front cover of Bound by Steel and Stone
Bound by Steel and Stone
The Colorado-Kansas Railway and the Frontier of Enterprise in Colorado, 1890-1960
J. Bradford Bowers
University Press of Colorado, 2022
Bound by Steel and Stone analyzes the Colorado-Kansas Railway through the economic enterprise in the American West in the decades after the supposed 1890 closing of the frontier. In it, J. Bradford Bowers weaves a tale of reinvention against the backdrop of the newly settled West, showing how the railway survived in one form or another for nearly fifty years, overcoming competition from other railroads, a limited revenue base, and even more limited capital financing.
 
Offering the Colorado-Kansas Railway as an example of how shortline railroads helped to integrate the rural landscape with the larger urban and economic world, Bowers reveals the constant adaptations driven by changing economic forces and conditions. He puts the railway in context of the wider environmental and political landscapes, the growing quarrying and mining business, the expansion of agriculture and irrigation, Progressive-era political reforms, and land development. In the new frontier of enterprise in the early twentieth-century American West, the railroad highlights the successes and failures of the men inspired to pursue these new opportunities as well as the story of one woman who held these fragile industries together well into the second half of the twentieth century.
 
Bound by Steel and Stone is an insightful addition to the history of industrialization and economic development in Colorado and the American West.
 
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front cover of Pueblo
Pueblo
Mountain, Village, Dance
Vincent Scully
University of Chicago Press, 1989
The vast and beautiful landscape of the American Southwest has long haunted artists and writers seeking to understand the mysteries of the deep affinity between the land and the Native Americans who have lived on it for centuries. In this pioneering study, art historian Vincent Scully explores the inhabitants' understanding of the natural world in an entirely original way—by observing and analyzing the complex yet visible relationships between the landscape of mountain and desert, the ancient ruins and the pueblos, and the ceremonial dances that take place with them. Scully sees these intricate dances as the most profound works of art yet produced on the American continent—as human action entwined with the natural world and framed by architectural forms, in which the Pueblos express their belief in the unity of all earthly things.

Scully's observations, presented in lively prose and exciting photographs, are based on his own personal experiences of the Southwest; on his exploration of the region of the Rio Grande and the Hopi mesas; on his witnessing of the dances and ceremonies of the Pueblos and others; and on his research into their culture and history. He draws on the vast literature inspired by the Native Americans—from early exploration narratives to the writing of D. H. Lawrence to recent scholarship—to enrich and support his unique approach to the subject.

To this second edition Scully has added a new preface that raises issues of preservation and development. He has also written an extensive postscript that reassesses the relationship between nature and culture in Native American tradition and its relevance to contemporary architecture and landscape.

"Coming to Pueblo architecture as he does from a provocative study of sacred architecture in ancient Greece, Scully has much to say that is both striking and moving of the Pueblo attitudes toward sacred places, the arrangement of structures in space, the lives of men and beasts, and man's relation to rain, earth, vegetation."—Robert M. Adams, New York Review of Books
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front cover of Seventeenth-Century Metallurgy on the Spanish Colonial Frontier
Seventeenth-Century Metallurgy on the Spanish Colonial Frontier
Pueblo and Spanish Interactions
Noah H. Thomas
University of Arizona Press, 2018
A unique contribution to the archaeological literature on the Southwest, Seventeenth-Century Metallurgy on the Spanish Colonial Frontier introduces a wealth of data from one of the few known colonial metal production sites in the Southwest. Archaeologist Noah H. Thomas draws on and summarizes ten seasons of excavation from the Pueblo of Paa-ko to provide a critical analysis of archaeological features and materials related to metal production during the early colonial period (AD 1598–1680). Extrapolating from the data, Thomas provides a theoretical interpretation of these data that is grounded in theories of agency, practice, and notions of value shaped in culture. In addition to the critical analysis of archaeological features and materials, this work brings to light a little-known aspect of the colonial experience: the production of metal by indigenous Pueblo people.

Using the ethnography of Pueblo peoples and seventh-century European manuals of metallurgy, Thomas addresses how the situated agency of indigenous practitioners incorporated within colonial industries shaped the metallurgy industry in the Spanish colonial period. The resulting analysis investigates how economic, technical, and social knowledge was communicated, contested, and transformed across the social and cultural boundaries present in early colonial communities. Viewing these transformations through an ethnohistorical lens, Thomas builds a social and historical context within which to understand the decisions made by colonial actors at the time.
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