BiblioVault - Books about Projection

Atmospheres of Projection

Environmentality in Art and Screen Media

Giuliana Bruno

University of Chicago Press, 2022

Bringing together cultural history, visual studies, and media archaeology, Bruno considers the interrelations of projection, atmosphere, and environment.

Projection has long been transforming space, from shadow plays to camera obscuras and magic lantern shows. Our fascination with projection is alive on the walls of museums and galleries and woven into our daily lives. Giuliana Bruno explores the histories of projection and atmosphere in visual culture and their continued importance to contemporary artists who are reinventing the projective imagination with atmospheric thinking and the use of elemental media.

To explain our fascination with projection and atmosphere, Bruno traverses psychoanalysis, environmental philosophy, architecture, the history of science, visual art, and moving image culture to see how projective mechanisms and their environments have developed over time. She reveals how atmosphere is formed and mediated, how it can change, and what projection can do to modify a site. In so doing, she gives new life to the alchemic possibilities of transformative projective atmospheres. Showing how their “environmentality” produces sites of exchange and relationality, this book binds art to the ecology of atmosphere.

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The Projection of Arguments

Lexical and Compositional Factors

Edited by Miriam Butt and Wilhelm Geuder

CSLI, 1998

It is becoming increasingly clear that the standard approach to argument linking in terms of "thematic roles", which are determined by the lexical meaning of verbs, has some serious shortcomings. This volume sets out to explore alternatives to a rigid model of lexical projection. It brings together a set of papers from different backgrounds that converge on the general hypothesis that the many semantic factors which influence the projection of arguments should be attributed to compositional processes rather than to the fixed contents of lexical entries. Proposals for a reassessment of the lexicon-syntax interface include flexible models of lexical meaning with productive derivation of alternants, as well as models where the structural context supplants much of the putative role of lexical entries. The topics addressed include questions of argument hierarchies and adicity of predicates, and the syntax and semantics of argument alternations in a set of very diverse languages, which include English, Dutch, Scottish Gaelic, Finnish, Hebrew, Kannada, Malay, Inuit, and Yaqui.

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Scenes of Projection

Recasting the Enlightenment Subject

Jill H. Casid

University of Minnesota Press, 2015

Theorizing vision and power at the intersections of the histories of psychoanalysis, media, scientific method, and colonization, Scenes of Projection poaches the prized instruments at the heart of the so-called scientific revolution: the projecting telescope, camera obscura, magic lantern, solar microscope, and prism. From the beginnings of what is retrospectively enshrined as the origins of the Enlightenment and in the wake of colonization, the scene of projection has functioned as a contraption for creating a fantasy subject of discarnate vision for the exercise of “reason.”

Jill H. Casid demonstrates across a range of sites that the scene of projection is neither a static diagram of power nor a fixed architecture but rather a pedagogical setup that operates as an influencing machine of persistent training. Thinking with queer and feminist art projects that take up old devices for casting an image to reorient this apparatus of power that produces its subject, Scenes of Projection offers a set of theses on the possibilities for felt embodiment out of the damaged and difficult pasts that haunt our present.

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