front cover of Blood Kin
Blood Kin
A Novel
Mark Powell
University of Tennessee Press, 2006
Set in the South Carolina foothills of the Blue Ridge Mountains in the late summer of 1970, Blood Kin tells the story of the Burden family and the community of outcasts that surrounds them. James Burden is the eldest son in the Burden family. A Korean War veteran and former prisoner-of-war, he struggles with inner demons and drug addiction. He has returned home after almost two decades of absence to find his family members consumed with struggles all their own. His former wife is haunted by her thoughts of an unborn child. His brothers, both Vietnam veterans, are troubled by their experiences there. Roy Burden returned a hero, while Enis Burden saw no combat at all. The younger brothers are also dealing with troubles with love and the hopes of starting their own families. James’s father is himself disturbed by his memories of his own father’s dark deeds and death. And James’s mother is plagued by worry for her husband and sons. The Burdens face their struggles within a community of misfits, including a reluctant sheriff, a runaway thief, a forgotten fire-talker, a religious con man and his actress girlfriend, a local apple baron, and a failed prophet. All of them are living on the fringes of a rural South racing toward a middle-class modernity that has little use for any of them. Blood Kin was awarded the 2005 Peter Taylor Prize for the Novel, an award named for one of the South’s most celebrated writers. The annual prize, co-sponsored by the Knoxville Writers’ Guild and the University of Tennessee Press, endeavors to bring to light novels of high literary quality, thereby honoring Peter Taylor’s own practice of assisting writers who care about the craft of fiction.
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front cover of The Dark Corner
The Dark Corner
A Novel
Mark Powell
University of Tennessee Press, 2012
“The best Appalachian novelist of his generation.”
—Ron Rash, author of Serena and The Cove
 
"The Dark Corner is one of the most riveting and beautifully written novels that I have ever read.  Trouble drives the story, as it does in all great fiction, but grace, that feeling of mercy that all men hunger for, is the ultimate subject, and that's just part of the reason that Mark Powell is one of America's most brilliant writers."
—Donald Ray Pollock, author of The Devil All the Time and Knockemstiff
 
“Mark Powell’s third novel powerfully tackles the ongoing curses of drugs, real estate development, veterans’ plights, and other regional cultural banes that plague an Appalachia still very much alive and with us as its own chameleon-like animal. Brimming with fury and beauty, The Dark Corner is a thing wrought to be feared and admired.”
—Casey Clabough, author of Confederado

“Powell’s work is so clearly sourced to the wellspring of all spiritual understanding—this physical world…He is heir to the literary lineage of Melville, Conrad, Flannery O’Connor, Denis Johnson, and Robert Stone.”
—Pete Duval, author of Rear View


A troubled Episcopal priest and would-be activist, Malcolm Walker has failed twice over—first in an effort to shock his New England congregants out of their complacency and second in an attempt at suicide. Discharged from the hospital and haunted by images of the Iraq War and Abu Ghraib, he heads home to the mountains of northwestern South Carolina, the state’s “dark corner,” where a gathering storm of private grief and public rage awaits him.
    Malcolm’s life soon converges with people as damaged in their own ways as he is: his older brother, Dallas, a onetime college football star who has made a comfortable living in real-estate development but is now being drawn ever more deeply into an extremist militia; his dying father, Elijah, still plagued by traumatic memories of Vietnam and the death of his wife; and Jordan Taylor, a young, drug-addicted woman who is being ruthlessly exploited by Dallas’s viperous business partner, Leighton Clatter. As Malcolm tries to restart his life, he enters into a relationship with Jordan that offers both of them fleeting glimpses of heaven, even as hellish realities continue to threaten them.
    In The Dark Corner, Mark Powell confronts crucial issues currently shaping our culture: environmentalism and the disappearance of wild places, the crippling effects of wars past and present, drug abuse, and the rise of right-wing paranoia. With his skillful plotting, feel for place, and gift for creating complex and compelling characters, Powell evokes a world as vivid and immediate as the latest news cycle, while at the same time he offers a nuanced reflection on timeless themes of violence, longing, redemption, faith, and love.

MARK POWELL is the author of two previous novels published by the University of Tennessee Press, Prodigals and the Peter Taylor Prize–winning Blood Kin. The recipient of National Endowment for the Arts and Breadloaf Writers’ Conference fellowships, as well as the Chaffin Award for fiction, he is an assistant professor of English at Stetson University.

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logo for University of Tennessee Press
The Dark Corner
A Novel
Mark Powell
University of Tennessee Press
“The best Appalachian novelist of his generation.”
—Ron Rash, author of Serena and The Cove
 
"The Dark Corner is one of the most riveting and beautifully written novels that I have ever read.  Trouble drives the story, as it does in all great fiction, but grace, that feeling of mercy that all men hunger for, is the ultimate subject, and that's just part of the reason that Mark Powell is one of America's most brilliant writers."
—Donald Ray Pollock, author of The Devil All the Time and Knockemstiff
 
“Mark Powell’s third novel powerfully tackles the ongoing curses of drugs, real estate development, veterans’ plights, and other regional cultural banes that plague an Appalachia still very much alive and with us as its own chameleon-like animal. Brimming with fury and beauty, The Dark Corner is a thing wrought to be feared and admired.”
—Casey Clabough, author of Confederado

“Powell’s work is so clearly sourced to the wellspring of all spiritual understanding—this physical world…He is heir to the literary lineage of Melville, Conrad, Flannery O’Connor, Denis Johnson, and Robert Stone.”
—Pete Duval, author of Rear View


A troubled Episcopal priest and would-be activist, Malcolm Walker has failed twice over—first in an effort to shock his New England congregants out of their complacency and second in an attempt at suicide. Discharged from the hospital and haunted by images of the Iraq War and Abu Ghraib, he heads home to the mountains of northwestern South Carolina, the state’s “dark corner,” where a gathering storm of private grief and public rage awaits him.
    Malcolm’s life soon converges with people as damaged in their own ways as he is: his older brother, Dallas, a onetime college football star who has made a comfortable living in real-estate development but is now being drawn ever more deeply into an extremist militia; his dying father, Elijah, still plagued by traumatic memories of Vietnam and the death of his wife; and Jordan Taylor, a young, drug-addicted woman who is being ruthlessly exploited by Dallas’s viperous business partner, Leighton Clatter. As Malcolm tries to restart his life, he enters into a relationship with Jordan that offers both of them fleeting glimpses of heaven, even as hellish realities continue to threaten them.
    In The Dark Corner, Mark Powell confronts crucial issues currently shaping our culture: environmentalism and the disappearance of wild places, the crippling effects of wars past and present, drug abuse, and the rise of right-wing paranoia. With his skillful plotting, feel for place, and gift for creating complex and compelling characters, Powell evokes a world as vivid and immediate as the latest news cycle, while at the same time he offers a nuanced reflection on timeless themes of violence, longing, redemption, faith, and love.

MARK POWELL is the author of two previous novels published by the University of Tennessee Press, Prodigals and the Peter Taylor Prize–winning Blood Kin. The recipient of National Endowment for the Arts and Breadloaf Writers’ Conference fellowships, as well as the Chaffin Award for fiction, he is an assistant professor of English at Stetson University.

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front cover of Lioness
Lioness
A Novel
Mark Powell
West Virginia University Press, 2022

“Emotionally wrenching. . . . Haunting (and haunted) in the best possible way.” —Kirkus Reviews (starred review)
“Darkly compelling.” —Tom Perrotta

In the fall of 2018, a bomb goes off at a water-bottling plant in the mountains of southwest Virginia, an incident the FBI declares an act of ecoterrorism. Arrested at the scene is Chris Bright, a mountain hermit with a long history of activism. Unaccounted for—and presumed dead—is Mara Wood, an installation artist who in the last two years has lost her son and left her husband.

But Mara’s estranged husband David cannot quite believe she is dead, and as he goes about reconstructing the story of what happened, he begins to imagine an alternate narrative—one in which their son doesn’t die and his wife doesn’t leave him, one in which his wife doesn’t carry on a secret relationship with Chris Bright, a man bent on fighting back against the environmental despoliation of his Appalachian home. Lioness is a page-turning, heart-wrenching examination of extremism: What pushes people to act violently, and is that violence ever justified?

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front cover of Prodigals
Prodigals
A Novel
Mark Powell
University of Tennessee Press, 2002
“A haunting, evocative novel. In Prodigals, Mark Powell depicts a lost American landscape—the small towns and logging camps of the South during World War II, with their subculture of fugitives and transients. I can't get the desperate hero out of my mind.” —Cary Holladay, author of Mercury

In the late summer of 1944, fifteen-year-old Ernest Cobb flees into the dense forests of the Blue Ridge Mountains. Behind him, in his South Carolina hometown, the girl he thought he had impregnated is being buried. Her shooting death was not Ernest’s doing, but Ernest fears that he will be implicated in it anyway. With little sense of where he is going or how he might survive, the boy makes his way northward.

Ernest’s journey brings him into the company of outsiders and drifters—an often violent subculture at the tattered fringes of wartime America. An aging mountain hermit, who was once a glassblower, rescues Ernest from the wilderness and nurtures him for a while. Eventually, Ernest finds himself in Asheville, North Carolina, where he goes to work as a dishwasher and rents a dingy room that he soon shares with a new girlfriend. When that relationship falters, Ernest accompanies an amiable but reckless friend, a boy called June Bug, to work at a logging camp. There they meet Jimmy Morgan, a wounded war veteran with his own dark secret. The convergence of these lost souls and their chance discovery of an injured child lead to further tragedy. By the end, the once-naive Ernest has begun to comprehend the gaping loneliness that defines much of human existence, but he has also come to sense the possibility of transcendence in the fleeting connections born of love.
With Prodigals, Mark Powell makes an impressive fiction debut. The author’s keen ear for dialogue, his understanding of character and motive, and his lean, taut language will make this novel linger long in the minds of readers.

The Author: Mark Powell lives in Mountain Rest, South Carolina. He studied creative writing at the University of South Carolina.
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