What could be more painful than a missing child? And how might the community better support families—especially young, single mothers and their children? In Comfort Stew, acclaimed Chicago poet and playwright Angela Jackson addresses these questions in what she has called “a meditation on motherhood and what it means to love. It is a call to community to renew its vows to the ancestors and to children so that no child is ever truly lost.”

Hillary Robinson Clay, a self-reliant schoolteacher, is the first to notice when four-year-old Enjoli is absent from her preschool class. Guided by the memory of her mother and with support from Jake, a tough man who is capable of tenderness, Hillary parents her teenage daughter, Sojourner, who is the same age as Enjoli’s mother, Patrice. Jake is a storyteller and a “good cop” who follows Hillary’s intuition and goes looking for Enjoli.

As their stories weave together, Jackson explores parenting, generational conflict, and tradition in the context of contemporary African American family life. Maternal wisdom is embodied by succeeding generations of black women in the recipe for an African stew, a dish Hillary learns to honor while adding a spice that makes it her own.

The Crowd You're in With is the fifth play by award-winning American playwright Rebecca Gilman. In it, a Fourth of July backyard barbecue is the setting for a comic, thought-provoking, ultimately disquieting exploration of the question of whether to have children. Melinda and Jasper, the hosts, are deeply divided by the issue; Tom and Karen, their landlords, decided long ago to remain childless; Windsong and her husband, Dan, are expecting a baby.

As the play progresses, the motivations of these characters reveal themselves as ever more complex. Even as the characters often speak in very practical terms about their decisions, Gilman never loses sight of the mystery underlying a life-shaping decision guided by both rational thought and biological imperative, which ultimately speaks to the even larger question of free will and determinism faced by every person.

The Chicago-based Gilman has won numerous awards including the Evening Standard Award for Most Promising Playwright and the Scott McPherson Award. Her play The Glory of Living was a finalist for the Pulitzer Prize.