An election day massacre in colonial Martinique. A “mad” artist who lives in a cave. A satirical wooden bust of a white colonel. The artist’s banishment to the Devil’s Island penal colony for “impertinence.” And a young anthropologist who arrives in Martinique in 1962, on the eve of massive modernization.

In a stunning combination of scholarship and storytelling, the award-winning anthropologist Richard Price draws on long-term ethnography, archival documents, cinema and street theater, and Caribbean fiction and poetry to explore how one generation’s powerful historical metaphors could so quickly become the next generation’s trivial pursuit, how memories of oppression, inequality, and struggle could so easily become replaced by nostalgia, complicity, and celebration.

“A superb callaloo of a book. . . . Richard Price has a remarkable grasp of the literatures of the Caribbean, and draws on this resource to explore the underlying insanity of the colonial experience, as well as the bewildering complexities of the postcolonial world where memory is erased or invented according to the demands of a market modernity.”—George Lamming, author of The Pleasures of Exile

“By beautifully crafting elements as disparate as biographical data, sociological studies, literary sources, and archival documents, Richard Price’s research is more fascinating than a piece of fiction.”—Maryse Condé, author of I, Tituba, Black Witch of Salem

“Price does it again. Mixing eras, genres, and voices, he carries the reader through the contradictory streams of historical consciousness in the Caribbean island of Martinique. The result is as complex and as enticing as the sea it evokes.”—Michel-Rolph Trouillot, author of Silencing the Past

“Filled with insights that are at once theoretical, methodological, and ethnographic, The Convict and the Colonel is required reading for anyone interested in colonialism, memory, and contemporary Caribbean societies.”—Jennifer Cole, American Ethnologist

Perhaps best known as a political philosopher, Richard Price (1723–1791) made important contributions to British and American intellectual life in a variety of fields—philosophy, theology, mathematics, demography, probability and public finance, and private and social insurance. The second in a three-volume series edited by W. Bernard Peach and D. O. Thomas, The Correspondence of Richard Price makes available the extant copies of the correspondence to and from Price, including many published for the first time. These letters reveal Price's absorption with financial problems, his influence on the policies adopted by the British government, his defense of Newtonianism against Lord Monboddo, as well as important insights into the political and cultural life in Britain and America. Correspondents include John Adams, William Adams, J. D. van der Capellen, Benjamin Franklin, Thomas Jefferson, Henry Laurens, Lord Monboddo, William Pitt, Joseph Priestly, the Earl of Shelburne, Ezra Stiles, P. W. Wargentin, and Joseph Willard.

This third and final volume in the series completes the known extant correspondence of Richard Price (1723-1791). Perhaps best known as a political philosopher, Price made significant contributions to Anglo-American intellectual life in the late eighteenth century in a variety of fields. This remarkable collection of letters, most previously unpublished, is impressive for the breadth of topics covered--religion, theology, politics, education, liberty, finance, demography, and insurance.
Price's correspondence with Adams, Franklin, Jefferson, Rush, and other Americans concern the issues of slavery, the rebellion in Massachusetts, use of paper money, opposition to the establishment of religion, and the status of the federal government. Letters to Priestly, Lansdowne, and others in Britain are about science and technology, the crisis in the United Provinces, armed neutrality, the national debt, revolution, religious sects, and foreign relations. In his correspondence with French leaders following the fall of the Bastille, particularly with le Duc del la Rochefoucauld, Price expresses his high hopes for the growth of civil and religious freedom in France.
Indispensable for an understanding of the work of one of the best known and most distinguished Welshmen of the eighteenth century, this book—and the series—will also be of interest to those who study the history of ideas.

A classic of historical anthropology, First-Time traces the shape of historical thought among peoples who had previously been denied any history at all. The top half of each page presents a direct transcript of oral histories told by living Saramakas about their eighteenth-century ancestors, "Maroons" who had escaped slavery and settled in the rain forests of Suriname. Below these transcripts, Richard Price provides commentaries placing the Saramaka accounts into broader social, intellectual, and historical contexts.

First-Time's unique style of presentation preserves the integrity of both its oral and documentary sources, uniting them in a profound meditation on the roles of history and memory. This second edition includes a new preface by the author, discussing First-Time's impact and recounting the continuing struggles of the Saramaka people.

Richard Price was a loyal, although dissenting, subject of Great Britain who thought the British treatment of their colonies as wrong, not only prudentially, financially, economically, militarily, and politically, but, above all, morally wrong. He expressed these views in his first pamphlet early in 1776. It concluded with a plea for the cessation of hostilities by Great Britain and reconciliation. Its analyses, arguments, and conclusions, however, along with its admiration for the colonists, their moral position and qualities, could hardly fail to contribute to their reluctant recognition that there was no real alternative to independence. Price found some of his views not only misunderstood but vilified by negative critics in the ensuing controversy. So he wrote a second pamphlet which was published in early 1777. He expanded his analysis of liberty, extended its application to the war with America, and greatly expanded his discussion of the economic impact upon Great Britain. After the war, in 1784, he published a third pamphlet on the importance of the American Revolution and the means of making it a benefit to the world, appending an extensive letter from the Frenchman, Turgot. Implicitly the letter regards Price as a perceptive theorist of the revolution; explicitly it identifies the problems facing the prospective new nation and expresses a wish that it will fulfill its role s the hope of the world. Selections in the appendices present a part of the pamphlet controversy and the selection of correspondence shows how seriously Price was regarded by Revolutionary leaders.

When Richard and Sally Price stepped out of the canoe to begin their fieldwork with the Saamaka Maroons of Suriname in 1966, they were met with a mixture of curiosity, suspicion, ambivalence, hostility, and fascination. With their gradual acceptance into the community they undertook the work that would shape their careers and influence the study of African American societies throughout the hemisphere for decades to come. In Saamaka Dreaming they look back on the experience, reflecting on a discipline and a society that are considerably different today. Drawing on thousands of pages of field notes, as well as recordings, file cards, photos, and sketches, the Prices retell and comment on the most intensive fieldwork of their careers, evoke the joys and hardships of building relationships and trust, and outline their personal adaptation to this unfamiliar universe. The book is at once a moving human story, a portrait of a remarkable society, and a thought-provoking revelation about the development of anthropology over the past half-century.

"Whatever has gotten into the Prices?" asks the apocryphal Professor Goodfellow in the opening lines of Two Evenings in Saramaka. "After all those books on history and ethnography," he muses, "why are they now turning to children's stories and nonsense songs—mere folklore?"

In this innovative work, Richard and Sally Price explore the fully adult world of Saramaka "folktale-land," where animals speak, the social order is inverted, customs have been only partially worked out, and the weak and clever triumph over the strong and arrogant. Joining the Saramaka of the Suriname rain forest for two tale-telling wakes, we witness mischievous Anasi the spider matching wits with lecherous devils, the scrawny little kid rescuing his nubile sisters in distress, and the bitchy white princess being tamed by the one-sided boy. As seas dry up, books speak out loud, and elephants assume human form, we are present at a whole sequence of world-shaping happenings such as the invention of sex, the discovery of drums, and the arrival of death among humans.

Set in the more general context of tale telling by the descendants of Africans throughout the Americas and of recent scholarship in performance studies, these Saramaka tales are presented as a dramatic script. With the help of nearly forty photographs, readers become familiar not only with the characters in folktale-land, but also with the men and women who so imaginatively bring them to life. And because music complements narration in Saramaka just as it does elsewhere in Afro-America, more than fifty songs are presented here in musical notation.

Narrative, song, dance, and social interaction merge in these two evenings of multimedia entertainment, bearing witness to an Afro-American cultural tradition that remains alive and vibrant, constantly renewed but always reflecting its links with the past.