front cover of Political Landscape
Political Landscape
The Art History of Nature
Martin Warnke
Reaktion Books, 2004
We all know what "the political landscape" is, and politicians and journalists never tire of referring to it. But in this ingenious and original book, Martin Warnke takes that well-worn metaphor literally and uses it to reveal just how politicized the real landscape of continental Europe has been for centuries. The author finds his evidence of humanity's intervention in nature in the form of monuments and milestones, gardens, roads and border crossings, in landscape paintings and maps – even, in fact, in the anthropomorphic interpretations once given to formations of hills and rocks.

The Political Landscape is underpinned with a fascinating array of examples and illustrations, many of which will be new even to experts in the art of landscape and related disciplines.
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Political Landscape
The Art History of Nature
Martin Warnke
Harvard University Press, 1995

If a river runs through it, somewhere there is bound to be a bridge. Little in the landscape remains untouched by human hands, and every touch, from the simplest ditch to the most intricate monument, reveals a political decision or design. This is how Martin Warnke, one of Germany's leading art historians, looks at landscape in this book, which leads to a new way of seeing nature as we have appropriated, represented, and transformed it over time. Covering nearly a thousand years and most of western Europe, The Political Landscape provides a compelling summary history of modern humanity's ill-fated attempt to master nature.

Warnke finds evidence of the politicized landscape everywhere, on nature's own ground and in art, artifacts, and architecture, in features defined by the demands of conquest and defense, property rights and picturesque improvement, trade, tradition, communication, and commemoration. Whether considering the role of landscape in battle depictions, or investigating monumental figures from the Colossus of Rhodes to Mount Rushmore, or asking why gold backgrounds in paintings gave way to mountains topped with castles, Warnke reconfigures our idea of landscape, its significance, and its representations. The book sharpens our perceptions of nature in art and as art--a nature charged with symbol and meaning as a result of interventions by turns enlightened, insensitive, or, as now, dangerously corrosive.

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A Sense of Place
The Political Landscape in Late Medieval Japan
David Spafford
Harvard University Press, 2013

A Sense of Place examines the vast Kanto region as a locus of cultural identity and an object of familial attachment during the political and military turmoil of the late fifteenth and early sixteenth centuries in Japan. Through analysis of memoirs, letters, chronicles, poetry, travelogues, lawsuits, land registers, and archeological reports, David Spafford explores the relationships of the eastern elites to the space they inhabited: he considers the region both as a whole, in its literary representations and political and administrative dimensions, and as an aggregation of discrete locales, where struggles over land rights played out alongside debates about the meaning of ties between families and their holdings. Spafford also provides the first historical account in English of medieval castle building and the castellan revolution of the late fifteenth century, which militarized the countryside and radically transformed the exercise of authority over territory.

Simultaneously, the book reinforces a sense of the eastern elite's anxieties and priorities, detailing how, in their relation to land and place, local elites displayed a preference for past precedent and inherited wisdom. Even amidst the changes wrought by war, this inclination, although quite at odds with their conventional reputation for ruthless pragmatism and forward thinking, prevailed.

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