logo for Harvard University Press
Lacan
Malcolm Bowie
Harvard University Press, 1991

The French psychoanalyst Jacques Lacan (1901–1981) is a uniquely complex writer and the originator of an especially unsettling view of the human subject. But the singularity of Lacan’s achievement has been understated by many of his critics. Often he is seen merely as a figure famous for being famous—an essential reference point in structuralist and poststructuralist debate—rather than as a theorist whose writings demand and reward detailed scrutiny.

Malcolm Bowie traces the development of Lacan’s ideas over the fifty-year span of his writing and teaching career. The primary focus is on the fascinating mutations in Lacan’s interpretation of Freud. Bowie reinserts the celebrated slogans—“The unconscious is the discourse of the Other,” “The unconscious is structured like a language,” and so forth—into the history of Lacan’s thinking, and pinpoints the paradoxes and anomalies that mark his account of human sexuality. This book provides a firm basis for the critical evaluation of Lacan’s ideas and the rhetoric in which they are embedded; it is based on a close reading of Lacan’s original texts but presupposes no knowledge of French in the reader.

Although Bowie is sharply critical of Lacan on several major analytic questions, he argues that Lacan is the only psychoanalyst after Freud whose intellectual achievement is seriously comparable to Freud’s own. Lacan provides the ideal starting point for any exploration of the work of this formidable thinker.

[more]

front cover of Lacan To The Letter
Lacan To The Letter
Reading Ecrits Closely
Bruce Fink
University of Minnesota Press, 2004

An analysis of Lacan’s thought by way of a close, authoritative reading of his Écrits

To read Lacan closely is to follow him to the letter, to take him literally, making the wager that he comes right out and says what he means in many cases, though much of his argument must be reconstructed through a line-by-line examination. And this is precisely what Bruce Fink does in this ambitious book, a fine analysis of Lacan’s work on language and psychoanalytic treatment conducted on the basis of a very close reading of texts in his Écrits: A Selection.

As a translator and renowned proponent of Lacan’s works, Fink is an especially adept and congenial guide through the complexities of Lacanian literature and concepts. He devotes considerable space to notions that have been particularly prone to misunderstanding, notions such as “the sliding of the signified under the signifier,” or that have gone seemingly unnoticed, such as “the ego is the metonymy of desire.” Fink also pays special attention to psychoanalytic concepts, like affect, that Lacan is sometimes thought to neglect, and to controversial concepts, like the phallus. From a parsing of Lacan’s claim that “commenting on a text is like doing an analysis,” to sustained readings of “The Instance of the Letter in the Unconscious,” “The Direction of the Treatment,” and “Subversion of the Subject” (with particular attention given to the Graph of Desire), Fink’s book is a work of unmatched subtlety, depth, and detail, providing a valuable new perspective on one of the twentieth century’s most important thinkers.
[more]

front cover of Language and Interpretation in Psychoanalysis
Language and Interpretation in Psychoanalysis
Marshall Edelson
University of Chicago Press, 1984
Consider a poem as the literary critic reads it; consider the language of an analysand as the psychoanalyst hears it. The tasks of the professionals are similar: to interpret the linguistic, symbolic data at hand. In Language and Interpretation in Psychoanalysis, Marshall Edelson explores the linguistics of Chomsky, showing the congruence between Chomsky and Freud, and comparing linguistic interpretations in the psychoanalytic situation with interpretations of a Bach prelude and Wallace Stevens's poem "The Snow Man."
[more]

logo for Harvard University Press
Learning Psychotherapy
Rationale and Ground Rules
Hilde Bruch
Harvard University Press, 1974

Hilde Bruch sets out to accomplish what has, until now, been virtually impossible—the teaching of psychotherapy by use of the written word, communicating the wisdom of a lifetime. Perhaps Dr. Bruch’s unique success at a task that has been tried and tried again, only to result in stereotyped dos and don’ts, stems from her own learning experiences with two great teachers: Harry Stack Sullivan and Frieda Fromm-Reichmann.

Dr. Bruch shares her knowledge of the essential purpose of intensive psychotherapy as it has been shaped over her many years as a psychiatrist, psychoanalyst, and teacher. She sets forth a theoretical frame in straightforward and unmystical language without minimizing the complexities of demand that therapy makes on both patient and therapist.

The reader accompanies the therapist from his first encounter with the stranger who comes to him with his trouble through the various steps that lead to the resolution of the problems. The patient is viewed as a participant in a multifaceted system of many experiences and people, not as an individual isolated from the world around him. In Dr. Bruch’s conception, psychotherapy is a situation where two people interact and try to come to an understanding of one another, with the specific goal of accomplishing something beneficial for the complaining person. The factors that help or hinder the attainment of this interaction are spelled out in the book, and the entire process of learning psychotherapy is thereby illuminated.

[more]

logo for Harvard University Press
The Letters of Sigmund Freud to Eduard Silberstein, 1871-1881
Sigmund Freud
Harvard University Press, 1990

When Sigmund Freud was nearly seventy and reflecting upon his life, he noted in Selbstdarstellung that during his youth he was consumed with a passion for knowledge that had more to do with human relationships than with natural objects. This collection of nearly eighty letters, written by Freud to his boyhood chum Eduard Silberstein, attests to that earlier, more whimsical life and to the existence of a deeply sensitive, observant youth.

The letters were composed over a period of ten years during which Freud and Silberstein attended secondary school and later the university in Vienna. They are the earliest primary source available on Freud's childhood and the only surviving documentation of his adolescence. Written in a witty, playful, and sometimes sanctimonious style, the letters bring to light a panoply of public and private interests: Freud's attitudes toward Bismarck and social democracy, his philosophical studies and professional leanings, as well as the innocent assault of first love, his earliest sexual stirrings, and his musings on the differences between men and women. What emerges in these letters is the special nature of this adolescent friendship, which was characterized by its own private mythology, code, and membership in an exclusive secret society invented by the two young correspondents. These letters sketch a unique portrait of Freud's youth. They will be a rich resource for scholars and all those interested in Sigmund Freud's formative years.

[more]

front cover of Listening Awry
Listening Awry
Music And Alterity In German Culture
David Schwarz
University of Minnesota Press, 2006
In his first book, Listening Subjects, David Schwarz succeeded in fusing post-Lacanian psychoanalytic, musical-theoretical, and musical-historical perspectives. In Listening Awry, he expands his project to “tell a story of historical modernism writ large”—how German music spanning two centuries refracts changes in society and culture, as well as the impacts of concepts introduced by psychoanalysis.Schwarz shows how post-Lacanian psychoanalysis can be applied to ideological interpellation that connects psychoanalysis to culture and how music theory can ground these considerations in precise details of musical textuality. He “listens awry” in several ways: by understanding musical meaning in both objective and socially structured ways, by embracing historical and also aesthetic approaches, by addressing high art as well as popular music, and by listening “around” conventional forms of musical meaning to reach toward that which evades signification.Structured around four themes—trauma, the other/Other, the look/gaze binary, and Judaism—Listening Awry explores five key moments in post-Enlightenment music: the rise of the singular orchestral conductor and the emergence of a new form of alterity, the Art Song and “the sublime of the delicate” (a correlate of the Kantian mathematical and dynamical sublime), the birth of psychoanalysis and the twentieth-century turn toward atonality, German war songs and the subversion of German music by the Nazis, and two different versions of Wagner’s Parsifal that were performed one hundred years apart and in radically different contexts.This highly original work, filled with imaginative readings and disquieting observations, links trauma with the culture and history of modernity and German music, deftly tying the experience of the body to the sounds it hears: how it reaches us slowly, penetrates the skin, and resonates.David Schwarz is assistant professor of music at the University of North Texas. He is the author of Listening Subjects: Music, Psychoanalysis, Culture.
[more]

front cover of Listening Subjects
Listening Subjects
Music, Psychoanalysis, Culture
David Schwarz
Duke University Press, 1997
In Listening Subjects, David Schwarz uses psychoanalytic techniques to probe the visceral experiences of music listeners. Using classical, popular, and avant-garde music as texts, Schwarz addresses intriguing questions: why do bodies develop goose bumps when listening to music and why does music sound so good when heard "all around?" By concentrating on music as cultural artifact, Listening Subjects shows how the historical conditions under which music is created affect the listening experience.
Schwarz applies the ideas of post-Lacanian psychoanalytic theorists Slavoj Zizek, Julia Kristeva, and Kaja Silverman to an analysis of diverse works. In a discussion of John Adams’s opera Nixon in China, he presents music listening as a fantasy of being enclosed in a second skin of enveloping sound. He looks at the song cycles of Franz Schubert as an examination and expression of epistemological doubts at the advent of modernism, and traverses fantasy "space" in his exploration of the white noise at the end of the Beatles’ "I Want You (She’s So Heavy)." Schwarz also considers the psychosexual undercurrent in Peter Gabriel’s "Intruder" and the textual and ideological structures of German Oi Musik. Concluding with a reading of two compositions by Diamanda Galás, he reveals how some performances can simultaneously produce terror and awe, abjection and rage, pleasure and displeasure. This multilayered study transcends other interventions in the field of musicology, particularly in its groundbreaking application of literary theory to popular and classical music.
[more]

front cover of Localization and Its Discontents
Localization and Its Discontents
A Genealogy of Psychoanalysis and the Neuro Disciplines
Katja Guenther
University of Chicago Press, 2015
Psychoanalysis and neurological medicine have promoted contrasting and seemingly irreconcilable notions of the modern self. Since Freud, psychoanalysts have relied on the spoken word in a therapeutic practice that has revolutionized our understanding of the mind. Neurologists and neurosurgeons, meanwhile, have used material apparatus—the scalpel, the electrode—to probe the workings of the nervous system, and in so doing have radically reshaped our understanding of the brain. Both operate in vastly different institutional and cultural contexts.

Given these differences, it is remarkable that both fields found resources for their development in the same tradition of late nineteenth-century German medicine: neuropsychiatry. In Localization and Its Discontents, Katja Guenther investigates the significance of this common history, drawing on extensive archival research in seven countries, institutional analysis, and close examination of the practical conditions of scientific and clinical work. Her remarkable accomplishment not only reframes the history of psychoanalysis and the neuro disciplines, but also offers us new ways of thinking about their future.
[more]

front cover of The Long Shadow of Temperament
The Long Shadow of Temperament
Jerome Kagan and Nancy Snidman
Harvard University Press, 2009

We have seen these children—the shy and the sociable, the cautious and the daring—and wondered what makes one avoid new experience and another avidly pursue it. At the crux of the issue surrounding the contribution of nature to development is the study that Jerome Kagan and his colleagues have been conducting for more than two decades. In The Long Shadow of Temperament, Kagan and Nancy Snidman summarize the results of this unique inquiry into human temperaments, one of the best-known longitudinal studies in developmental psychology. These results reveal how deeply certain fundamental temperamental biases can be preserved over development.

Identifying two extreme temperamental types—inhibited and uninhibited in childhood, and high-reactive and low-reactive in very young babies—Kagan and his colleagues returned to these children as adolescents. Surprisingly, one of the temperaments revealed in infancy predicted a cautious, fearful personality in early childhood and a dour mood in adolescence. The other bias predicted a bold childhood personality and an exuberant, sanguine mood in adolescence. These personalities were matched by different biological properties. In a masterly summary of their wide-ranging exploration, Kagan and Snidman conclude that these two temperaments are the result of inherited biologies probably rooted in the differential excitability of particular brain structures. Though the authors appreciate that temperamental tendencies can be modified by experience, this compelling work—an empirical and conceptual tour-de-force—shows how long the shadow of temperament is cast over psychological development.

[more]


Send via email Share on Facebook Share on Twitter