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Joseph Smith
The Making of a Prophet
Dan Vogel
Signature Books, 2004
 Rarely does a biographer capture the sense of being in a different time and mindset to the extent that readers feel they are reliving events through the eyes of the biographer’s subject. This is the skill of Dan Vogel—after twenty-five years of researching Joseph Smith’s life and publishing on such related issues as Seekerism, the Book of Mormon, views of Smith’s contemporaries about Indian origins, and the existing documents pertaining to Smith family experiences.

Vogel weaves together strands of evidence into a complete fabric including, among other aspects of Smith’s environment, the content of his daily dictation of scriputre and revelation—all contributing to a nearly complete view of what occurred on any given day in Smith’s lfie. The result is as much intellectual history as traditional biography. Readers will feel engaged in the dramatic, formative events in the prophet’s life against a backdrop of theology, local and national politics, Smith family dynamics, organizational issues, and interpersonal relations. One can form a mental picture, and many will find themselves carrying on an internal dialogue about the issues raised.

Vogel addresses the following broad themes:
1. The home that Joseph Smith was raised in was religiously divided. His mother’s family was orthodox and partly mystical; his father’s family tended toward rationalism and skepticism. Joseph’s maternal grandfather published an account of seeing a heavenly light and hearing Jesus’ voice. Joseph’s paternal grandfather promoted Thomas Paine’s skeptical critique of the Bible, The Age of Reason.

2. When Andrew Jackson was elected U.S. president in 1828, it was a key transitional period in American history. Jackson was a Mason and an advocate of secularism, which alarmed evangelical Protestants.

3. The Smith family experienced a series of financial setbacks and lost their farm in 1825. Joseph felt disinherited and saw no way of escape—no chance for his family to regain its former standing in the community.

4. Joseph found solace in religion. In the early 1820s, he had a powerful conversion experience and felt that Jesus had forgiven him of his sins. This inspired him to share the gospel message with others, particularly with his own family. About the same time, Smith found a talent for preaching and delivered “passable” Methodist sermons at a nearby revival.

5. Over time, Joseph became aware that people trusted him and that he could be an influence for good or ill, that even through nefarious means, God worked through him when his heart was right. He realized this when he led groups in search of Spanish treasure in New York and Pennsylvania. Although no treasure was found, the men sincerely believed that Smith had a spiritual gift and could see where casks of gold were hidden in the earth. This training ground in spiritual leadership was invaluable because the prophet learned how to create an environment for belief—one in which people could exercise faith and be converted to Christ through the sensible influence of the Spirit, all prior to the overarching work of restoring primitive Christianity.

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José Vasconcelos
The Prophet of Race
Stavans, Ilan
Rutgers University Press, 2011
Mexican educator and thinker Jose Vasconcelos is to Latinos what W.E.B. Du Bois is to African Americans a controversial scholar who fostered an alternative view of the future. In Josè Vasconcelos: The Prophet of Race, his influential 1925 essay, "Mestizaje" key to understanding the role he played in the shaping of multiethnic America—is for the first time showcased and properly analyzed. Freshly translated here by John H. R. Polt, "Mestizaje" suggested that the Brown Race from Latin America was called to dominate the world, a thesis embraced by activists and scholars north and south of the Rio Grande. Ilan Stavans insightfully and comprehensively examines the essay in biographical and historical context, and considers how many in the United States, especially Chicanos during the civil rights era, used it as a platform for their political agenda. The volume also includes Vasconcelos's long-forgotten 1926 Harris Foundation Lecture at the University of Chicago, "The Race Problem in Latin America," where he cautioned the United States that rejecting mestizaje in our own midst will ultimately bankrupt the nation.
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Laud Humphreys
Prophet of Homosexuality and Sociology
John F. Galliher, Wayne Brekhus, and David P. Keys
University of Wisconsin Press, 2004
Laud Humphreys (1930–1988) was a pioneering and fearless sociologist, an Episcopal priest, and a civil rights, gay, and antiwar activist. In graduate school during the late 1960s, he conducted extensive fieldwork in public restrooms in a St. Louis city park to discover patterns of impersonal sex among men. He published the results in Tearoom Trade. Three decades later the book still triggers many debates about the ethics of his research methods. In 1974, he was the first sociologist to come out as gay. Laud Humphreys: Prophet of Homosexuality and Sociology examines the groundbreaking work through the life of a complex man and the life of the man through his controversial work. It is an invaluable contribution to sociology and a fascinating record of a courageous life.
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Many Gods and Many Voices
The Role of the Prophet in English and American Modernism
Louis L. Martz
University of Missouri Press, 1998

In Many Gods and Many Voices distinguished scholar Louis L. Martz addresses works by Ezra Pound, T. S. Eliot, William Carlos Williams, H. D., and D. H. Lawrence, with brief treatment of the relation of Pound's Cantos to Joyce's Ulysses. In a graceful, lucid style, Martz argues that a prophetic tradition is represented in the Cantos, The Waste Land, Paterson, and H. D.'s Trilogy and Helen in Egypt, along with Lawrence's Plumed Serpent and the second version of Lady Chatterley's Lover. Pound's often- cited view that an epic is a poem that "includes history" does not define epic alone, for the books of biblical prophecy also contain history: the history of Israel's misdeeds and continuous redemption.

On the other hand, Martz suggests that the term prophecy should not be limited to works that foretell the future, arguing that the biblical prophet is concerned primarily with the present. The prophet is a reformer, a denouncer of evil, as well as a seer of possible redemption. He hears "voices" and transmits the message of those voices to his people, in the hope of moving them away from wickedness and toward the ways of truth. According to Martz, such was the mission that inspired Walt Whitman and that Whitman passed on to Pound, Eliot, Williams, and Lawrence. (H. D. found her own sources of inspiration in Greek and Egyptian lore.)

Martz's premise is that biblical prophecy, with its mingling of poetry and prose, its abrupt shifts from violent denunciation to exalted poetry, provides a precedent for the texture of these modernist works that will help readers to appreciate the mingling of "voices" and the complex mixture of elements. Examining their interrelationships and their common themes, Many Gods and Many Voices offers fresh insights into these modern writers.

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Prophet in the Wilderness
The Works of Ezequiel Martínez Estrada
By Peter G. Earle
University of Texas Press, 1971

A universal test of great writers is the quality of their response to the human dilemma. Prophet in the Wilderness traces the development of that response in the works of the Argentine writer Ezequiel Martínez Estrada, from the first ambitious poems to its definitive expression in the essays and short stories.

His theme is progressive disillusionment, in history and in personal experience, both of which are interpreted in his work as accumulations of error. Modern civilization, he believes, has created many more problems than it has solved. Like Schopenhauer, Freud, and Spengler, the three thinkers who influenced him most, Martínez Estrada found in real events and circumstances all the symbols of disenchantment. Many today have begun to share this disenchantment, for since the publication of X-Ray of the Pampa in 1933 the real world has become more and more like his symbolic world.

Prophet in the Wilderness examines Martínez Estrada's foremost concern: the world as a complex reality to be discovered behind the image of one's own most intimate community. For him, the community assumed many forms: Buenos Aires, the enigmatic metropolis; the cathedral in his story "The Deluge"; the innumerable family of Marta Riquelme; Argentina itself in his masterpiece, X-Ray of the Pampa.

Martínez Estrada is the great solitary of Hispanic American literature, independent of all fashions and trends. With Borges, he had become by 1950 one of the two most discussed writers in Argentina.

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Prophet of Innovation
Joseph Schumpeter and Creative Destruction
Thomas K. McCraw
Harvard University Press, 2010

Pan Am, Gimbel’s, Pullman, Douglas Aircraft, Digital Equipment Corporation, British Leyland—all once as strong as dinosaurs, all now just as extinct. Destruction of businesses, fortunes, products, and careers is the price of progress toward a better material life. No one understood this bedrock economic principle better than Joseph A. Schumpeter. “Creative destruction,” he said, is the driving force of capitalism.

Described by John Kenneth Galbraith as “the most sophisticated conservative” of the twentieth century, Schumpeter made his mark as the prophet of incessant change. His vision was stark: Nearly all businesses fail, victims of innovation by their competitors. Businesspeople ignore this lesson at their peril—to survive, they must be entrepreneurial and think strategically. Yet in Schumpeter’s view, the general prosperity produced by the “capitalist engine” far outweighs the wreckage it leaves behind.

During a tumultuous life spanning two world wars, the Great Depression, and the early Cold War, Schumpeter reinvented himself many times. From boy wonder in turn-of-the-century Vienna to captivating Harvard professor, he was stalked by tragedy and haunted by the specter of his rival, John Maynard Keynes. By 1983—the centennial of the birth of both men—Forbes christened Schumpeter, not Keynes, the best navigator through the turbulent seas of globalization. Time has proved that assessment accurate.

Prophet of Innovation is also the private story of a man rescued repeatedly by women who loved him and put his well-being above their own. Without them, he would likely have perished, so fierce were the conflicts between his reason and his emotions. Drawing on all of Schumpeter’s writings, including many intimate diaries and letters never before used, this biography paints the full portrait of a magnetic figure who aspired to become the world’s greatest economist, lover, and horseman—and admitted to failure only with the horses.

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A Prophet of the People
Isaiah Shembe and the Making of a South African Church
Lauren V. Jarvis
Michigan State University Press, 2024
In 1910 Isaiah Shembe was struggling. He had left his family and quit his job as a sanitation worker to become a Baptist evangelist, but he ended his first mission without much to show. Little did he know that he would soon establish the Nazaretha Church as he began to attract attention from people left behind by industrial capitalism in South Africa. By his death in 1935, Shembe was an internationally known prophet and healer, described by his peers as “better off than all the Black people.” In A Prophet of the People: Isaiah Shembe and the Making of a South African Church, historian Lauren V. Jarvis provides a fascinating and intimate portrait of one of South Africa’s most famous religious figures, and in turn the making of modern South Africa. Following Shembe from his birth in the 1860s across many environments and contexts, Jarvis illuminates the tight links between the spread of Christianity, strategies of evasion, and the capacious forms of community that continue to shape South Africa today.
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Prophet, Pariah, and Pioneer
Walter W. Taylor and Dissension in American Archaeology
Allan Maca
University Press of Colorado, 2010
"This is a fascinating book about a complex person...Taylor is claimed by the contributors to this new book as ancestor to both processual and postprocessual archaeologies...It thus remains possible to read him in different ways, as is well brought out by the diverse contributions to this volume, which is the first to provide a thorough and informed account that contextualizes Taylor's work and habilitates him within later and contemporary currents in archaeology...Throughout Prophet, Pariah, and Pioneer and especially at the end, the twists and turns, the refractions never stop...The editors are to be congratulated for not trying to tidy him up..."
-Ian Hodder, Current Anthropology

In his 1948 work A Study of Archaeology, recently minted Harvard Ph.D. Walter W. Taylor delivered the strongest and most substantial critique of American archaeology ever published. He created many enemies with his dissection of the research programs of America’s leading scholars, who took it as a personal affront. Taylor subsequently saw his ideas co-opted, his research pushed to the margins, and his students punished. Publicly humiliated at the 1985 Society for American Archaeology meeting, he suffered ridicule until his death in 1997.

Nearly everyone in the archaeological community read Taylor’s book at the time, and despite the negative reaction, many were influenced by it. Few young scholars dared to directly engage and build on his “conjunctive approach,” yet his suggested methods nevertheless began to be adopted and countless present-day authors highlight his impact on the 1960s formation of the “New Archaeology.” In

Prophet, Pariah, and Pioneer, peers, colleagues, and former students offer a critical consideration of Taylor’s influence and legacy. Neither a festschrift nor a mere analysis of his work, the book presents an array of voices exploring Taylor and his influence, sociologically and intellectually, as well as the culture of American archaeology in the second half of the twentieth century.

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Sons of the Prophet
A Play
Stephen Karam
Northwestern University Press, 2012

Finalist, 2012 Pulitzer Prize for Drama
Winner, 2012 New York Drama Critics Circle Award for Best Play
Winner, 2012 Lucille Lortel Award for Outstanding Play

A deeply humorous, unflinching portrait of grief and loss, Sons of the Prophet depicts a Lebanese-American family in rural Pennsylvania beset by an absurd string of tragedies. At the play’s center is Joseph Douaihy, a once-promising world-class runner now sidelined by injury. As Joseph confronts his deteriorating health, he is also forced to face the death of his father, an ailing Uncle, and a desperate boss beset by her own tragedies. Deftly keeping its various storylines in careful balance, Karam’s play confronts, with abundant intelligence and great sympathy for human frailty, the inevitability of loss and the equally inevitable comedy resulting from our attempts to cope with is consequences.

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Unveiling the Prophet
The Misadventures of a Reluctant Debutante
Lucy Ferriss
University of Missouri Press, 2005
In the autumn of 1972, Lucy Ferriss, then a college student in California, was preparing for the Veiled Prophet Ball at which she was to be presented to St. Louis society. Once the largest cotillion in the country, the invitation-only ball was unique among society events not only for the legend and mystery surrounding its namesake but also for its setting in a public, taxpayer-funded arena and for its accompanying parade.
            In the late sixties and early seventies, with racial tensions at a boiling point and urban renewal failing, the exclusively white male Christian membership of the Veiled Prophet Society and the Veiled Prophet’s costume—eerily reminiscent of a Klansman’s—attracted the ire of ACTION, a militant civil rights group. Before the 1972 ball, ACTION founder Percy Green, himself a native St. Louisan, sent letters inviting all of the debutantes to join in the protest: “ACTION understands that you hate being part of this upcoming white racist Veiled Prophet Ball as we hate you being forced to participate by your parents.” The letter didn’t persuade Ferriss, who felt she owed it to her father to participate. She wrote back: “Don’t you have bigger fish to fry? This is just a stupid party. We are slaughtering people in Southeast Asia. Let this one go. It will fall of its own weight.”
            But ACTION did not let this one go. On the night of the ball, as Ferriss bowed in obeisance to the crowd and took her place on the stage, a woman swooped down onto the stage and knocked off the Veiled Prophet’s hat and veil, revealing his identity. In the era of monumental Vietnam War protests, unmasking a wealthy and powerful old man might have seemed a feeble act of revolution, but this act forever changed the Veiled Prophet Ball in St. Louis.
            Ferriss’s memoir blends regional history, national history, and her own personal history to create a fast-paced narrative that follows two time lines. One is the dramatic and often funny story of her attending the exclusive ball, having eaten half a pan of marijuana brownies beforehand, with a Jewish hippie who smelled of “unwashed beard.” The other story takes place thirty years later as Ferriss returns to St. Louis from her home on the East Coast to track down some of ACTION’s principal activists as well as key figures in the Veiled Prophet Society.
            Over the course of this engaging story, Ferriss undergoes her own unveiling, as she discusses and comes to terms with her family; the past, present, and future of St. Louis; and the cultural politics that frame young women’s entrance into society.
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Vasconcelos of Mexico
Philosopher and Prophet
By John H. Haddox
University of Texas Press, 1967

José Vasconcelos—lawyer, politician, writer, educator, philosopher, prophet, and mystic—was one of the most influential and controversial figures in the intellectual life of twentieth-century Mexico.

Vasconcelos was driven by the desire to gain a complete and comprehensive vision of reality, employing his own aesthetic-emotive method and a poetic mode of expression. The complex philosophical system that resulted is what he called “aesthetic monism.” But this is only one side of the man. Vasconcelos was also vitally interested in both the proximate realities and remote possibilities of Mexico, in the character of the “cosmic race” of his homeland, and in the relations between his own country and the others of this hemisphere.

Soon after Vasconcelos’s death in 1959, Eduardo García Máynez spoke of him, in a moving tribute, as “without question the most inspiring intellectual and human figure that Mexico has produced.” Unhappily—and perhaps disgracefully—he has remained almost unknown outside the Spanish-speaking world. Histories of Mexico published in English usually give passing mention to his role as Minister of Public Education or his unsuccessful campaign for the presidency, but his aesthetic system and his socio-political ideas have been ignored by philosophers in the United States.

Here, for the first time, is a unified, inclusive, and occasionally critical presentation of the entire range of Vasconcelos’s thought, from his metaphysics and theory of knowledge through his aesthetics and ethics to his social and political philosophy. It is enriched by an appendix in which the most significant passages from Vasconcelos’s own philosophical writings are presented in English translations.

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Washington Gladden
Prophet of the Social Gospel
Jacob H. Dorn
The Ohio State University Press, 1966
It has long been recognized that the much loved and widely revered Congregational minister, the Reverend Washington Gladden, pursued a career that embodied the salient features of what was probably the most dynamic period in the history of religion in America. For Gladden was one of the principal actors in those episodes that constitute the often violent but always exhilarating transition from orthodoxy to a more flexible faith based on principles of social justice and service to mankind that took place between the Civil War and World War I.

Gladden was one of the first among clergymen to respond to the intellectual and social currents that arose to challenge traditional modes of Protestant thought and social action. By the end of the nineteenth century, when both liberal theology and the Social Gospel had, in a sense, triumphed as the dominant forces in American Protestantism, he had achieved recognition as one of the earliest, most constant, and most influential exponents of both movements. He was, in addition, one of their chief popularizers; and his copious writings—some forty books and hundreds of articles—represent classic examples of the liberal, socially-conscious Protestantism that distinguished his age.

Mr. Dorn has provided the first comprehensive study of Gladden’s spectacular career. He traces his life and its influences from his birth in Pennsylvania to his long and successful pastorate at the First Congregational Church in Columbus, Ohio, where he gained national fame in stormy encounters with such prominent figures as the redoubtable Billy Sunday and his wife “Ma,” and for his lucid and vigorous positions on national issues such as the “tainted money” controversy that brought him into conflict with Standard Oil.
 
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