Far Too Easily Pleased was originally published in 1976, although it is just as relevant today. Catholic Education Press is thrilled to be able to bring this book back into print. To summarize the volume we can do better than to excerpt part of Fr. Schall’s introduction to the 1976 edition: This book is intended to be a helpful stimulus to incite the reader to survey the truly exciting literature in this field and to assist in organizing personal reflection about the basic themes of game, play, wonder, rite, contemplation and festivity, themes that the theology of play naturally suggests. For it can be truly said that those who have not yet been initiated into this style of religious and cultural thought have been missing highly liberating and ennobling levels of our heritage. For those who already know what rewards are to be found in play and game, it is hoped that this book can again be a fresh and different approach to wonder and fascination, to the curiously marvelous life we have been given. James V. Schall, SJ, (1928-2019) was an American Jesuit Roman Catholic priest, teacher, writer, and philosopher. He retired in 2012 after a long tenure as a professor of political philosophy at Georgetown University Among his many books are The Universe We Think In; Political Philosophy and Revelation: A Catholic Reading; The Mind That Is Catholic: Philosophical and Political Essays; Schall on Chesterton: Timely Essays on Timeless Paradoxes and At the Limits of Political Philosophy: From “Brilliant Errors” To Things of Uncommon Importance (all CUA Press).

A Pittsburgh Sports History Centering Issues of Race and Economic Disparity 

Americans love sports, from neighborhood pickup basketball to the National Football League, and everything in between. While no city better demonstrates the connection between athletic games and community than Pittsburgh, Pennsylvania, the common association of the city’s professional sports teams with its blue-collar industrial past illustrates a white nostalgic perspective that excludes the voices of many who labored in the mines and mills and played on local fields. In this original and lyrical history, Robert T. Hayashi addresses this gap by uncovering and sharing overlooked tales of the region’s less famous athletes: Chinese baseball players, Black women hunters, Jewish summer campers, and coal miner soccer stars. These athletes created separate spaces of play while demanding equal access to the region’s opportunities on and off the field. Weaving together personal narrative with accounts from media, popular culture, legal cases, and archival sources, Fields of Play details how powerful individuals and organizations used recreation to promote their interests and shape public memory. Combining this rigorous archival research with a poet’s voice, Hayashi vividly portrays how coal towns, settlement houses, municipal swimming pools, state game lands, stadia, and the city’s landmark rivers were all sites of struggle over inclusion and the meaning of play in the Steel City. 

A new translation of Federico García Lorca’s captivating lecture on duende.

For years, Federico García Lorca’s lecture on duende has been a source of insight for writers and performers, including Ted Hughes, Nick Cave, Patti Smith, and Amanda Gorman.

Duende: Play and Theory not only provides a path into Lorca’s poetics and the arts of Spain; it is one of the strangest, most compelling accounts of inspiration ever offered by a poet. Contrasting the demon called duende with the Angel and the Muse, Lorca describes a mysterious telluric, diabolical current, an irreducible “it,” that can draw the best from both performer and audience.

This new translation by Christopher Maurer, based on a thoroughly revised edition of the Spanish original of 1933, also included in this volume, offers a more accurate and fully annotated version of the lecture, with an introduction by eminent philologist José Javier León. Drawing on a deep knowledge of flamenco, and correcting decades of discussion about duende and its supposed origins in Spanish folklore and popular speech, León shows to what extent the concept of duende—understood as the imp of artistic inspiration—was the playful, yet deadly serious, invention of Lorca himself.

Lorca’s bravura performance of duende is foreshadowed here with a bilingual version—the most complete ever—of his other major text on inspiration, “Imagination, Inspiration, Evasion,” in which he calls for greater freedom in poetry as if searching for duende and its “constant baptism of newly created things.”