BiblioVault - Books about Queens

ANNE OF AUSTRIA

QUEEN OF FRANCE

RUTH KLEINMAN

The Ohio State University Press, 1987

A Companion to Global Queenship

Elena Woodacre

Arc Humanities Press, 2018

This collection expands previous regional and individual studies of queenship and female political agency in order to engage in a comparative study of premodern female rule on a global scale. While the field of queenship studies and examinations of gender and power have been flourishing, the literature has tended to be dominated by studies of European royalty. This volume aims toembrace and develop the trend towards an increasingly global outlook for the field of queenship studies. Case studies of women from different periods, places, and religions are deliberately mixed to compare and contrast the realities of queenship in varied settings. Lesser studied examples of queens are provided alongside fresh perspectives on more familiar figures and regions. The authors increase our understanding of understudied individuals and groups of queens, and they encourage the comparison of the practice of queenship in the premodern era. This authoritative and comprehensive Companion will be required readingfor all scholars and students of premodern gender and political studies.

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Dissing Elizabeth

Negative Representations of Gloriana

Julia M. Walker, ed.

Duke University Press, 1998

Dissing Elizabeth focuses on the criticism that cast a shadow on the otherwise celebrated reign of Elizabeth I. The essays in this politically and historically revealing book demonstrate the sheer pervasiveness and range of rhetoric against the queen, illuminating the provocative discourse of disrespect and dissent that existed over an eighty-year period, from her troubled days as a princess to the decades after her death in 1603.
As editor Julia M. Walker suggests, the breadth of dissent considered in this collection points to a dark side of the Cult of Elizabeth. Reevaluating neglected texts that had not previously been perceived as critical of the queen or worthy of critical appraisal, contributors consider dissent in a variety of forms, including artwork representing (and mocking) the queen, erotic and pornographic metaphors for Elizabeth in the popular press, sermons subtly critiquing her actions, and even the hostility encoded in her epitaph and in the placement of her tomb. Other chapters discuss gossip about Elizabeth, effigies of the queen, polemics against her marriage to the Duke of Alençon, common verbal slander, violence against emblems of her authority, and the criticism embedded in the riddles, satires, and literature of the period.

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Eleanor of Aquitaine, as It Was Said

Truth and Tales about the Medieval Queen

Karen Sullivan

University of Chicago Press, 2023

A reparative reading of stories about medieval queen Eleanor of Aquitaine.

Much of what we know about Eleanor of Aquitaine, Queen of France and then Queen of England, we know from recorded rumor—gossip often qualified by the curious phrase “it was said,” or the love songs, ballads, and romances that gossip inspired. While we can mine these stories for evidence about the historical Eleanor, Karen Sullivan invites us to consider, instead, what even the most fantastical of these tales reveals about this queen and life as a twelfth-century noblewoman. She reads the Middle Ages, not to impose our current conceptual categories on its culture, but to expose the conceptual categories medieval women used to make sense of their lives. Along the way, Sullivan paints a fresh portrait of this singular medieval queen and the women who shared her world.

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Elizabeth I

Autograph Compositions and Foreign Language Originals

Elizabeth I

University of Chicago Press, 2002

Published to substantial critical acclaim, Elizabeth I: Collected Works brought together for the first time in one volume the speeches, poems, prayers, and selected letters of Queen Elizabeth I (1533-1603), all in modernized spelling and punctuation. With this new volume, Janel Mueller and Leah S. Marcus give specialists fuller access to key originals of the queen's texts presented in Collected Works.

The originals selected for inclusion here are compositions that survive in Elizabeth's own handwriting, in English and in foreign languages, as well as her foreign language compositions preserved by other hands or in printed editions. Presented in transcriptions that reproduce the spelling and punctuation of their sixteenth-century sources, these texts convey many of the expressive and significant features of Elizabeth's writing. Through the transcriptions of texts in her own hand, readers can track the queen's language and compositional style-her choices of vocabulary and phrasing; her habits of capitalization, spelling, and punctuation; her often heavy revisions and redraftings; and her insertions of postscripts and second thoughts. The texts in foreign languages, meanwhile, will allow readers to prepare their own English translations from these original sources.

A unique resource for scholars of English literature and the Renaissance, this companion to the Collected Works offers much fuller and more detailed access to Elizabeth and her writings than can be obtained from the modern English versions alone.

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Elizabeth I

Collected Works

Elizabeth I

University of Chicago Press, 2000

This long-awaited and masterfully edited volume contains nearly all of the writings of Queen Elizabeth I: the clumsy letters of childhood, the early speeches of a fledgling queen, and the prayers and poetry of the monarch's later years. The first collection of its kind, Elizabeth I reveals brilliance on two counts: that of the Queen, a dazzling writer and a leading intellect of the English Renaissance, and that of the editors, whose copious annotations make the book not only essential to scholars but accessible to general readers as well.

"This collection shines a light onto the character and experience of one of the most interesting of monarchs. . . . We are likely never to get a closer or clearer look at her. An intriguing and intense portrait of a woman who figures so importantly in the birth of our modern world."—Publishers Weekly

"An admirable scholarly edition of the queen's literary output. . . . This anthology will excite scholars of Elizabethan history, but there is something here for all of us who revel in the English language."—John Cooper, Washington Times

"Substantial, scholarly, but accessible. . . . An invaluable work of reference."—Patrick Collinson, London Review of Books

"In a single extraordinary volume . . . Marcus and her coeditors have collected the Virgin Queen's letters, speeches, poems and prayers. . . . An impressive, heavily footnoted volume."—Library Journal

"This excellent anthology of [Elizabeth's] speeches, poems, prayers and letters demonstrates her virtuosity and afford the reader a penetrating insight into her 'wiles and understandings.'"—Anne Somerset, New Statesman

"Here then is the only trustworthy collection of the various genres of Elizabeth's writings. . . . A fine edition which will be indispensable to all those interested in Elizabeth I and her reign."—Susan Doran, History

"In the torrent of words about her, the queen's own words have been hard to find. . . . [This] volume is a major scholarly achievement that makes Elizabeth's mind much more accessible than before. . . . A veritable feast of material in different genres."—David Norbrook, The New Republic

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Female Monarchs and Merchant Queens in Africa

Nwando Achebe

Ohio University Press, 2020

An unapologetically African-centered monograph that reveals physical and spiritual forms and systems of female power and leadership in African cultures. Nwando Achebe’s unparalleled study documents elite females, female principles, and female spiritual entities across the African continent, from the ancient past to the present. Achebe breaks from Western perspectives, research methods, and their consequently incomplete, skewed accounts, to demonstrate the critical importance of distinctly African source materials and world views to any comprehensible African history. This means accounting for the two realities of African cosmology: the physical world of humans and the invisible realm of spiritual gods and forces. That interconnected universe allows biological men and women to become female-gendered males and male-gendered females. This phenomenon empowers the existence of particular African beings, such as female husbands, male priestesses, female kings, and female pharaohs. Achebe portrays their combined power, influence, and authority in a sweeping, African-centric narrative that leads to an analogous consideration of contemporary African women as heads of state, government officials, religious leaders, and prominent entrepreneurs.

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From Cuenca to Queens

An Anthropological Story of Transnational Migration

By Ann Miles

University of Texas Press, 2004

Transnational migration is a controversial and much-discussed issue in both the popular media and the social sciences, but at its heart migration is about individual people making the difficult choice to leave their families and communities in hopes of achieving greater economic prosperity. Vicente Quitasaca is one of these people. In 1995 he left his home in the Ecuadorian city of Cuenca to live and work in New York City. This anthropological story of Vicente's migration and its effects on his life and the lives of his parents and siblings adds a crucial human dimension to statistics about immigration and the macro impact of transnational migration on the global economy.

Anthropologist Ann Miles has known the Quitasacas since 1989. Her long acquaintance with the family allows her to delve deeply into the factors that eventually impelled the oldest son to make the difficult and dangerous journey to the United States as an undocumented migrant. Focusing on each family member in turn, Miles explores their varying perceptions of social inequality and racism in Ecuador and their reactions to Vicente's migration. As family members speak about Vicente's new, hard-to-imagine life in America, they reveal how transnational migration becomes a symbol of failure, hope, resignation, and promise for poor people in struggling economies. Miles frames this fascinating family biography with an analysis of the historical and structural conditions that encourage transnational migration, so that the Quitasacas' story becomes a vivid firsthand illustration of this growing global phenomenon.

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Letters from the Queen of Navarre with an Ample Declaration

Jeanne d’Albret

Iter Press, 2016

This edition presents in English, for the first time, Jeanne d’Albret’s Letters to the king, his mother, his brother, her own brother-in-law, and the queen of England, together with her Ample Declaration (1568) defending her decampment to the Protestant stronghold of La Rochelle. A historical-biographical introduction situates these writings in the larger context of Reformation politics and examines in detail the specific literary characteristics of her memoir. In her works, Jeanne d’Albret asserts her own position as legal sovereign of Béarn and Navarre and situates herself at the nexus of overlapping political, religious, and familial tensions.

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Portraits of the Queen Mother

Polemics, Panegyrics, Letters

Catherine de Médicis and Others

Iter Press, 2014

Catherine de Médicis was portrayed in her day as foreign usurper, loving queen and queen mother, patron of the arts, and Machiavellian murderer of Protestants. Leah L. Chang and Katherine Kong assemble a diverse array of scathing polemic and lofty praise, diplomatic reports, and Catherine’s own letters, which together show how one extraordinary woman’s rule intersected with early modern conceptions of gender, maternity, and power.

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Queens and Queenship

Elena Woodacre

Arc Humanities Press, 2021

This work looks at queenship in a global, timeless sense—examining the role of queens, empresses, and other royal women from the ancient and classical period through to nearly the present day on every continent. By looking at queenship in this comparative, longue durée way, we can start to see connecting threads and continuity over time and space as well as the change and development and comparisons of how the queen’s role differed in various cultural contexts. A wide variety of examples are given to explain and contextualize key themes in queenship: family and dynasty, rulership, and image crafting. The introduction provides a brief overview of the development of queenship studies and a discussion of the ideals that queens were expected to conform to. This book offers a radically new perspective on queenship studies which enables new insights into the queen’s role as the preeminent woman in the realm.

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Queenship and Sanctity

The Lives of Mathilda and the Epitaph of Adelheid (Medieval Texts in Translation)

Sean Gilsdorf

Catholic University of America Press, 2004

Queenship and Sanctity brings together for the first time in English the anonymous Lives of Mathilda and Odilo of Cluny's Epitaph of Adelheid. Richly annotated, with an extensive introduction placing the texts and their subjects in historical and hagiographical context, it provides teachers and students with a crucial set of sources for the history of Europe (particularly Germany) in the tenth and eleventh centuries, for the development of sacred biography and medieval notions of sanctity, and for the life of aristocratic and royal women in the early Middle Ages.

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Royal Representations

Queen Victoria and British Culture, 1837-1876

Margaret Homans

University of Chicago Press, 1998

Queen Victoria was one of the most complex cultural productions of her age. In Royal Representations, Margaret Homans investigates the meanings Victoria held for her times, Victoria's own contributions to Victorian writing and art, and the cultural mechanisms through which her influence was felt.

Arguing that being, seeming, and appearing were crucial to Victoria's "rule," Homans explores the variability of Victoria's agency and of its representations using a wide array of literary, historical, and visual sources. Along the way she shows how Victoria provided a deeply equivocal model for women's powers in and out of marriage, how Victoria's dramatic public withdrawal after Albert's death helped to ease the monarchy's transition to an entirely symbolic role, and how Victoria's literary self-representations influenced debates over political self-representation.

Homans considers versions of Victoria in the work of Elizabeth Barrett Browning, George Eliot, John Ruskin, Margaret Oliphant, Lewis Carroll, Alfred Lord Tennyson, and Julia Margaret Cameron.

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The Rule of Women in Early Modern Europe

Edited by Anne J. Cruz and Mihoko Suzuki

University of Illinois Press, 2008

This collection brings a transcultural and transnational perspective to the study of early modern women rulers and female sovereignty, a topic that has until now been examined through the lens of a single nation. Contributors to the volume juxtapose rulers from different countries, including well-known sovereigns such as Isabel of Castile and Elizabeth Tudor, as well as other less widely studied figures Isabeau of Bavaria, Jeanne d'Albret, Isabel Clara Eugenia, Juana of Austria, and Catherine of Brandenburg. Several essays also focus on the representations of foreign rulers such as Catherine de' Medici in England and Elizabeth I in France.

Drawing on early modern literature and historical documents, this study investigates the various political, discursive, and symbolic measures employed to negotiate and support female sovereignty by both early modern writers and the rulers themselves. The detailed analysis of the women's responses--or inability to respond--to these strictures underscores the relationship between early modern authors and sovereigns and the complex and vexed situation of European women rulers.

Contributors are Tracy Adams, Anne J. Cruz, Éva Deák, Mary C. Ekman, Catherine L. Howey, Elizabeth Ketner, Carole Levin, Sandra Logan, Magdalena S. Sánchez, Mihoko Suzuki, and Barbara F. Weissberger.

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A Stranger in the Hague

The Letters of Queen Sophie of the Netherlands to Lady Malet, 1842–1877

S. W. Jackman and Hella Haasse, eds.

Duke University Press, 1989

Princess Sophie Frederika Mathilde of Wurttemberg (1818-1877) married William, Prince of Orange (and her first cousin) in 1839. Sophie (as she was known) was alert, well-educated, and ambitious, far the intellectual superior of her husband; as the great-granddaughter of Catherine the Great of Russia, she may have aspired to play an important role in guiding the affairs of the House of Orange. This was not to be. After the birth of two sons, her relations with her husband cooled, and with a few important exceptions she became isolated from the other members of the family at the Hague. Partly to overcome the resulting personal and intellectual isolation she turned to an extensive correspondence with heads of state, royal relatives, aristocratic acquaintances, political leaders, and intellectual figures. Family difficulties continued and even increased after William ascended the throne in 1849.
Sophie met her friend and confidant Marina Dora Spading, Lady Malt, when the latter was at the Hague with her diplomat husband in 1842. A lifelong friendship ensued, although they saw each other only infrequently thereafter. Sophie’s letters to Lady Malt are an extraordinary combination of comments on her personal situation and shrewd analyses of the European political arena. This selection of her surviving correspondence is opinionated, frank, and perceptive, and her letters are a unique commentary on the affairs of the Europe of the mid-nineteenth century.

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The Subject of Elizabeth

Authority, Gender, and Representation

Louis Montrose

University of Chicago Press, 2006

As a woman wielding public authority, Elizabeth I embodied a paradox at the very center of sixteenth-century patriarchal English society. Louis Montrose’s long-awaited book, The Subject of Elizabeth, illuminates the ways in which the Queen and her subjects variously exploited or obfuscated this contradiction.

Montrose offers a masterful account of the texts, pictures, and performances in which the Queen was represented to her people, to her court, to foreign powers, and to Elizabeth herself. Retrieving this “Elizabethan imaginary” in all its richness and fascination, Montrose presents a sweeping new account of Elizabethan political culture. Along the way, he explores the representation of Elizabeth within the traditions of Tudor dynastic portraiture; explains the symbolic manipulation of Elizabeth’s body by both supporters and enemies of her regime; and considers how Elizabeth’s advancing age provided new occasions for misogynistic subversions of her royal charisma.

This book, the remarkable product of two decades of study by one of our most respected Renaissance scholars, will be welcomed by all historians, literary scholars, and art historians of the period.

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A Tapestry of Queens

A Story of Scotland's Struggle for Independence

Carol Milkuhn

Arizona Center for Medieval and Renaissance Studies, 2014