front cover of Mice in the Freezer, Owls on the Porch
Mice in the Freezer, Owls on the Porch
The Lives of Naturalists Frederick and Francis Hamerstrom
Helen M. Corneli
University of Wisconsin Press, 2006

    Mice in the Freezer, Owls on the Porch is in many ways a love story—about a quiet scientist and his flamboyant wife, but also about their passions for hunting, for wild lands, and for the grouse and raptor species that they were instrumental in saving from destruction.
    From the papers and letters of Frederick and Frances Hamerstrom, the reminiscences of contemporaries, and her own long friendship with this extraordinary couple who were her neighbors, Helen Corneli draws an intimate picture of Fran and "Hammy" from childhood through the genesis and maturation of a romantic, creative, and scientific relationship. Following the Hamerstroms as they give up a life of sophisticated convention and comfort for the more "civilized" (as Aldo Leopold would have it) pleasures of living and conducting on-the-spot research into diminishing species, Corneli captures the spirit of the Hamerstroms, their profession, and the natural and human environments in which they worked. A nuanced account of the labors, adventures, and achievements that distinguished the Hamerstroms over the years—and that inspired a generation of naturalists—this book also provides a dramatic account of conservation history over the course of the twentieth century, particularly in Wisconsin during the eventful years from the 1920s through the 1970s.

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front cover of On the Porch
On the Porch
Life and Music in Terlingua, Texas
W. Chase Peeler
University of Texas Press, 2021

In sunbaked Terlingua, Texas (pop., a few hundred), residents joke that there is a musician under every rock. Located ten miles from Mexico in one of the remotest corners of the United States, the town had a recording studio before it had a school, a well-stocked grocery store, or even a water utility. Open jam sessions are a daily ritual, and some songwriters make a living from their craft despite being thousands of miles from New York or Nashville. Why does such a tiny and isolated place ring with singing and guitars?

Based on more than two years of on-the-ground research, On the Porch tells the story of this small but remarkable community. Chase Peeler invites us into the music, introducing us to a cast of characters as unique as the town itself. He reveals how novices and experts perform together—a rarity in contemporary America. He recounts the devastation brought on by a border closure and describes how music is once again uniting people across the Rio Grande. He considers the impact of gentrification in an off-the-grid paradise, and how this threatens to transform a precarious musical ecosystem. On the Porch is a celebration of human musicality, of the role that music plays and can play in our lives, both in Terlingua and beyond.

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front cover of The Porch
The Porch
Meditations on the Edge of Nature
Charlie Hailey
University of Chicago Press, 2021
Come with us for a moment out onto the porch. Just like that, we’ve entered another world without leaving home. In this liminal space, an endless array of absorbing philosophical questions arises: What does it mean to be in a place? How does one place teach us about the world and ourselves? What do we—and the things we’ve built—mean in this world? In a time when reflections on the nature of society and individual endurance are so paramount, Charlie Hailey’s latest book is both a mental tonic and a welcome provocation. Solidly grounded in ideas, ecology, and architecture, The Porch takes us on a journey along the edges of nature where the outside comes in, hosts meet guests, and imagination runs wild.
 
Hailey writes from a modest porch on the Homosassa River in Florida. He sleeps there, studies the tides, listens for osprey and manatee, welcomes shipwrecked visitors, watches shadows on its screens, reckons with climate change, and reflects on his own acclimation to his environment. The profound connections he unearths anchor an armchair exploration of past porches and those of the future, moving from ancient Greece to contemporary Sweden, from the White House roof to the Anthropocene home. In his ruminations, he links up with other porch dwellers including environmentalist Rachel Carson, poet Wendell Berry, writers Eudora Welty and Zora Neale Hurston, philosopher John Dewey, architect Louis Kahn, and photographer Paul Strand.

As close as architecture can bring us to nature, the porch is where we can learn to contemplate anew our evolving place in a changing world—a space we need now more than ever. Timeless and timely, Hailey’s book is a dreamy yet deeply passionate meditation on the joy and gravity of sitting on the porch.
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front cover of Sunday Afternoon on the Porch
Sunday Afternoon on the Porch
Reflections of a Small Town in Iowa, 1939-1942
Everett W. Kuntz
University of Iowa Press, 2008
In 1939, just before graduating from high school in the small town of Ridgeway in northeast Iowa, Everett Kuntz spent his entire savings of $12.50 on a 35mm Argus AF camera. He made a camera case from a worn-out boot, scraps from a tin can, and a clasp from his mother’s purse. For the next several years, especially during the summers when he worked on his parents’ dairy farm, he clicked the shutter of his trusty Argus all around the quiet town.

Everett bought movie reel film in bulk from a mail-order house, rolled his own film, and developed it in a closet at home, but he never had the money to print his photographs. More than two thousand negatives stayed in a box while he married, raised a family, and worked as an electrical engineer in the Twin Cities. When he became ill with cancer in the fall of 2002—sixty years after he had developed the last of his bulk film—Everett opened his time capsule and printed the images from his youth. He died in 2003, having brought his childhood town back to life just as he was leaving it.

A sense of peace radiates from these images. Whether skinny-dipping in the Turkey River, wheelbarrow-racing, threshing oats, milking cows, visiting with relatives after church, or hanging out at the drugstore or the movies, Ridgeway’s hardworking citizens are modest and trusting and luminous in their graceful harmony and their unguarded affection for each other. Visiting the town in 2006 as he was writing the text to accompany these photographs, Jim Heynen crafted vignettes that perfectly complement these rediscovered images by blending fact and fiction to give context and voice to Ridgeway’s citizens.
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