front cover of The Author's Due
The Author's Due
Printing and the Prehistory of Copyright
Joseph Loewenstein
University of Chicago Press, 2002
The Author's Due offers an institutional and cultural history of books, the book trade, and the bibliographic ego. Joseph Loewenstein traces the emergence of possessive authorship from the establishment of a printing industry in England to the passage of the 1710 Statute of Anne, which provided the legal underpinnings for modern copyright. Along the way he demonstrates that the culture of books, including the idea of the author, is intimately tied to the practical trade of publishing those books.

As Loewenstein shows, copyright is a form of monopoly that developed alongside a range of related protections such as commercial trusts, manufacturing patents, and censorship, and cannot be understood apart from them. The regulation of the press pitted competing interests and rival monopolistic structures against one another—guildmembers and nonprofessionals, printers and booksellers, authors and publishers. These struggles, in turn, crucially shaped the literary and intellectual practices of early modern authors, as well as early capitalist economic organization.

With its probing look at the origins of modern copyright, The Author's Due will prove to be a watershed for historians, literary critics, and legal scholars alike.
[more]

front cover of Benjamin Franklin's Printing Network
Benjamin Franklin's Printing Network
Disseminating Virtue in Early America
Ralph Frasca
University of Missouri Press, 2005
In Benjamin Franklin’s Printing Network, Ralph Frasca explores Franklin’s partnerships and business relationships with printers and their impact on the early American press. Besides analyzing the structure of the network, Frasca addresses two equally important questions: How did Franklin establish this informal group? What were his motivations for doing so?
This network grew to be the most prominent and geographically extensive of the early­ American printing organizations, lasting from the 1720s until the 1790s. Stretching from New England to the West Indies, it comprised more than two dozen members, including such memorable characters as the Job-like James Parker, the cunning Francis Childs, the malcontent Benjamin Mecom, the vengeful Benjamin Franklin Bache, the steadfast David Hall, and the deranged Anthony Armbruster.
Franklin’s network altered practices in both the European and the American colonial printing trades by providing capital and political influence to set up workers as partners and associates. As an economic entity and source of mutual support, the network was integral to the success of many eighteenth-century printers, as well as to the development of American journalism.
Frasca argues that one of Franklin’s principal motivations in establishing the network was his altruistic desire to assist Americans in their efforts to be virtuous. Using a variety of sources, Frasca shows that Franklin viewed virtue as a path to personal happiness and social utility. Franklin intended for his network of printers to teach virtue and encourage its adoption. The network would disseminate his moral truths to a mass audience, and this would in turn further his own political, economic, and moral ambitions.
By exploring Franklin’s printing network and addressing these questions, this work fills a substantial void in the historical treatment of Franklin’s life. Amateur historians and professional scholars alike will welcome Frasca’s clear and capable treatment of this subject.
[more]

front cover of Books Are Weapons
Books Are Weapons
The Polish Opposition Press and the Overthrow of Communism
Siobhan Doucette
University of Pittsburgh Press, 2017
Much attention has been given to the role of intellectual dissidents, labor, and religion in the historic overthrow of communism in Poland during the 1980s. Books Are Weapons presents the first English-language study of that which connected them—the press. Siobhan Doucette provides a comprehensive examination of the Polish opposition’s independent, often underground, press and its crucial role in the events leading to the historic Round Table and popular elections of 1989. While other studies have emphasized the role that the Solidarity movement played in bringing about civil society in 1980-1981, Doucette instead argues that the independent press was the essential binding element in the establishment of a true civil society during the mid- to late-1980s.
            Based on a thorough investigation of underground publications and interviews with important activists of the period from 1976-1989, Doucette shows how the independent press, rooted in the long Polish tradition of well-organized resistance to foreign occupation, reshaped this tradition to embrace nonviolent civil resistance while creating a network that evolved from a small group of dissidents into a broad opposition movement with cross-national ties and millions of sympathizers.  It was the galvanizing force in the resistance to communism and the rebuilding of Poland’s democratic society.
[more]

front cover of Gandhi’s Printing Press
Gandhi’s Printing Press
Experiments in Slow Reading
Isabel Hofmeyr
Harvard University Press, 2013

At the same time that Gandhi, as a young lawyer in South Africa, began fashioning the tenets of his political philosophy, he was absorbed by a seemingly unrelated enterprise: creating a newspaper. Gandhi’s Printing Press is an account of how this project, an apparent footnote to a titanic career, shaped the man who would become the world-changing Mahatma. Pioneering publisher, experimental editor, ethical anthologist—these roles reveal a Gandhi developing the qualities and talents that would later define him.

Isabel Hofmeyr presents a detailed study of Gandhi’s work in South Africa (1893–1914), when he was the some-time proprietor of a printing press and launched the periodical Indian Opinion. The skills Gandhi honed as a newspaperman—distilling stories from numerous sources, circumventing shortages of type—influenced his spare prose style. Operating out of the colonized Indian Ocean world, Gandhi saw firsthand how a global empire depended on the rapid transmission of information over vast distances. He sensed that communication in an industrialized age was becoming calibrated to technological tempos.

But he responded by slowing the pace, experimenting with modes of reading and writing focused on bodily, not mechanical, rhythms. Favoring the use of hand-operated presses, he produced a newspaper to contemplate rather than scan, one more likely to excerpt Thoreau than feature easily glossed headlines. Gandhi’s Printing Press illuminates how the concentration and self-discipline inculcated by slow reading, imbuing the self with knowledge and ethical values, evolved into satyagraha, truth-force, the cornerstone of Gandhi’s revolutionary idea of nonviolent resistance.

[more]

logo for Harvard University Press
Printing for Profit
The Commercial Publishers of Jianyang, Fujian (11th–17th Centuries)
Lucille Chia
Harvard University Press, 2002

From the eleventh through the seventeenth centuries, the publishers of Jianyang in Fujian province played a conspicuous role in the Chinese book trade. Unlike the products of government and educational presses, their publications were destined for the retail book market. These publishers survived by responding to consumer demands for dictionaries, histories, geographies, medical texts, encyclopedias, primers, how-to books, novels, and anthologies. Their publications reflect the varied needs of the full range of readers in late imperial China and allow us to study the reading habits, tastes, and literacy of different social groups. The publishers of Jianyang were also businessmen, and their efforts to produce books efficiently, meet the demands of the market, and distribute their publications provide a window on commerce and industry and the growth of regional and national markets.

The broad cultural, historical, and geographical scope of the Jianyang book trade makes it an ideal subject for the study of publishing in China. Based on an extensive study of Jianyang imprints, genealogies of the leading families of printers, local histories, documents, and annotated catalogs and bibliographies, Lucille Chia has written not only a history of commercial printing but also a wide-ranging study of the culture of the book in traditional China.

[more]

front cover of Recasting a Craft
Recasting a Craft
St. Louis Typefounders Respond to Industrialization
Robert A. Mullen
Southern Illinois University Press, 2005

In the nineteenth and early twentieth centuries, type for newspapers and books was set one letter at a time, and the manufacturers of the metal type used in the printing trade were called typefounders. This prominent yet rarely documented industry was essential to the development of modern American publishing and was particularly prevalent in St. Louis. In Recasting a Craft: St. Louis Typefounders Respond to Industrialization, Robert A. Mullen recognizes the city’s significant contributions to typefounding and details how the craft fundamentally changed through mechanization, growth, and the creation of a large conglomerate.

Like many trades of the nineteenth and early twentieth centuries that were eventually lost to industrialization, the typefoundries of St. Louis grew from small shops to factories with organized labor. Mullen describes three distinct periods of the industry that emerged in St. Louis’s typefounding trade: the early struggles in establishing the industry there, the period of intense competition and creative enterprise, and the proliferation of new companies that appealed to those customers who felt alienated by the monopolizing older companies.

Mullen discusses at length the technological, social, and demographic foundations of the immense growth of the trade in the nineteenth century, identifying the changes in typographical design and the demand for it in the new era of advertising. He also profiles the workers, working conditions, and labor issues—such as the failed industry-wide strike of 1903—that emerged as the craft of typefounding entered the industrial age. More than two hundred type designs that originated with the St. Louis firms are listed in an appendix with examples of each face. The volume also contains a list of the catalogs of the St. Louis typefoundries known to exist in the public and academic libraries of the United States.

[more]

front cover of Some Degree of Power
Some Degree of Power
From Hired Hand to Union Craftsman in the Preindustrial American Printing Trades 1778-1815
Mark Lause
University of Arkansas Press, 1991
Louse argues that the printers, who organized to combat their immediate concerns, were also part of a larger network connecting other skilled workers into associations that not only supported their societies but also helped to shape their ideology.
[more]


Send via email Share on Facebook Share on Twitter