For many Westerners, the words "Chinese art" evoke visions of willow pattern landscapes on porcelain plates and teapots, Chinese wallpaper decorated with flowers, birds, and pagodas, and perhaps silk brocades. This beautiful book allows readers to see beyond such ornamental exports to the true nature of the art produced in China over millennia for a Chinese audience, whether the Emperor, the scholarly elite, the ordinary folk, or the furnishing of tombs and temples.
Drawing on the British Museum's extensive collection, Chinese Art in Detail explores the traditional hierarchy of materials and techniques reaching back as far as the Han Dynasty in the third century B.C.—with calligraphy and painting most revered, followed by jades and bronzes, decorative arts such as lacquer, porcelain, and silk, and, finally, sculpture for religious and funerary use. Images of complete artifacts set against magnified details give readers the rare opportunity to appreciate the delicacies of technique and material that characterize much of Chinese art—and distinguish one form, as well as one period, from another. Illuminated throughout by two scholars thoroughly and deeply versed in the history and character of the works under scrutiny, this sumptuously illustrated book conveys an understanding of Chinese art in all its great variety, its simplicities, its complexities, its splendors, and its mysteries of craft and inspiration reaching back to Neolithic times.
Standing guard around the tomb of Qin Shihuangdi, the ranks of a terracotta army bear silent witness to the vast power of the First Emperor of the Qin Dynasty, who unified China in 221 BCE. Six thousand warriors and horses make up the army, while chariots, a military guard, and a command post complete the host. A new look at one of the most spectacular finds in the annals of archaeology, this book also considers the historical and archaeological context of the Terracotta Army, as well as the extensive research and excavation carried out since its discovery in 1974.
In richly illustrated chapters, experts in the field describe the Qin's rise and military conquest, the empire's ideology and practices, and the emperor's achievements and legacy. The authors examine the site itself, including new discoveries such as terracotta bureaucrats, acrobats, and strongmen, life-size bronze birds, hundreds of suits of stone armor, and terracotta warriors with colored faces preserved with new technology.
From explorations of the massive mausoleum and the rituals that surrounded it, to explanations of the actual manufacture of the Terracotta Army, the book offers a detailed and authoritative tour of one of ancient history's most eloquent memorials, with all it says of China's long and coherent cultural past--and future potential.
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