Philadelphians have been actively involved in archaeological research. In particular, three vital and venerable cultural institutions—the American Philosophical Society (founded 1743), the Academy of Natural Sciences (founded 1812), and the University Museum of the University of Pennsylvania (founded 1893)—have nurtured the "systematic study of antiquities."
The ten essays in this volume focus on Philadelphians who were concerned with Americanist archaeology, or the "archaeology of the New World." As Europeans, and later, Euroamericans, spread across North, Central, and South America in the 16th through the 19th centuries, they encountered a bewildering variety of native peoples, customs, and languages, as well as tens of thousands of ancient ruins attesting to a long endemic culture history of obvious complexity.
The essays examine most of the key players in the development of the methods to study these phenomena. Enlightenment scholars such as Benjamin Smith Barton, Peter S. Duponceau, Thomas Jefferson, Daniel Garrison Brinton, John Wesley Powell, and Benjamin Rush all contributed to the surge of scientific study of America's prehistoric cultures. So did two pioneering women who have received scant attention to date—Sara Yorke Stevenson and Lucy W. Wilson—but whose work is well treated in this study. Other essays detail the varied contributions of C. C. Abbott, Frank Hamilton Cushing, Clarence B. Moore, Edgar Lee Hewett, and John L. Cotter. This volume should stimulate continued interest in the origins and history of archaeology and the relationship of Philadelphia patrons and institutions to scientific inquiry.
How does a so-called bad neighborhood go about changing its reputation? Is it simply a matter of improving material conditions or picking the savviest marketing strategy? What kind of role can or should the arts play in that process? Does gentrification always entail a betrayal of a neighborhood’s roots? Tackling these questions and offering a fresh take on the dynamics of urban revitalization, The Philadelphia Barrio examines one neighborhood’s fight to erase the stigma of devastation.
Frederick F. Wherry shows how, in the predominantly Latino neighborhood of Centro de Oro, entrepreneurs and community leaders forged connections between local businesses and cultural institutions to rebrand a place once nicknamed the Badlands. Artists and performers negotiated with government organizations and national foundations, Wherry reveals, and took to local galleries, stages, storefronts, and street parades in a concerted, canny effort to reanimate the spirit of their neighborhood.
Complicating our notions of neighborhood change by exploring the ways the process is driven by local residents, The Philadelphia Barrio presents a nuanced look at how city dwellers can make commercial interests serve the local culture, rather than exploit it.
Philadelphia possesses an exceptionally large number of places that have almost disappeared—from workshops and factories to sporting clubs and societies, synagogues, churches, theaters, and railroad lines. In Philadelphia: Finding the Hidden City, urban observers Nathaniel Popkin and Peter Woodall uncover the contemporary essence of one of America’s oldest cities. Working with accomplished architectural photographer Joseph Elliott, they explore secret places in familiar locations, such as the Metropolitan Opera House on North Broad Street, the Divine Lorraine Hotel, Reading Railroad, Disston Saw Works in Tacony, and mysterious parts of City Hall.
Much of the real Philadelphia is concealed behind facades. Philadelphia artfully reveals its urban secrets. Rather than a nostalgic elegy to loss and urban decline, Philadelphia exposes the city’s vivid layers and living ruins. The authors connect Philadelphia’s idiosyncratic history, culture, and people to develop an alternative theory of American urbanism, and place the city in American urban history. The journey here is as much visual as it is literary; Joseph Elliott’s sumptuous photographs reveal the city's elemental beauty.
A Treasure Trove of Primary Source Material Chronicling the Role of a Pivotal City in America’s Most Important Conflict
The city of Philadelphia played a major role in the Civil War as a manufacturing base, naval port, arsenal, financial and transportation center, and supplier of thousands of troops for the Union cause. Philadelphia provided the most uniforms for the Union army, built warships, was the site of the two largest military hospitals in the North, and recruited more than fifty infantry and cavalry regiments. Philadelphia was the closest free-state metropolitan area to the Confederacy and in fact had close contact with the South before the war. However, once the war began, Philadelphians embraced the Union cause.
First published one hundred years ago, Philadelphia in the Civil War presents the complete story of the city during America’s greatest conflict. Richly illustrated with rare images, the book describes every detail of the region’s response to the war, ranging from accounts of each of the military units that served, medicine and medical staffs, and the city’s defense measures to lists of information, such as regiments losing fifty or more men, officers who gained the rank of general, recruiting stations, and famous songs.
Every New Year's Day since 1901, the Philadelphia Mummers have presented a spectacular show of shows that raucously snakes and shimmies its way through city streets. The Mummers Parade features music, dance, comedy, and mime, along with dazzling costumes and floats. Although the lavish event is now televised to a wide audience, it is still rooted in the same neighborhoods where it began.
This book explores the community created and annually reaffirmed by the Philadelphia Mummers. The author spent more than five years with the Mummers, observing their lives and rituals as she took part in their preparations and parades. Writing with the fascination of a sociologist and the excitement of a participant, Masters examines the Mummers from their beginnings. Through the prism of their century-long history, we can see how communities retain their identities and how they are affected by larger cultural trends.
The Mural Arts Program of Philadelphia began in 1984 as a summer youth program with modest support from city government. Under the guidance of Jane Golden, however, it gradually grew into one of the largest and most successful public art organizations in the country, garnering support from local corporations, foundations, and individuals to extend the reach and effectiveness of its innovative programs.
Now three decades later, the Mural Arts Program has created more than 3,800 murals and public art projects that have made lasting imprints in every Philadelphia neighborhood. In the process, Mural Arts has engaged thousands of people of all ages from across the city, helped hundreds of ex-offenders train for new jobs, transformed the face of struggling commercial corridors, and developed funding partners in both public and private sectors.
While the Mural Arts Program has significantly changed the appearance of the city, it has also demonstrated how participatory public art can empower individuals and promote communal healing around difficult issues. Philadelphia Mural Arts @ 30 is a celebration of and guide to the program's success. Unlike Philadelphia Murals and the Stories They Tell and its sequel, More Philadelphia Murals and the Stories They Tell, Philadelphia Murals @ 30 showcases the results of 21 projects completed since 2009 and features essays by policy makers, curators, scholars, and educators that offer valuable lessons for artists, activists, and communities to emulate.
Philadelphia Mural Arts @ 30 traces the program's history and evolution, acknowledging the challenges and rewards of growth and change while maintaining a core commitment to social, personal, and community transformation.
Contributors include: Dr. Arthur C. Evans, Jr., Arlene Goldbard, Thora Jacobson, Rick Lowe, Dr. Samantha L. Matlin, Paulette Moore, Jeremy Nowak, Maureen H. O'Connell, Elisabeth Perez Luna, Robin Rice, Dr. Jacob Kraemer Tebes, Elizabeth Thomas, Cynthia Weiss, Howard Zehr, and the editors.
In June 1984, Jane Golden, a young muralist from Margate, New Jersey, headed up a project that was originally planned as a six-week youth program in the fledgling Philadelphia Anti-Graffiti Network. This small exercise in fighting graffiti grew into the most vibrant public art project in the United States. Led by Golden and dozens of artists, neighborhood residents, and volunteers, the Philadelphia Mural Arts Program has adorned the city with over two thousand murals. In the process, this vibrant art, painted mostly on city walls, helped to change the look of the city, creating an enduring legacy in all of the neighborhoods in which the murals were added.In this lavishly illustrated chronicle of the Mural Arts Program, you will see the murals in all of their beauty and learn about their inspiring legacies in neighborhoods throughout the city. Go behind the scenes to find out how murals are made and why the process is as much an art of diplomacy and consensus building as paint and perspective. Discover through pictures and text how murals give communities a new way to define themselves, not in terms of the streets and intersections that border them, but in terms of the people who came together to create something of dramatic beauty.
Association of American University Presses Book Jacket Award, 1977
"As a key to Philadelphia's historic environment, this will become a standard work."
Today, William Penn's town is the living history of 300 years of architecture told in outstanding examples of Colonial, Federal, Italianate, and other early styles, and in the twentieth-century innovations of LeCorbusier, Kahn, and Wright. This new paperback edition updates the Historic American Buildings Survey collection, with new information on buildings lost through fire or demolition, or altered to restore the original architecture.
Organized by the traditional sections of the city, the entries include extensive physical descriptions of the structures, analyses of architecturally notable features, dates of construction, alteration, or demolition, and a new street index. The book contains more than 100 drawings, photos, and maps from the HABS collection.
"[F]rom Colonial, Federal and Italiante styles to the 20th-century innovation of LeCorbusier, Kahn, and Wright."
"A cause for celebration. The editor's introductions set each part of the city into understandable units. The book is a clearly told story of success and failure in historic preservation."
--J.E. Mooney, Director, Historical Society of Pennsylvania
"A lovely portrait of Philadelphia's rich history of buildings."
--The Pennsylvania Magazine of History and Biography
The Philadelphia Reader
Robert Huber Temple University Press, 2006 Library of Congress F158.53.P47 2006 | Dewey Decimal 920.074811
Do you love Philadelphia? Do you love good writing? Well, this is the book for you. It's about the people of Philadelphia--the good, the fine, and the imperfect. Yes, the sports heroes are here--Mike Schmidt, Julius ("Dr. J.") Erving. And the politicians--Ed Rendell, John Street. And the moguls--Brian Roberts, Comcast honcho. And the would-be moguls--Mark Yagalla, world-class embezzler. And so many more, including--writing in their own words--Terry Gross, Patti LaBelle, W. Wilson Goode, Sr., Judy Wicks, Judith Rodin, and Smarty Jones (proving that this horse is no one-trick pony). And so many more--25 of them in all. The people--and the horse--who have meant something to this city during the last 20 years. Ripped from the pages of Philadelphia magazine (well, OK, carefully removed and lovingly pasted into this book), here are profiles of the people who made an era.
Face it: Philadelphia athletes are often as tough as their fans are passionate. How else to explain the rabid appeal of the bone-crunching Broad Street Bullies? Chuck Bednarik was one of the looniest tunes in Philadelphia sports history, but fuggedabout him. In The Philly Fan's Code, New York Times sportswriter Mike Tanier provides fun and opinionated essays that evaluate the 50 greatest, toughest, and most eccentric legends of Philly sports since Concrete Charlie hung up his cleats.
Using his own "rubric" to calculate the impact of each athlete, Tanier ranks well-adjusted players like Mark Howe alongside both unpredictable athletes like Brad Lidge—who followed an almost perfect season with a 162-game catastrophe—and quirky ones, such as Wilt Chamberlain, who may be better known for bragging about his sexual conquests than for scoring 100 points in a game. And let's not forget our visitor from Planet Lovetron… Then there are the real wild cards-players like Terrell Owens, who does sit-ups in his driveway and whose impact—for better or worse— outlasted the few actual games he played for the Eagles. As for Tanier's choice for the No. 1 toughest, craziest, most legendary player, well, you'll have to read the book to see if you agree. Whether you do or don't, The Philly Fan's Code will provide hours of debates and memories of who our toughest sports heroes were—or weren't.
Philadelphia sports—anchored by the Eagles, Flyers, Phillies, and 76ers—have a long, and sometimes tortured, history. Philly fans have booed more than their share and have earned a reputation as some of the most hostile in the country. They’ve been known, so the tales go, to jeer Santa Claus and cheer at the injury of an opposing player.
Strangely though, much of America’s perception of Philadelphia sports has been shaped by a fictional figure: Rocky. The series of Hollywood films named after their title character has told and retold the Cinderella story of an underdog boxer rising up against long odds. One could plausibly make the argument that Rocky is Philadelphia’s most famous athlete.
Beyond the major sports franchises and Rocky, lesser-known athletic competition in Philadelphia offers much to the interested observer. The city’s boxing culture, influence on Negro Leagues baseball, role in establishing interscholastic sport, and leadership in the rise of cricket all deserve and receive close investigation in this new collection. Philly Sports combines primary research and personal experiences—playing in the Palestra, scouting out the tombstones of the city’s best athletes, enjoying the fervor of a Philadelphia night with a local team in pursuit of a championship title. The essence of Philadelphia sport, and to a certain extent the city itself, is distilled here.
Contesting claims that postwar American liberalism retreated from fights against unemployment and economic inequality, The Problem of Jobs reveals that such efforts did not collapse after the New Deal but instead began to flourish at the local, rather than the national, level.
With a focus on Philadelphia, this volume illuminates the central role of these local political and policy struggles in shaping the fortunes of city and citizen alike. In the process, it tells the remarkable story of how Philadelphia’s policymakers and community activists energetically worked to challenge deindustrialization through an innovative series of job retention initiatives, training programs, inner-city business development projects, and early affirmative action programs. Without ignoring the failure of Philadelphians to combat institutionalized racism, Guian McKee's account of their surprising success draws a portrait of American liberalism that evinces a potency not usually associated with the postwar era. Ultimately interpreting economic decline as an arena for intervention rather than a historical inevitability, The Problem of Jobs serves as a timely reminder of policy’s potential to combat injustice.
What can neighborhood baseball tell us about class and gender cultures, urban change, and the ways that communities value public space? Through a close exploration of a boys’ baseball league in a gentrifying neighborhood of Philadelphia, sociologist Sherri Grasmuck reveals the accommodations and tensions that characterize multicultural encounters in contemporary American public life. Based on years of ethnographic observation and interviews with children, parents, and coaches, Protecting Home offers an analysis of the factors that account for racial accommodation in a space that was previously known for racial conflict and exclusion. Grasmuck argues that the institutional arrangements and social characteristics of children’s baseball create a cooperative environment for the negotiation of social, cultural, and class differences.
Chapters explore coaching styles, parental involvement, institutional politics, parent-child relations, and children’s experiences. Grasmuck identifies differences in the ways that the mostly white, working-class “old-timers” and the racially diverse, professional newcomers relate to the neighborhood. These distinctions reflect a competing sense of cultural values related to individual responsibility toward public space, group solidarity, appropriate masculine identities, and how best to promote children’s interests—a contrast between “hierarchical communalism” and “child-centered individualism.”
Through an innovative combination of narrative approaches, this book succeeds both in capturing the immediacy of boys’ interaction at the playing field and in contributing to sophisticated theoretical debates in urban studies, the sociology of childhood, and masculinity studies.
As college and university administrators expand and develop their urban campuses, they have also become developers of neighborhoods—and primary drivers of change. But how do institutions contend with urban real estate needs, revitalization opportunities, and community outreach? And how do the residents benefit? Pushing Back the Gates provides a lively discussion of neighborhood-level perspectives of the dynamic changes brought about by institutions' urban planning efforts.
In the series Philadelphia Voices, Philadelphia Visions, edited by David W. Bartelt
It used to be that raves were grass-roots organized, anti-establishment, unlicensed all-night drug-fueled dance parties held in abandoned warehouses or an open field. These days, you pay $40 for a branded party at popular riverfront nightclubs where age and status, rather than DJ expertise and dancing, shape your experience.
In Rave Culture sociologist Tammy Anderson explores the dance music, drug use and social deviance that are part of the pulsing dynamics of this collective. Her ethnographic study compares the Philadelphia rave scene with other rave scenes in London and Ibiza. She chronicles how generational change, commercialization, law enforcement, hedonism, and genre fragmentation fundamentally altered electronic dance music parties. Her analysis calls attention to issues of personal and collective identity in helping to explain such social change and what the decline of the rave scene means for the future of youth culture and electronic dance music.
Eli Goldblatt spent six years teaching in a small private high school for low-income students in Philadelphia. The stories he tells about three of the students - Maria, Tita, and Kareem - center around their journal writing and drafts of papers they wrote about their neighborhoods during the 1988-89 school year. The stories collectively represent one teacher’s attempt to read his students’ writing with care.
Goldblatt uses the concept of “authority” to relate student writers to overarching social structures. He argues that established writers derive authority not from personal self-confidence, but from powerful social institutions such as schools, academic disciplines, business entities, and interpersonal relationships which they come to represent through the long course of their education, apprenticeship, and professional training.
Goldblatt also uses W.E.B. Du Bois’s concept of “double-consciousness” to illuminate the writing situation of students who come from communities whose social institutions are not powerful in the economic and political life of the dominant society, such as neighborhood organizations, local churches, and extended families. His theory allows for individual agency and struggle while still rendering writing as an intensely social human activity.
Within this theoretical framework, the writing of Maria, Tita, and Kareem takes on a quiet eloquence about the struggle to speak within and across the social institutions they are in daily contact with - in particular, their school, neighborhoods, an interpersonal relationships.
Aimed at a wide range of educators and general readers concerned about urban education and writing instruction, ‘Round My Way is, finally, a story about teacherly reading, providing both the theory and examples of practice to enliven other teacher’s readings of their students’ texts.
Edgar Allan Poe vividly recalls standing in a prison cell, fearing for his life, as he watched men mutilate and dismember the body of his mother. That memory, however graphic and horrifying, was not real. It was a hallucination, one of many suffered by the writer, caused by his addiction to alcohol.
In Rum Maniacs, Matthew Warner Osborn reveals how and why pathological drinking became a subject of medical interest, social controversy, and lurid fascination in the early American republic. At the heart of that story is the disease that Poe suffered: delirium tremens. First described in 1813, delirium tremens and its characteristic hallucinations inspired sweeping changes in how the medical profession saw and treated the problems of alcohol abuse. Based on new theories of pathological anatomy, human physiology, and mental illness, the new diagnosis founded the medical conviction and popular belief that habitual drinking could become a psychological and physiological disease. By midcentury, delirium tremens had inspired a wide range of popular theater, poetry, fiction, and illustration. This romantic fascination endured into the twentieth century, most notably in the classic Disney cartoon Dumbo, in which a pink pachyderm marching band haunts a drunken young elephant. Rum Maniacs reveals just how delirium tremens shaped the modern experience of alcohol addiction as a psychic struggle with inner demons.
“Powerful and profoundly moving, Saint Katharine is a book of rich and lively scholarship and of deeply felt devotion. You will not be able to put it down.”—Donald Spoto, author of Reluctant Saint: The Life of Francis of Assisi
When Katharine Drexel was born in 1858, her grandfather, financier Francis Martin Drexel, had a fortune so vast he was able to provide a loan of sixty million dollars to the Union’s cause during the Civil War. Her uncle and mentor, Anthony, established Drexel University to provide instruction to the working class regardless of race, religion, or gender. Her stepmother was Emma Bouvier whose brother, John, became the great-grandfather of Jacqueline Bouvier Kennedy Onassis. Katharine Drexel’s family were American royalty. As a Philadelphia socialite, “Kitty,” as she was often called, adored formal balls and teas, rowing regattas, and sailing races. She was beautiful, intelligent, and high-spirited. But when her stepmother died in 1883, and her father two years later, a sense of desolation nearly overwhelmed her. She was twenty-seven and in possession of a staggering inheritance. Approached for aid by the Catholic Indian Missions, she surprised her family by giving generously of money and time. It was during this period of acute self-examination that she journeyed to Rome for a private audience with Pope Leo XIII. With characteristic energy and fervor, she detailed the plight of the Native Americans, and begged for additional missionaries to serve them. His reply astonished her. “Why not, my child, yourself become a missionary?”
In Saint Katharine: The Life of Katharine Drexel, Cordelia Frances Biddle recounts the extraordinary story of a Gilded Age luminary who became a selfless worker for the welfare and rights of America’s poorest persons. After years of supporting efforts on behalf of African Americans and American Indians, Katharine finally decided to follow her inner voice and profess vows. The act made headlines. Like her father and grandfather, she was a shrewd businessperson; she retained her financial autonomy and established her own order, the Sisters of the Blessed Sacrament. Until her death in 1955, she devoted herself and her inheritance to building much-needed schools in the South and Southwest, despite threats from the Ku Klux Klan and others. Pragmatic, sometimes willful, ardent, and a charismatic leader, Katharine Drexel was an indefatigable champion of justice and parity. When illness incapacitated her in later years, divine radiance was said to emanate from her, a radiance that led to her canonization on October 1, 2000.
Manchester, England, and Philadelphia, Pennsylvania, are what sociologist Jerome Hodos calls second cities—viable alternatives to well-known global cities such as London and New York. In Second Cities, Hodos provides a thought-provoking, comparative look at these cities as he considers how Manchester and Philadelphia have confronted problems of globalization over the past two centuries.
When Daniel Boone heard a neighbor's dog bark, he moved West. But when there's no Wild West left, where is adventure to be found? Michael Aaron Rockland looks for adventure in the megalopolis, "not where no one has been but where no one wishes to go . . . across traffic-clogged cities, the parking lots of wall-to-wall suburban malls, and the sinister waterways that seep through rusting industrial sites."
In these ten alternately poetic and comic tales of adventure in the New York/Philadelphia corridor, the most densely populated chunk of America, Rockland walks and bikes areas meant only for cars and paddles through waters capable of dissolving canoes. He hikes the length of New York's Broadway, camps in New York City, treks across Philadelphia, pedals among the tractor trailers of Route 1 in New Jersey, and paddles around Manhattan and through the dark tunnels under Trenton.
Whereas Henry David Thoreau built his cabin on Walden Pond to get out of town, for Rockland, the challenge is to head into town. As he writes, "in the late twentieth century, a weed and trash-filled city lot . . . may be a better place than the wilderness to contemplate one's relationship to nature."
Much of today's heated academic discussion about "social capital" is either theoretical in nature or revolves around national survey data, neither of which adequately explains the specific social networks that actually sustain life in cities. This is the first book about social capital that both spans a broad range of social contexts and time periods and focuses on a single city, Philadelphia. Contributors examine such subjects as voter behavior, education, neighborhood life, church participation, park advocacy, and political activism. The wide scope of the book reflects its concern for comprehending the uniqueness and diversity of urban social networks.Moving beyond typical definitions, the original essays collected here utilize case studies to demonstrate how social capital is nested in larger structures of power and cannot be appreciated without an understanding of context. Arguing that urban society is "social capital writ large," contributors complicate and deepen our knowledge of a crucial concept and its fruitful applications.
While assuming the importance of churches within black communities, social historians generally have not studied them directly or have treated the black denominations as a single unit. Gregg focuses on the African Methodist churches and churchgoers in Philadelphia during the Great Migration and the concurrent rise of black ghettoes in the city to show the variety and richness of African American culture at that time.
Founded in 1918, the South Philadelphia Hebrew Association's basketball team, known as the SPHAS, was a top squad in the American Basketball League-capturing seven championships in thirteen seasons-until it disbanded in 1959. In The SPHAS, the first book to chronicle the history of this team and its numerous achievements, Douglas Stark uses rare and noteworthy images of players and memorabilia as well as interviews and anecdotes to recall how players like Inky Lautman, Cy Kaselman, and Shikey Gotthoffer fought racial stereotypes of weakness and inferiority while spreading the game's popularity. Team owner Eddie Gottlieb and Temple University coach Harry Litwack, among others profiled here, began their remarkable careers with the SPHAS.
Stark explores the significance of basketball to the Jewish community during the game's early years, when Jewish players dominated the sport and a distinct American Jewish identity was on the rise. At a time when basketball teams were split along ethnic lines, the SPHAS represented the Philadelphia Jewish community. The SPHAS is an inspiring and heartfelt tale of the team on and off the court.
Despite their twin positions as two of North America’s most iconic Italian neighborhoods, South Philly and Toronto’s Little Italy have functioned in dramatically different ways since World War II. Inviting readers into the churches, homes, and businesses at the heart of these communities, Staying Italian reveals that daily experience in each enclave created two distinct, yet still Italian, ethnicities.
As Philadelphia struggled with deindustrialization, Jordan Stanger-Ross shows, Italian ethnicity in South Philly remained closely linked with preserving turf and marking boundaries. Toronto’s thriving Little Italy, on the other hand, drew Italians together from across the wider region. These distinctive ethnic enclaves, Stanger-Ross argues, were shaped by each city’s response to suburbanization, segregation, and economic restructuring. By situating malleable ethnic bonds in the context of political economy and racial dynamics, he offers a fresh perspective on the potential of local environments to shape individual identities and social experience.
Most history books paint Philadelphia as a place of revolutionary greatness, but there exists a forgotten, alternative history of the City of Brotherly Love. For example, did you know that
when Ben Franklin was Deputy Postmaster General for the American colonies, he ignored rival printers' requests for mailing priveleges. Instead, he loaded down the mail carriers with his own papers and enjoyed the use of a private delivery system that cut off the competition.
the Slinky was created by a marine engineer stationed in Philadelphia, who later became an evangelist and Bible salesman in Bolivia, leaving behind his wife, his children, and the Slinky fortune.
50,000 people gathered in Fairmount Park in 1953 hoping to see a vision of the Virgin Mary, who three schoolgirls claimed to have seen near a park bush. Though the Blessed Mother never did appear, visitors to the site left behind offerings of rosaries, flowers, crutches, and over $6,000.
while 11,000 spectators sat in the Spectrum waiting for the Ice Capades to begin, 32-mile-an-hour winds blew a chunk of the roof off the city's newly constructed stadium.
Find these and a hundred more "strange" and fascinating stories in this collection of vignettes. These pieces of the past can't be found in history books—they are surprising side bars to the famous and not-so-famous events and people of historical Philadelphia.
In a powerful, revealing portrait of city life, Anderson explores the dilemma of both blacks and whites, the underclass and the middle class, caught up in the new struggle not only for common ground—prime real estate in a racially changing neighborhood—but for shared moral community. Blacks and whites from a variety of backgrounds speak candidly about their lives, their differences, and their battle for viable communities.
"The sharpness of his observations and the simple clarity of his prose recommend his book far beyond an academic audience. Vivid, unflinching, finely observed, Streetwise is a powerful and intensely frightening picture of the inner city."—Tamar Jacoby, New York Times Book Review
"The book is without peer in the urban sociology literature. . . . A first-rate piece of social science, and a very good read."—Glenn C. Loury, Washington Times
Octavius Valentine Catto was an orator who shared stages with Frederick Douglass, a second baseman on Philadelphia’s best black baseball team, a teacher at the city’s finest black school and an activist who fought in the state capital and on the streets for equal rights. With his racially-charged murder, the nation lost a civil rights pioneer—one who risked his life a century before Selma and Birmingham.
In Tasting Freedom Murray Dubin and Pulitzer Prize winner Dan Biddle painstakingly chronicle the life of this charismatic black leader—a “free” black whose freedom was in name only. Born in the American south, where slavery permeated everyday life, he moved north where he joined the fight to be truly free—free to vote, go to school, ride on streetcars, play baseball and even participate in July 4th celebrations.
Catto electrified a biracial audience in 1864 when he proclaimed, “There must come a change,” calling on free men and women to act and educate the newly freed slaves. With a group of other African Americans who called themselves a “band of brothers,” they challenged one injustice after another. Tasting Freedompresents the little-known stories of Catto and the men and women who struggled to change America.
Temple University's alumni number over a quarter million, andinclude entertainment legend Bill Cosby and Shirley Tilghman, the first woman president of Princeton University. One of every eight college graduates in the Philadelphia area received their degrees at Temple. Temple Owls are everywhere!
Temple University: 125 Years of Service to Philadelphia, the Nation, and the World, by noted historian and Temple professor James Hilty offers the first full history of Temple University. Lovingly written and beautifully designed, it presents a rich chronicle from founder Russell Conwell’s vision to democratize, diversify, and broaden the reach of higher education to Temple's present-day status as the twenty-eighth largest university and the fifth largest provider of professional education in the United States. With its state-of-the-art technological capabilities, improved amenities, and new multi-million- dollar facilities, Temple remains at the forefront of America’s modern urban universities.
The book captures Temple’s long record of service to its North Philadelphia neighbors, its global reach to Rome, Tokyo, and beyond, and its development from a rowhouse campus into a lively 11,000- resident urban village—all the while assuring “Access to Excellence.” Along the way, we learn how Temple reacted to and helped shape major developments in the history of American higher education.
Featuring 250 full-color photos, Temple University provides a wonderful keepsake for those who already know the university and will become a valued resource for anyone interested in the urban university.
The 2002 revelation that George Washington kept slaves in his executive mansion at Philadelphia's Independence National Historical Park in the 1790s prompted an eight-year controversy about the role of slavery in America's commemorative landscape. When the President's House installation opened in 2010, it became the first federal property to feature a slave memorial.
In Upon the Ruins of Liberty, Roger Aden offers a compelling account that explores the development of this important historic site and how history, space, and public memory intersected with contemporary racial politics. Aden constructs this engrossing tale by drawing on archival material and interviews with principal figures in the controversy-including historian Ed Lawler, site activist Michael Coard, and site designer Emanuel Kelly.
Upon the Ruins of Liberty chronicles the politically-charged efforts to create a fitting tribute to the place where George Washington (and later, John Adams) shaped the presidency while denying freedom to the nine enslaved Africans in his household. From design to execution, the plans prompted advocates to embrace stories informed by race, and address difficulties that included how to handle the results of the site excavation. As such, this landmark project raised concerns and provided lessons about the role of public memory and how places are made to shape the nation's identity.
During the 1910s and 1920s, the Philadelphia waterfront was home to the most durable interracial, multiethnic union seen in the United States prior to the Congress of Industrial Organizations (CIO) era. For much of its time, Local 8's majority was African American and included immigrants from Eastern Europe as well as many Irish Americans. In this important study, Peter Cole examines how Local 8, affiliated with the Industrial Workers of the World (IWW), accomplished what no other did at the time. He also shows how race was central not only to the rise but also to the decline of Local 8, as increasing racial tensions were manipulated by employers and federal agents bent on the union's destruction.