front cover of The Chinese Overseas
The Chinese Overseas
From Earthbound China to the Quest for Autonomy
Wang Gungwu
Harvard University Press, 2000

The Chinese overseas now number 25 to 30 million, yet the 2,000-year history of Chinese attempts to venture abroad and the underlying values affecting that migration have never before been presented in a broad overview. Despite centuries of prohibition against leaving the land and traveling and settling overseas, the "earthbound" Chinese--first traders, then peasants and workers--eventually found new sources of livelihood abroad. The practice of sojourning, being always temporarily away from home, was the answer the Chinese overseas found to deal with imperial and orthodox concerns. Today their challenge is to find an alternative to either returning or assimilating by seeking a new kind of autonomy in a world that will come to acknowledge the ideal of multicultural states.

In pursuing this story, international scholar Wang Gungwu uncovers some major themes of global history: the coming together of Asian and European civilizations, the ambiguities of ethnicity and diasporic consciousness, and the tension between maintaining one's culture and assimilation.

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logo for Harvard University Press
The Chinese Overseas
From Earthbound China to the Quest for Autonomy
Wang Gungwu
Harvard University Press

front cover of Uncensored
Uncensored
Samizdat Novels and the Quest for Autonomy in Soviet Dissidence
Ann Komaromi
Northwestern University Press, 2015

2016 AATSEEL Prize for Best Book in Literary/Cultural Studies

Vasilii Aksenov, Andrei Bitov, and Venedikt Erofeev were among the most acclaimed authors of samizdat, the literature that was self-published in the former Soviet Union in order to evade censorship and prosecution. In Uncensored, Ann Komaromi uses their work to argue for a far more sophisticated understanding of the phenomenon of samizdat, showing how the material circumstances of its creation and dissemi­nation exercised a profound influence on the very idea of dissidence, reconfiguring the relationship between author and reader.

Using archival research to fully illustrate samizdat’s social and historical context, Komaromi arrives at a more nuanced theo­retical position that breaks down the opposition between the autonomous work of art and direct political engagement. The similarities between samizdat and digital culture have particular relevance for contemporary discourses of dissident subjectivity.

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