In 1912 a young scholar published a slim volume investigating the social structure of the late Roman Republic, which was in due course to transform the study of Roman history. The author, Mattias Gelzer, went on to hold the Chair of Ancient History at Frankfurt and to become the greatest German-speaking historian of the Roman Republic since Mommsen. In 1921 he published his Caesar, which has by now gone through six editions in Germany and is still the standard account, in any language, of Caesar and his age. It amply fulfills the author’s intent “to give the educated public a lively picture of the complete political career of one of the great statesmen of the past.”

Based on a conscientious evaluation of the abundant source materials—primarily the writings of Caesar and his contemporaries—Professor Gelzer’s portrait renders Caesar in heroic proportions, destined and determined from the beginning to overthrow a corrupt aristocracy. The sixth edition (1960), brought up to date and provided with full annotations by the author, is the basis of this translation, which for the first time makes the work available in English.

With Professor Gelzer’s approval, some minor errors have been corrected, both in the text and in the chronological table and the map at the end of the book, and an analytical index of names has been added.

Eleanor of Aquitaine was the wife of two kings, Louis VII of France and Henry II Plantagenet of England, and the mother of two others, Richard the Lionhearted and John Lackland. In her eventful, often stormy life, she not only influenced the course of events in the twelfth century but also encouraged remarkable advances in the literary and fine arts. In this book, experts in five disciplines—history, art history, music, French and English literature—evaluate the influence of Eleanor and her court on history and the arts.

Elizabeth A. R. Brown views Eleanor as having played a significant role as parent and politician, but not as patron. Rebecca A. Baltzer takes a new look at the music of the period that was written by and for Eleanor, her court, and her family. Moshé Lazar reexamines her relationship to the courtly-love literature of the period. Eleanor S. Greenhill and Larry M. Ayres reassess her influence in the realm of art history. Rossell Hope Robbins traces the lines extending from the French courtly literature of Eleanor's period down into fourteenth-century Chaucerian England. The essays reflect divergent but generally complementary assessments of this remarkable woman's influence on her own era and on future times as well.

This volume is the result of a symposium held at the University of Texas in 1973.

George Q. Cannon is generally acknowledged as second only to Brigham Young as the most visible leader of Mormonism in the mid- to late-nineteenth century. He became Young’s protégé and was an influential first counselor in the First Presidency of the Church of Jesus Christ of Latter-day Saints for almost twenty-five years, serving with presidents Brigham Young, John Taylor, Wilford Woodruff, and Lorenzo Snow. Known as the “spokesman for the kingdom,” Cannon was the central political figure of the church, not only serving as Utah territory’s delegate to Congress for ten years but also as chief political advisor and long-term editor of the Deseret News. Cannon helped shape doctrine, church governance, and administration during a period of significant change, defending and promulgating plural marriage both before and after the 1890 Manifesto. He was at the center of business life in Salt Lake City, serving as president of the largest publishing house, banks, a railroad, mining companies, electric companies, and other businesses. Though Cannon was loved and revered by his people, controversy sometimes touched his life and family.