front cover of Easy
Easy
A Hard Look at Soft Rock
Timothy Gray
University of Iowa Press, 2026
“‘Soft Rock,’ they call it; low-key stuff with wide appeal.” So stated a 1971 Chicago Tribune article on the Carpenters. Over time, Soft Rock became the butt of jokes, yet during its heyday, it fit America’s changing mood, blending rebellion with conservatism. Easy explains how Soft Rock and associated genres emerged in the late 1960s and achieved broad recognition in the 1970s. Tracking hundreds of songs, Timothy Gray supplies Billboard’s chart rankings to show how soft music easily crossed over from one fan base to another. Featuring acts as familiar as Fleetwood Mac and Carly Simon, and as underappreciated as the Three Degrees and J. D. Souther, Easy provides an entertaining aircheck of American culture during a transformational era.
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front cover of Energy Never Dies
Energy Never Dies
Afro-Optimism and Creativity in Chicago
Ayana Contreras
University of Illinois Press, 2021
From Afro Sheen to Theaster Gates and from Soul Train to Chance the Rapper, Black Chicago draws sustenance from a culture rooted in self-determination, aspiration, and hustle. In Energy Never Dies, Ayana Contreras embarks on a journey to share the implausible success stories and breathtaking achievements of Black Chicago's artists and entrepreneurs. Past and present generations speak with one another, maintaining a vital connection to a beautiful narrative of Black triumph and empowerment that still inspires creativity and pride. Contreras weaves a hidden history from these true stories and the magic released by undervalued cultural artifacts. As she does, the idea that the improbable is always possible emerges as an indestructible Afro-Optimism that binds a people together.

Passionate and enlightening, Energy Never Dies uses the power of storytelling to show how optimism and courage fuel the dreams of Black Chicago.

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Ethnic Music on Records
A Discography of Ethnic Recordings Produced in the United States, 1893-1942. Vol. 1: Western Europe
Richard K. Spottswood
University of Illinois Press, 1990
This impressive compilation offers a nearly complete listing of sound recordings made by American minority artists prior to mid-1942. Organized by national group or language, the seven-volume set cites primary and secondary titles, composers, participating artists, instrumentation, date and place of recording, master and release numbers, and reissues in all formats. Because of its clear arrangements and indexes, it will be a unique and valuable tool for music and ethnic historians, folklorists, and others.
 
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