Until the Renaissance, the work of Calcidius offered the medieval West almost the only direct access to Plato’s corpus not dispersed in fragments. In the 4th century CE, Calcidius translated into Latin an important section of Plato’s Timaeus, complemented by extensive commentary and organized into coordinated parts. The first part is broadly devoted to the architecture of the world, to its intelligible structure. The second delves into the nature of the living creatures that inhabit it. This basic division subsequently informed the sense of macrocosm and microcosm—of the world and our place in it—which is prevalent in western European thought in the Middle Ages. At the same time, this medieval volume altered perspectives on Plato by drawing on other philosophical traditions, particularly the Stoic and Peripatetic, while including Judeo-Christian cosmology and anthropology. The present edition provides the first English translation of Calcidius’s work.

In his Symposium, Plato crafted a set of speeches in praise of love that has influenced writers and artists from antiquity to the present. Early Christian writers read the dialogue's 'ascent passage' as a vision of the soul's journey to heaven. Ficino's commentary on the Symposium inspired poets and artists throughout Renaissance Europe and introduced 'a Platonic love' into common speech. Themes or images from the dialogue have appeared in paintings or sketches by Rubens, David, Feuerbach, and La Farge, as well as in musical compositions by Satie and Bernstein. The dialogue's view of love as 'desire for eternal possession of the good' is still of enormous philosophical interest in its own right. Nevertheless, questions remain concerning the meaning of specific features, the significance of the dialogue as a whole, and the character of its influence. This volume brings together an international team of scholars to address such questions.