By the end of the twentieth century, Adrian C. Louis had become one of the most powerful voices in the canon of Native American literature. Skins, his best-known work, is now offered by the University of Nevada Press with a new foreword by David Pichaske.

It’s the early 1990s and Rudy Yellow Shirt and his brother, Mogie, are living on the Pine Ridge Reservation in South Dakota, home of the legendary Oglala Sioux warrior Crazy Horse. Both Vietnam veterans, the men struggle with daily life on the rez. Rudy, a criminal investigator with the Pine Ridge Public Safety Department, must frequently arrest his neighbors and friends, including his brother, who has become a rez wino.

But when Rudy falls and hits his head on a rock while pursuing a suspected murderer, Iktome the trickster enters his brain. Iktome restores Rudy’s youthful sexual vigor—long-lost to years of taking high blood pressure pills—and ignites his desire for political revenge via an alter ego, the “Avenging Warrior.” As the Avenging Warrior, Rudy takes direct action to punish local criminals. In a violent act, he torches the local liquor store, nearly burning Mogie alive while he is hiding on the store’s roof, plotting to steal booze. Although the brothers reconcile before Mogie dies, he leaves the Avenging Warrior with one final mission: go to Mount Rushmore and blow the nose off George Washington’s face.

Louis’s critically acclaimed novel was made into a movie in 2002, directed by Chris Eyre.

Tellin’ It Like It Is offers a powerful introduction to Adrian C. Louis (1946–2018), one of the most unflinching Native American literary voices of the twentieth century. Drawing from a half-century of published writing—and including a few previously unpublished pieces—this collection captures the evolution of Louis’s voice, worldview, and craft.

Editor David Pichaske, a close friend of Louis in his later years, curates this volume with deep insight into both the public figure and the private man. Selections are arranged chronologically to trace Louis’s transformation from a Nevada reservation teenager to a California hippie, a sixties hitchhiker, a Boston academic, a South Dakota reservation journalist, and finally, a Midwestern college professor.

Louis’s work immerses readers in reservation life, yet its critique reaches the broadest dimensions of American and human experience. To enrich understanding, the book includes literary reviews, scholarly essays (including one by a noted Polish critic), an interview with Louis, and his own reflections on literature and identity. A foreword by poet Bojan Louis provides further context for this essential collection.