Public health, housing, poverty, and immigration dominated social and political discourse in early twentieth-century New York, much as they do today. The Lower East Side provided an urban environment where infectious disease and other public health concerns flourished. One city block in particular, known in muckraking circles as “The Lung Block,” housed four thousand first- and second-generation Americans in dilapidated tenements where deadly tuberculosis spread uninhibited. The Lung Block looks at a 1903 reform crusade to demolish this working-class tenement neighborhood and replace it with a park. Progressive reformers aimed to confront the area’s moral and environmental dangers, but their conceptualization of the problem and methods for addressing it placed them into direct conflict with the hand-to-mouth priorities of the residents. The campaign and its eventual failure illuminate the formidable social barriers distancing urban reformers and the marginalized populations they intend to help. 

Honorable Mention, 2022 Nonfiction Prize, Writers' League of Texas

A remarkable collection of words and illustrations documenting the first year of the pandemic.

In March 2020, as lockdowns were imposed around the world, author and illustrator Edward Carey raced home to Austin, Texas. The next day, he published on social media a sketch of “A Very Determined Young Man.” The day after, he posted another drawing. One year and one hundred and fifty Tombow B pencil stubs later, he was still drawing.

Carey’s pencil fills the page with the marvelous and intriguing, picturing people, characters, animals, monsters, and his favorite bird to draw, the grackle. He reaches into history and fiction to escape grim reality through flights of vivid imagination—until events demand the drawings “look straight on.”

Breonna Taylor, the Brontë sisters, John Lewis, King Lear, and even the portraits that mark the progress of the year for the Very Determined Young Man combine into a remarkable document of the pandemic and its politics. For Carey, though, trapped inside a home he loves, these portraits are something more, a way to chart time, an artist’s way of creating connection in isolation. With an introduction by Max Porter, this exceptional collection from the acclaimed author of Little marks a year of a man trapped with his pencil, determined to find solace amid uncertainty.