Herding cattle from horseback has been a tradition in northern Mexico and the American West since the Spanish colonial era. The first mounted herders were the Mexican vaqueros, expert horsemen who developed the skills to work cattle in the brush country and deserts of the Southwestern borderlands. From them, Texas cowboys learned the trade, evolving their own unique culture that spread across the Southwest and Great Plains. The buckaroos of the Great Basin west of the Rockies trace their origin to the vaqueros, with influence along the way from the cowboys, though they, too, have ways and customs distinctly their own.

In this book, three long-time students of the American West describe the history, working practices, and folk culture of vaqueros, cowboys, and buckaroos. They draw on historical records, contemporary interviews, and numerous photographs to show what makes each group of mounted herders distinctive in terms of working methods, gear, dress, customs, and speech. They also highlight the many common traits of all three groups.

This comparative look at vaqueros, cowboys, and buckaroos brings the mythical image of the American cowboy into focus and detail and honors the regional and national variations. It will be an essential resource for anyone who would know or portray the cowboy—readers, writers, songwriters, and actors among them.

Einstein's Special Theory of Relativity, first published in 1905, radically changed our understanding of the world. Familiar notions of space and time and energy were turned on their head, and our struggle with Einstein's counterintuitive explanation of these concepts was under way. The task is no easier today than it was a hundred years ago, but in this book Sander Bais has found an original and uniquely effective way to convey the fundamental ideas of Einstein's Special Theory.

Bais's previous book, The Equations, was widely read and roundly praised for its clear and commonsense explanation of the math in physics. Very Special Relativity brings the same accessible approach to Einstein's theory. Using a series of easy-to-follow diagrams and employing only elementary high school geometry, Bais conducts readers through the quirks and quandaries of such fundamental concepts as simultaneity, causality, and time dilation. The diagrams also illustrate the difference between the Newtonian view, in which time was universal, and the Einsteinian, in which the speed of light is universal.

Following Bais's straightforward sequence of simple, commonsense arguments, readers can tinker with the theory and its great paradoxes and, finally, arrive at a truly deep understanding of Einstein's interpretation of space and time. An intellectual journey into the heart of the Special Theory, the book offers an intimate look at the terms and ideas that define our reality.

Jacopo de’ Barbari’s View of Venice, a woodcut first printed in the year 1500, presents a bird’s-eye portrait of Venice at its peak as an international hub of trade, art, and culture. An artistic and cartographic masterpiece of the Renaissance, the View depicts Venice as a vibrant, waterborne city interconnected by canals and bridges and filled with ornate buildings, elaborate gardens, and seafaring vessels. The contributors to A View of Venice: Portrait of a Renaissance City draw on a high-resolution digital scan of the over nine-foot-wide composite print to examine the complexities of this extraordinary woodcut and portrayal of early modern Venetian life. The essays show how the View constitutes an advanced material artifact of artistic, humanist, and scientific culture. They also outline the ways the print reveals information about the city’s economic and military power, religious and social infrastructures, and cosmopolitan residents. Featuring methodological advancements in the digital humanities, A View of Venice highlights the reality and myths of a topographically unique, mystical city and its place in the world.

Contributors. Karen-edis Barzman, Andrea Bellieni, Patricia Fortini Brown, Valeria Cafà, Stanley Chojnacki, Tracy E. Cooper, Giada Damen, Julia A. DeLancey, Piero Falchetta, Ludovica Galeazzo, Maartje van Gelder, Jonathan Glixon, Richard Goy, Anna Christine Swartwood House, Kristin Love Huffman, Holly Hurlburt, Claire Judde de Larivière, Blake de Maria, Martina Massaro, Cosimo Monteleone, Monique O’Connell, Mary Pardo, Giorgio Tagliaferro, Saundra Weddle, Bronwen Wilson, Rangsook Yoon